Get Social:

Ryan Pierce


Colorful acrylic paintings by artist Ryan Pierce – surreal, possibly telling of an impending doom, the absence of man leaves animals to wander through our remains.  I wonder, can you eat birds like this?  

Advertise here !!!

The Monochromatic Street Art Of Christian Kraemer AkA Dome

Christian Kraemer

Christian Kraemer

Christian Kraemer

Christian Kraemer AKA Dome is a Karlsruhe, Germany based street artist with a knack for monochromatic murals. Not confining himself to the streets of Germany, the artist paints his massive black and white murals everywhere from Turkey to Poland. Focusing on surreal themes, Kraemer’s work taps into mysterious narratives that take place in familiar yet strange worlds full of elongated figures wearing animal heads upon their heads while playing music as they travel in unknown seas.

Advertise here !!!

Aidan Koch’s Artful Comics

Aidan Koch is a pretty talented lady. Her work overlaps between comics, illustrations and collaborations. Her comic style is completely her own, showing her mark making process throughout. She’s just finished a collaboration with Finnish artist Jaakko Pallasvuo on a comic called Pages.

Kostya Sasquatchfffffffffffffff


I love these bold, iconic logos and typographical designs by Kostya Sasquatch. Playfully conceptual! Found in our B/D Creative Pic Pool– be sure to upload your work there for a chance to be featured on our site!

Sonja Hinrichsen’s Snow Drawings

No that isn’t the latest alien crop circles. This is the work of  new media artist Sonja Hinrichsen who created this massive installation one step at a time by simply walking in circular patterns. The result is a semi-abstract pattern that mimics leaves on branches of the local snow covered trees. See more images of this simple yet extremely clever installation along with a process video after the jump.

Fra.Biancoshock Insists His Street Interventions Are Not ‘Street Art’





Fra.Biancoshock insists he is not a street artist, but rather the Milan-based experientialist noticed that his street-level installations and interventions spoke using the same language as Street Art. In regards to the movement of Street Art in regards to his work, the mysterious, identity-protecting Fra. says, “For me, that phrase is a provocation: I have not studied art, I do not frequent artistic circles, or amicidell’amicodelcuginodelfratellodelsuoamico … And I have no particular technical and artistic skills. I just have ideas and I like to strain my mind in trying to propose to the common people through what I call “Unconventional Experiences.” I think mine are “experiences” rather than works of art.”

With ties and intentions closer to Performance and Conceptual Art (for those paying off MFA degrees, think Guy Debord), the man who would become Fra.Biancoshock developed the performative avant-garde school of art he calls Effimerismo (“The Effimerismo is a movement that has the aim of producing works of art that exists in a limited way in the space, but that they persist in an infinite way in time…”) as a means of exploring and categorizing his specific means of street engagement (or as he is known to call them, “speeches”).

Operating in this very-intentionally public mode of communication, Fra.Biancoshock uses the streets as a forum, installing temporary interventions to call attention to themes of poverty, urban blight, modern stress and decay. Present in most works is how Fra deals with serious themes with a disarmingly light-hearted approach. His work has mostly been viewed (often quite temporarily) in Europe, though as Fra. says in his Manifesto-like statement, “Prior to founding the movement, [Fra.biancoshock] has made ​​more than 400 speeches on the streets of Italy , Spain , Portugal, Croatia, Hungary, Czech Republic, Malaysia and the State of Singapore, and has no intention of stopping.” (via hi-fructose)

Penny Byrne Sculpts Detailed Porcelain Figures Embedded With Irony And Dark Political Messages

Penny Byrne - Porcelain

Penny Byrne - Porcelain

Penny Byrne - Porcelain

Penny Byrne - Porcelain

Penny Byrne is a Melbourne-based artist who creates porcelain figurines laden with bold—and often grim—political messages. We featured her earlier work in 2013, which delved into slavery, the war in Iraq, and dolphin slaughter. Her more recent pieces follow along similar themes, unpacking violence through images of militarism and animal cruelty, while also focusing on more specific topics such as the Occupy Movement and the conflict in Syria.

What makes Byrne’s work both shocking and persuasive is the clash of a domestic medium with a charged topic. Wounded, disfigured, masked, or strangely ironic, the figurines embody narratives of pain, suffering, and hypocrisy that resonate with the viewer on uncomfortable and visceral levels. Porcelain dolls are usually treated as the coveted relics of a sensitive, “non-violent” culture, locked away in a glass case as objects of delicacy and curiosity. The fact that they are blooded, armed for war, or marked for plastic surgery creates an incongruity that subversively transforms the figurines’ object-status into social, political critiques.

Byrne’s exhibition list is impressive, including the The Fine Art Society in London and Fehily Contemporary in Melbourne. Her new work “Hurt Locker,” an armored figurine made of Murano glass and mild steel, is currently being shown at the Venice Biennale exhibition GLASSTRESS, which runs until November 22nd, 2015. (Via Sweet Station)


"Klunk Garden"

"Klunk Garden"

Gelitin is comprised of four Austrian artists who met in 1978 at a summer camp and started exhibiting internationally as a group. Their cleverness in dealing with topics such as childhood, the functionality of objects, scale and absurdity are obvious in projects and corresponding titles such as “Klunk Garden” and “The Dig Cunt.” I like that their work seems to take on a variety of tones- ironic one moment and nostalgic the next. But all appropriate.