Los Angeles naive Andrew Hem paints epic, supernatural scenes that use color and movement to create moments of the otherworldly. His paintings are utterly breathtaking and feature a true knowledge of color theory and master a saturation that runs similar to the impressionist works of 19th century Europe. His treatment of flesh and rounded rendering of the human body is reminiscent of an Eastern aesthetic — creating ties with his Cambodian heritage. His vibrant figurative work holds similar notes to the powerful paintings of Dana Schutz; both painters using a pastiche of painterly traditions to create works that are undoubtedly contemporary and unmistakeable their own — their paintings hold no boundaries due to the sheer talent they hold as painters. Hem’s work is alluring and demanding. He brings his viewer around the world, creating works that depict scenes from Asia, South America and the United States. Each piece captures a moment of pause and perhaps, even enlightenment. There is a true essence of ethereal energy within these works. For example, his pieces such as Igloolik, Close to the Edge, Lost and Found and Civic show bodies in motion, unnatural flotation. There is a fairytale like element in his work — like each painting is a new scene within a story about Hem’s fantastical life. Experiencing the work of Hem is like peering into the unknown, maybe witnessing something sacred and hidden from the common eye.