Multimedia artist Gavin Worth uses steel wire and rods to sculpt beautifully minimal forms and figures that look like they were sketched in the air. 3D representations of 2D conceptual drawings, each of Worth’s sculptures portray human forms and silhouettes, with careful attention paid to the details of these “illustrations.” His large scale portraits of faces that depict thirsty visages are perhaps his most detailed and deliberate constructions. For these, Worth sought to convey an emotional anxiety through the sculpted faces. Of his work, Worth writes,
By bending black wire into something of freestanding line drawings, I create sculptures that engage the viewer by involving them in their subtle changes. When the light in the room shifts, so does the mood of the piece. A breeze might softly move an arm. My wire sculptures tell stories of simple human moments: a woman adjusting her hair, a face gazing from behind tightly wrapped arms, a mother gently cradling her baby. The honest, unguarded moments are the ones that I find to be the most beautiful.
US-based team of scientists has built a robot that folds itself into an origami-inspired shape starting from a flat sheet. The assemblage of such robot doesn’t require any human intervention. It is made from a polymer material which shrinks when heated, also has electronics and motors attached to it. When the heating elements affect the hinges made in paper, the robot starts transforming into a crab-like machine. The whole process takes about 4 minutes before the robot can start walking.
The team behind the project said their inspiration came from the complex 3-D shapes in origami: like in the Japanese paper art, various three-dimensional shapes are constructed from a single sheet of paper. This robot takes origami a step further. According to the developer team, such self-assembling robots can be greatly employed in construction or rescue works.
“[They could be delivered] through a confined passageway, such as a collapsed building, after which they would assemble into their final form autonomously,” states Marc Lavine, senior editor at Science.
Robot‘s small size makes is what makes it very useful because of the easy transportation and storage. Apart from search-and-rescue missions, a more advanced version of the robot could be easily used construction works, especially in places that are hard to reach. The whole project is said to cost $11,000 but with the initial designs in place, the mass-production robots should cost around $100 each. (via NPR)
Watch a short video about the project after the jump.
Creative murals by designer and street artist Mehdi Ghadyanloo are turning Tehran, Iran’s streets into an outstanding open-air gallery. Executed on two-dimensional blocks of concrete, Ghadyanloo’s artworks deceive the viewer’s eye by skillfully using methods from op art and 3D painting.
Mehdi has established a mural-painting company Blue Sky Painters, which helps him to work with the large-scale street art projects. What is not very frequent in the field, is that Ghadyanloo is fully backed up by the city’s municipality. According to the artist himself, it is one of the government’s goals to promote mural art in Tehran.
“The city is an architectural mishmash with buildings often having only one facade and the other three just left blank and grey. This doesn’t make for a beautiful city but it is a great environment for mural work. I think the municipality really felt the need to bring some cohesion or at least colour to the often confused and smog-smeared architectural face of the city.”
Ghadyanloo graduated from MA in Animation, which brought him closer to storytelling and surrealism. The latter has really influenced his style in urban murals. His scenes often depict unrealistic sights and actions such as cars flying in the air, man bicycling down the wall, people defying gravity and so on. Many of Ghadyanloo’s creations also cleverly interact with their surroundings bringing even more life to the streets of Tehran. (via: My Modern Met)
German design studio FOREAL has created an impeccable set of 3D alphabet renderings for their personal project “Sculpted Alphabet”. Playful series features the whole English alphabet made from various everyday objects, food products and even body parts. The whole set of 26 letters was created by two designers, Benjamin Simon and Dirk Schuster.
“New tools, new playgrounds. One single rule: Choose a letter and sculpt it! Maxon gave us it’s new sculpting tools with the last releases of Cinema 4D. Our goal was to create the whole alphabet and achieve some completely new ways how type can be built and seen. A playful execution of that self-initiated project helped us to gain some significant experience in cgi sculpting techniques while having a lot of fun. We hope you enjoy these as we did.”
The project by FOREAL is a candid illustration of how three-dimensional CGI (computer-generated imagery) has moved forward and continues to grow in capabilities. The artistic 3D alphabet was designed using one of the agency’s illustration tools, Maxon Cinema 4D. According to the producers, it is one of the greatest tools for recreating even the slightest details, such as hair or fur.
Latest collaboration between paper and set designer Alexis Facca and photographer Tom Joye transforms three dimensional spaces to look like flat, two dimensional paintings. With the creative use of angle and perspective, Facca and Joye were able to obtain the desired illusion and deceive the viewer’s eye.
The Flat Project actually features a miniature 1 x 1 meter set made from paper but in 3D. Seems like the set was flipped and turned to create images from various angles. Without knowing, it is hard to tell which is the floor or ceiling. Here’s an explanation by Facca on two of her creations:
“For example in the first image the red is the ground, the wood a wall on left and blue is in the foreground. On the second image (below) the ground is made with wood and the red.”
Fractals are a geometric concept and mathematical set that represent repeating patterns, also known as self-similarity. Scotland-based physicist and artist Tom Beddard, aka subBlue, who we have previously featured for his generative graphic work, has recently been creating 3D geometric fractal designs that he refers to as “Fabergé Fractals” because of the detailed and ornate patterns that are rendered by the artist’s formulaic methods. At first glance, Beddard’s designs appear to be fully realized, physical forms due to the intricacies of the patterns and the technical skill that is applied to each generation.
Beddard explains, “The 3D fractals are generated by iterative formulas whereby the output of one iteration forms the input for the next. The formulas effectively fold, scale, rotate or flip space. They are truly fractal in the fact that more and more detail can be revealed the closer to the surface you travel.
“The fascinating aspect is where combinations of parameters can combine to create structural ‘resonances’ of extraordinary detail and beauty—sometimes naturally organic and other times perfectly geometric. But then like a chaotic system it can completely disappear with the smallest perturbation.” (via my modern met)
“Scribbled Line People” is a digital collaboration between New York-based illustrator Ayaka Ito and programmer Randy Church. Part of a “3D Motion and Particle” course, the two decided to embark on this project after discussing how to create an interface that could incorporate 3D scribbled lines into photography. Mutually inspired by Rachel Ducker’s wire sculptures and Erik Natzke’s Flash paintings, the duo uses both Flash and Photoshop to reconfigure photographic subjects into shredded images that are gracefully incorporated into their background compositions. Ito says, “Our objective in approaching the visual, was to create a series of answers to show how scribbled lines could develop normal portraits into abstract art.” (via the creator’s project)
For his ongoing project titled “Brand New Paint Job,” artist Jon Rafman transforms domestic and familiar settings by imagining them as classic paintings. Using recognizable patterns and paintings from artists such as Basquiat, Lichtenstein, Picasso, Monet, O’Keeffe, Haring, Duchamp, de Kooning, and Matisse, Rafman wraps nurseries, living rooms, bedrooms, and familiar television sets like Star Trek, Jeopardy!, and Seinfeld, turning these works into 3D living spaces. In order to create these imagined spaces, Rafman finds 3D models from Google 3D Warehouse, an online gallery where Google Sketchup users upload their work.
Of his project, Rafman says, “The BNPJ interiors started off as a play on interior design chic. Historically, the greatest fear of the painter was that his work would become design objects. Now it’s common for contemporary artists to take inspiration from commercial visual culture. The design of a Nike cross trainer or a Samsung monitor is as important to contemporary art practice as intense light and dark shadows are to baroque painting. I’m exploring the line between art and design, in which a great work of art can be reduced to a shrinkwrap or add-on surface and functional objects and spaces elevated to the purposelessness of artwork. I’m interested in those forced marriages.” (via my modern met)