The Unsettling Sculptures Of Sasha Vinci Drip Flesh And Carnage From Their Bodies

Sasha Vinci - Mixed MediaSasha Vinci - Mixed MediaSasha Vinci - Mixed Media

The nightmarish sculptures of Italian artist Sasha Vinci are both alluring and unsettling. With the human body often being his subject, his work portrays a sense of longing, a palpable sense of a tormented soul. Having work with titles like The Eternal Wait and You Are Here You Exist, the suffering of human existence is strongly felt. Ripe with emotion, his mutated figures look for a sense of belonging in the world. His fleshy subjects seem to have skin that melts off their feet and hands, binding the two together. Vinci’s subjects are trapped by means of their own body, perhaps a metaphor for humanity’s own self-destructive nature.

Although monochromatic, we can almost see the color of flesh and blood absent in many of his sculptures. In his artwork titled The Eternal Wait, the drips of flesh coming down from the entire body add an intensely graphic, carnal element that is extremely alarming.  We cannot see the face in this or any of Sasha Vinci’s figures, adding another layer of isolation to these already lonely creatures. One of Vinci’s more disturbing sculptures is The Hung, where a person’s body, or what’s left of it, is being hung. The body has been disfigured, with half of its limbs missing from its faceless body. The artist’s work forms a truly ominous atmosphere that draws you in while at the same time chilling you to the bone. Sasha Vinci, being a multi-talented artist, also creates work in mediums such as installations, performance, painting, drawing, and writing.
(via Hi Fructose)

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Bogdan Rata’s Grotesque, Mutated Sculptures Explore Body Politics And Self-Identity

Bogdan Rata - Polyester, Synthetic Resin,  Paint, Metal

Bogdan Rata - Polyester, Synthetic Resin,  Paint, Metal

Bogdan Rata - Polyester, Synthetic Resin,  Paint, Metal

Bogdan Rata - Polyester, Synthetic Resin,  Paint, Metal

Romanian artist Bogdan Rata’s highly psychological sculptures contort and mold the human body. Using polyester, synthetic resin, paint, and metal, he forms hybrid realism in his mutated versions of our anatomy. Where skin usually holds a warm glow, his work exhibits a pale, lifeless aura. Limbs sit detached from the body, or even more disturbing, emerge from an unnatural place, like the face. Both unsettling and intriguing, Rata’s sculptures twist and contort, making us feel uncomfortable and suddenly very aware of our own bodies.

The sculptor’s deformed misfits reflect on the imperfection felt about our own bodies and appearances. Our own insecurities are met and reflected in Rata’s psychologically surreal artwork. His work is not only hard to look at due to their grotesque qualities, but the positions many of the sculptures are in appear painful and awkward. Each piece seems to be uncomfortable in its own skin, uncertain of its own body and what to do with it. This is a feeling we can often relate to, as becoming confident in our bodies is often a difficult part of life. Rata hints at the confusion and difficulties brought on by self-identity issues in such works as his bust of a man with no face. His distorted figures are lost, looking for acceptance. Although they at first seem misshapen and horrifying, a strange beauty and compassion can be found in Rata’s fascinating work.

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