In the photographic series Processed Views, valleys of Fruit Loops surround a lake of milk, while marshmallows create a hazy, pillowy landscape. Shot as a collaboration between Barbara Ciurej and Lindsay Lochman, the photographs interpret the frontier of industrial food production as the line between science and nature grows thin. In a statement about the work, the pair writes, “As we move further away from the natural sources of our food, we head into uncharted territory replete with unintended consequences for the environment and for our health.”
These photographs are simultaneously appealing and disgusting. Ciurej and Lochman have set the scene and produced grandiose, often idyllic looking landscapes that mimic splendor you’d find in the natural world. However, when you remember that these a mixture of real food and unpronounceable chemicals additives, it’s hard to find them as attractive. The crashing waves of syrupy sticky Coca-Cola is not somewhere that I’d like to visit.
The style of Processed Views references the work of Carleton Watkins (1829-1916). He is famous for his photographs of the American West, framing it as a land of endless possibilities. Ciurej and Lochman go on to write about the photographer, who was commissioned by the corporate interests of the day including the railroad, milling, and mining industries. “Watkins embodied the commonly held 19th century view of Manifest Destiny – the inevitability of America’s bountiful land, justifiably utilized and consumed by it’s citizens,” they write. Now seen as the land of excess, the series is a metaphor for the manifest destiny of processed foods. (Via Makezine)