This street art production in the city of San Francisco has been brought to you by Guys Who Like Porn and their Freedom From Porn network… thanks guys!
Chilean artist Santiago Salvador Ascui paints melodic, colorful arrays of pattern-like assembled people. His careful lines, bright use of color, and charmingly hand painted perfection is reminiscent of work from the Mission School movement, specifically the paintings of Margaret Kilgallen and Chris Johanson. While having the playfulness of the “new folk” work of the 1990s, his work is also informed by a strict systematic structure. His pieces function almost as color studies, guiding the eye through the placement of hue, rather than, as most figurative paintings would, narrative. As he falls in and out of saturation, his work sometimes seems to mimic the cycle of the moon. He arranges his figures in sequences, perhaps forming the aesthetic of Josef Frank meets Josef Albers.
Though the work is aesthetically joyful and decorative, his use of repetition and unification through tonality also speaks to a certain aspect of conformity and monotony. He speaks about the work as a pictorial representation of consumer culture. During the digestion of each piece, the viewer cannot help but to see every figure as the same. The patterned pieces create a true sense of identity-less beings; as if to say that everyone is within the same cycle, drawn into the same pattern (if you will), and unlinked to any sense of individuality. However, Santiago Salvador Ascui’s work also draws an important question; when does the need to be different begin to silence the need to be the same? Despite the burden of a plastic society, perhaps the unification of all figures is actually, in a sense, a positive message. (Via The Jealous Curator and Artishock)
Pedro Paricio recently sent me his catalog in the mail- some nice, colorful works from Barcelona. My fave is the study after Francis Bacon above- more works on his site!
Claire Sherman paints some of the juiciest landscape paintings around. These images really don’t do her work justice as the paintings have a rich texture and color to them that is hard to capture in reproductions. If you’re a fan of Tomory Dodge or Cecily Brown then make sure to visit Claire’s site or the Kavi Gupta Gallery site for more images.
A nod to the passing of prodigious asinine youth culture documenter, Dash Snow, who reportedly fell victim to the same choice of poison as his photographic subjects. Most of his images are too gnarly (snorting cocaine off a penis, sexual escapades, general urban debauchery) to post on this blog but I’m sure you’ll find them very well & easily if you just Google him. Here’s some of tamer ones after the jump…
Kinetic art features movement that is dependent on motion for its effect. It comes in multiple mediums including mobiles, machines and virtual movement or canvases that extend the viewer’s perspective. Wind, a motor or the viewer generally drive moving parts or dynamic perception.
Kinetic Art has origins dating back to the late 1800s where Impressionist artists such as Claude Monet, Edgar Degas and Edouard Manet were the first to experiment with emphasizing the movement of the human figure on canvas. In the early to mid 1900s artists began to create mobiles and other new forms of variable sculpture. Individuals such as Max Bill, Alexander Rodchenko and Alexander Calder solidified and defined the style.
Today artists all over the world create kinetic art and sculpture. Latin American artists Jesus Rafael Soto and Luis Tomasello both explore illusion, space and perception. French artist Laurent Debraux experiments with magnets, metallic objects and other elements to create works dealing with surreal imagery. South Korean artist U-Ram Choe likes to make kinetic works that mimic forms and motions found in nature. Bob Potts creates sculptures that gracefully recreate the movement of flight or boats. Anthony Howe employs wind to bring life to his massive sculptures.
Whether independently mobile, or reliant on a viewer’s perception to create an optical illusion, each of these artists and their works are inspired by a unique fascination with perception, movement and dynamism.
Today is your lucky day if you’ve ever wondered what the inside of a brothel looks like. Photographer Jasper White takes us on an intimate tour of brothels where colored lights are king and mundane things like paper towels, bed sheets, and body lotions turn into charged objects that take your imagination down a dark and erie path.
After only a month and a half Beautiful/Decay:Future Perfect book is officially sold out. This book, as with all Beautiful/Decay books, will never be reprinted in its entirety turning into a limited edition collectible that will be passed down from artist to artist as the ultimate source of inspiration. If you didn’t get a copy of the book you have one final chance to get one of the highly coveted 1,500 copies. We have 10 copies reserved strictly for subscribers on a first come, first serve basis. Simply subscribe as soon as you read this and during checkout ask that we start your subscription with Beautiful/Decay:Future Perfect and you might just get one the very last copies available. We can’t guarantee that you’ll be one of the lucky ten but those that miss out will start their subscription with Beautiful/Decay Book 7!