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Anne Lemanski’s Socially Conscious Sculpture of Animals

 

Anne Lemanski‘s sculptures of various animals done in unique textile surrounding a copper armature are rich in symbolism. An eagle is composed of stitched-together dollar bill designs, while a pigeon is put together with pieces of a service worker’s uniform. A water bird is made of slick, oily latex. The sculptures are great, and the social, political, and environmental commentary are a bonus. Lemanski’s work, which “highlight[s] our admiration for animals as symbols, and our exploitation of them to suit our needs…” touches on a nice dichotomous conflict that adds some strong intellectual power to each piece. Coyotes, snakes, primates, and more after the jump. (via)

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Helmut Smits’s Sculpture Turns Coca-Cola Into Water

Helmut Smits - Sculpture

Helmut Smits - Sculpture

Helmut Smits - Sculpture

Helmut Smits - Sculpture

Helmut Smits’ repertoire of sculptures mostly consists of mundane objects such as pieces of bread or a candle stuck in a lamp, so it may come as some surprise that his most recent sculpture is somewhat of a reverse miracle. Most of us have heard of water turning to wine, but Smits has collaborated with Martien Wurdemann to turn Coca-Cola into water.

Coca-Cola is an icon that many artists have addressed over art history. What’s interesting in this idea, is that Coca-Cola is a corrosive substance, used sometimes even for cleaning car engines, and yet the artist is still able to extract the nutritional substance of the beverage. It’s clear that the water to original Coca-Cola ratio is low, which makes a lot of sense, and it also seems obvious that, of course, there would be water in Coca-Cola. Still, I’m impressed that it can be separated from whatever other questionable ingredients are floating around in there.

The sculpture is simple in its design, title, and concept. The title, ‘The Real Thing’ points to the idea that water is the real sustenance, at least as far as I can interpret. Can’t agree with you more, Smits! (Via Dezeen)

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Olaf Hajek’s Jungle

Apparently Mr. Olaf Hajek can do everything well but I especially love his paintings. There’s some intense layering going on and the colors are complex and lush.

Nathaniel Russell’s Pseudo 70’s Weird Brushwork

Indianapolis artist Nathaniel Russell comin’ through with the brush clutch. I don’t know what stands out more with these – the super subtle humor or the pseudo 70’s illustrative steez, but they’ve got me feeling warm inside. Click past the jump to see more of what I’m talking about. And if you’re out all the way east right now, looks like he’s got a show coming up in Tokyo next month.

Bartek Elsner’s Sculpture Made Entirely With Cardboard

 

German creative Bartek Elsner has an impressive track record when it comes to both commercial and non-commercial work. Illustration, Art Direction, Graphic Design- he does it all. But I’m most hyped on his sculptures made completely out of cardboard. Dubbed The Paper Stuff, this ongoing series includes cardboard fireplaces (installed on the street), CCTV cameras, automatic weapons, chainsaws, and animals. Taking a look at the project’s page, there is a really evident progression in skill with the medium on Elsner’s part. He keeps getting better and better. Really excited to see what he does next. (via)

Best of 2011: LORI NIX’S SMALL SCALE WORLDS OF DECAY

These may look like photographs of abandoned buildings but in fact they are photographs of meticulously made dioramas by Lori Nix. Each image is painstakingly created by hand, taking into consideration scale and lighting over the course of seven months. The result is an apocalyptic vision of the world where everything has fallen apart, decayed, and is slowly returning back to nature.

Reinvigorating Wonder at The Venice Art Walk

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In the current state of Reality TV and backstage blogs, we as a world have lost our sense of wonder. And it’s because of one brave artist, Jon Bernad, that we will get it back. He was part of the Venice Art Walk AUCTION, not just as himself, but as an offer for an experiential possibility that attendees could bid on for a good cause, since the money would go directly to The Venice Family Clinic. What that means was that he fearlessly walked up to strangers with a bid sheet around his neck, as opposed to on a table or wall like the other artworks in the auction, and pitched to each new person a different adventure he felt they would want to go on. Everything from skydiving to dinner came up and during his time there he was offered to join unfamiliar faces on white water rafting trips and treks in the Amazonian Rain Forest. I like to say that Jon takes people on Art Adventures, but it’s really so much more than that. He is the only artist that embodies the ultimate truth. For he is only but himself, but his self is great.