Remi Rough has been incredibly active in the past few years marking the globe repeatedly with his juicy geometric art on huge urban buildings, other unlikely structures and in numerous galleries and museums. The prolific international artist returns to SOZE Gallery in Los Angeles July 19th to open his latest installment of work in his solo exhibit “Remi Rough: Further Adventures in Abstraction.” This exhibit, featuring a mother-load of over fifty new works on canvas, wood and paper, continue the evolution of Rough’s aesthetic, adapted from the mammoth swallowing scale on the streets to intimate smaller works in juicy vibrant palettes. The crisp clean lines and darting yet fluid sense of movement in these works create a tension in their depth, while maintaining a minimal pristine quality in their draftsmanship.
We are a society mesmerized by extremes. In our fascination with art this generally translates into obsession with magnitude, scale and sheer quantity, while our consumption tendencies of technological objects tends to swing the opposite, manifesting in compact phones-computers-everything else in one hand held device. The works featured here are as mind blowing as the compactness of current computer software programs, packing so much detail into such tiny confines. All of the works here are created on standard matchbooks, with the painted or drawn imagery measuring in at no more than four inches of length on any given piece. Joseph Martinez, Mike Bell, Jason D’Aquino and Krista Charles all demonstrate immense technical skill in their matchbook art.