Lee Bul’s Infinite Installations Will Fracture Your Reflection Into A Thousand Pieces

Lee Bul - Installation

Lee Bul - Installation

Lee Bul - Installation

Lee Bul’s transformative installations pull you into a fractured space of infinite mirrors. The Korean artist, both well versed in illustration as well as installation and sculpture, forms complex, maze-like structures with interiors made of mirrors that reflect in all different directions, creating a disorienting effect. Bul takes seemingly small, secluded spaces and magnifies its size by making the space seem never-ending, keeping you exploring each layer of the multi-faceted structure. The highly industrial installations create such intricate depths and perspectives that allow you to fall into a place of vertigo. Each fractured mirror bounces back color and light in a way that transforms and bends the space around you into an intense kaleidoscope. Bul’s interactive artwork gives way to a fractured universe of distorted shapes and space.

The artist, being multi-talented, mixes elements of architecture in her work to design the sleek exteriors of her installations. Adding to the lustrous, reflective surfaces of the interior walls are the reflective floors of the exhibition, creating even more confusing space perception. This unique work creates a range of emotions from the anxiety caused by the ambiguity of depth, to the overwhelming awe from the beauty and sublime of the endless space around you. Each installation is a portal to another world, absorbing you in its abstracted images that include your own reflection. This unearthly theme is present in much of Bul’s work, as her illustrations often include unknown beings and aliens. Bul’s stunning mirrored labyrinths are now on view at the Museé d’Art Moderne in Saint –Eitienne in France. (via Design Boom)

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Bing Wright’s Photographs Of Sunsets Look Like Luminous Stained Glass


Photographer Bing Wright‘s newest project, Broken Mirror/Evening Sky, is a series of images that capture the reflections of sunsets on shattered mirrors. Its colors, textures and overall composition resembles the appearance of luminous stained glass windows. The cracked glass seemingly generates doubled reflections, disjointed gleams and refracted light into shards of images that instantly reminds the viewers of an abstractive painting. The final prints, recently displayed at the Paula Cooper Gallery in NY, are displayed quite large, measuring nearly 4′ across by 6′ tall.

This new body of work is Marks Wright’s first return to color photography in almost a decade.(via Colossal)

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Seokmin Ko Camouflages Reality With Mirrors




The Square is a series of photographs by Korean artist Seokmin Ko.  Someone in each photograph can be found holding a mirror toward the camera.  Given, the mirror is more easily found in some photographs than others.  Still, the mirror in somewhat hides the person holding it, the reflection blending in with the background.  This is essentially a camouflage that works by imitating its surroundings.  Ko alludes to this in his statement, and draws similarities to social situations.  Peer pressure for conformity and social norms compel people to use such a social camouflage.  That is to adopt behavior that mimics surrounding groups in order to hide a person’s individuality.  Still, fingers peek from behind the mirror – perhaps an allusion to the persistence of individuality.

Of course there are several ways to read Seokmin Ko’s work.  Like a mirror it reflects interpretations singular to each viewer.  Ko’s most recent solo exhibition illustrates this.  Interestingly the curater presents an entirely different approach to the series.  In part, the gallery statement brings out:

“Ko is an artist of his own time. The mirrors and reflective glass make more sense as portals to other dimensions—dimensions perhaps similar to ours or radically different.  The patterning reflected in the mirror is never a seamless match with the mirror’s immediate surroundings; these works are not about tricking the viewer. In Ko’s images, the human, as the carrier of artifice, is a kind of discrepancy and belongs neither in the natural world nor in the constructed world. This is obvious in the architectural photographs where the human presence disrupts the dehumanizing machine-made grid. Ko’s is a humanist vision amidst a world that has become foreign to its inhabitants as creators, but as Einstein famously said, “In the middle of difficulty lies opportunity.” Ko’s disruptions offer hope.” [via]