Madrid-based artist Sara Landeta juxtaposes the natural world with the chemically engineered by using medicine boxes as her canvas to creates beautiful ornithological drawings inspired by the work of 19th-century artist John James Audubon.
By using the bird as her prime subject, the artist looks to explore the idea of freedom, or lack there of, in constricted and open spaces, and the notions of a natural world that is dependent on the synthetic to survive.
The progress on Landenta’s ongoing series can be seen through her Facebook page or on her personal blog. (via Steal Mag)
What happens when molten aluminium is poured into an anthill, allowed to dry, then excavated and cleaned off? Anthill Art – an anonymous American artist – creates intricate metallic sculptures by doing just that. These forms reveal the depth and styles of various ant species’ hills, mainly from the beds of pesky fire ants. The complex and beautiful systems of these ant beds are revealed through this process, but has created a bit of controversy. People concerned with this method of sculpture work have commented on Anthill Art’s Facebook page, where the artist has responded generally to these concerns.
“I regret every day calling it anthillart. To be honest it was a short memorable name and I went with it. I’m not really a fan of art and would never refer to myself as an artist, I guess I considered the ants to be the artists (and architects). If someone created these themselves and called it art I would call it modern art crap. That the ants created it makes me love it.
I first started doing this just out of pure interest (always having been interested in biology and science). A few of my teacher friends took them to school and camp, the kids loved it and it really seemed to get them interested in science. So, I decided to start the site and try to sell a few.
The fire ant colonies are not abandoned. The justification being that there are so many of them and I need to kill them anyway, with kids and pets around. Plus they’re an invasive species in this area and wreak havoc. Some states have eradication programs. The other ants (usually carpenter ants), I try to find abandoned nests but it doesn’t always work out. Either way, I do it sparingly and the property is still over run with them.”
Toronto based artist Trevor Wheatley takes common slang to the streets, placing words and lingo in the public sphere where you cannot ignore it. He constructs large-scale sculptures of words like “real talk” and “nah” and installs them amongst trees and in rivers. Can you imagine hiking and seeing the word “squad” as you looked up into the trees? His often boldly colored text becomes so out of place in the wilderness, creating a very surreal site. Each installation displays strong pop-culture references of phrases commonly used. Interested in typography, Wheatley’s text-based work is range in font, color, and materials.
Wheatley takes this common language and makes it static, giving it a more permanent element. Language and slang changes so frequently, a word or phrase could be outdated as soon as Wheatley has completed the installation. Nevertheless, they bring back nostalgia and even add a bit of humor to their environment. Slang and lingo can often bring to mind a certain type of person or stereotype that we associate with the word or phrase. Wheatley’s sculptures take us beyond these preconceived notions of language by taking them out of their usual context and placing them in a new environment. Like taking a word out of its original context can change it’s meaning, the artist gives new meaning and life to the lingo, as they are located in serene nature. (via Juxtapoz)
Artist Takahiro Iwasaki is a master when it comes to constructing elaborate, miniature landscapes. However, these small-scale scenes are not formed from Lego’s, but from much more unlikely and unstable items such as cloth fiber, dust, and human hair. This Japanese artist takes the most miniscule, seemingly insignificant materials and uses them to create something incredibly complex and enchanting. His newest installations, which are part of the series titled Out of Disorder, contain mini-scenes of recognizable landmarks such as Coney Island, ferris wheel and all. Inspired by painted landscapes on Japanese folding screens, Iwasaki comments on his work in relation to its inspiration.
“Just as the artist of the screens did, I would like to revisit a commonplace everyday scene from today’s Japan, and just as the screens embody a smooth flow from one season to the next, I hope to capture, in my work, the graceful transition of a Japanese landscape from past to present.”
Each tree, building, factory, and rollercoaster in Iwasaki’s work are brightly colored and fragile, as many of them are enclosed in a glass case. This glass reveals one of the most captivating elements of the landscapes; the layers of clothing that make up the earth in many of the installations. Each cloth is filled with diverse colors and clashing patterns, revealing a mishmash of layers that resemble section of sediment in the soil. They form the rolling hills and steep slopes that make up the miniature environments. However, not all of the artist’s creations are constructed from recycled cloth, but from toothbrushes, as well. Telephone towers sprout out of Iwasaki’s toothbrush bristles in this strange yet familiar installation. Out of Disorder is on display now at Takahiro Iwasaki’s first solo show Takahiro Iwasaki: In Focus at the Asian Society Museum in New York. (via Spoon & Tamago)
Istvan Sandorfi (1948-2007) was a Hungarian painter known for his hyperrealistic oil paintings of cloth-draped and vanishing figures. In his works, pale skin melds with the surrounding atmosphere, and bodies embrace and pull apart from one another, twisting in silent expressions of pain. Engrossed amidst states of transfiguration, Sandorfi’s “incomplete” characters exhibit both profound vulnerability and strength.
From detailed facial expressions to the minute details of wrinkles and bones beneath flesh, the paintings bear a photorealistic effect that is troubled by a fragmentary surrealism suggestive of digital manipulation. Such meticulousness came from Sandorfi’s never-ending dedication to the craft of painting, which he did mostly alone and at night. As he himself humbly claimed, “I never had the impression that I really knew how to paint, not in the past, not now. If you paint, you are simply never satisfied” (Source).
Sandorfi’s ghostly images have been shown on display around Europe for the last three decades. His works remain in several private collections and museums around the world, including the Centre Georges Pompidou, Musee de la Ville de Paris, and the Taiwan Museum of Art (Source). As a master of his medium who could replicate and expressively unmake the human body, Sandorfi’s oeuvre is one that deserves ongoing appreciation. His work can be followed on Facebook. (Via Art Fucks Me)
In June of 2008 Brendan “Solve” Scanlon was murdered in Chicago. Since Brendan was a graffiti/street artist his friends have created a campaign to giveaway Solve stickers to people all over the world as a symbol of Nonviolence and to honor Brendan’s life. Head over to Solve Stickers and get some free stickers, post them up in your town and spread the word!
Dictaphone Parcel is an animation based on a sound recorded with a dictaphone travelling secretly inside a parcel. As the hidden recorder travels through the global mail system, from London to Helsinki, it captures the unexpected. We hear a mixture of abstract sounds, various types of transport and even discussions between the mail workers. The animation visualizes this journey by creating an imaginary documentary. By Lauri Warsta