Khalil Chishtee constructs life-size sculptures out of plastic bags. Much of his figurative work is evocative of movement and fluidity, and indeed, some of his work is sculpted in such a way as to be constantly moving. Admittedly charmed by the vastness of the plastic bag medium, Chishtee enjoys the way it respectfully responds to his deepest emotions.
“We live in the age of plastic, and plastic bags are the most ordinary form of this material. It goes back to the Sufi approach of my upbringing where worth does not depend on what you inherit, it depends on who you are. Anything made out of bronze, wood, stone or painted on a canvas carries the appearance of being worth looking at, because of its history, but if one can change the impact of that history, one is an artist.”
Originally from Pakistan, Chishtee now resides in New York. (via combustus)
Brian Willmont (who we featured in Book 3) recently added a new selection of works to his portfolio. His wacky wild west cast of cacti include Clint Eastwood style brambly bandoleers and prickly pistol-iers. The spook of the frontier’s ghost towns, outlaws and mining carts are infused with Brian’s unique sense of humor. I mean really, what’s better than a desert plant sporting oversized cowboy hats and shades?
Place, placed in Argentina, plays with parts of people and pieces of precipitation. Oh, and is really good at creating surreal and beautiful images. Their most current project is for MTV, making MTV just a little bit cooler (what with no music videos aired anymore, they sure need it).
Harrison Roberts’ work combines vertiginous, mandalic quality linework, texture and patterns with a pop color sensibility. Harrison is near and dear to our hearts as he actually was a fearless B/D intern earlier this year! We’re really excited he’ll be part of our upcoming “Art Works Every Time” exhibition! Just 4 days away now…
The images of photographer Martin Kilmas are created by dropping porcelain figures at heights of 10 feet. The sound of the figurines hitting the floor triggers the shutter of the camera. The results are razor sharp images of disturbing beauty-temporary sculptures made visible to the human eye by high speed technology. (via io9)
As part of our ongoing partnership with Feature Shoot, Beautiful/Decay is sharing Jennifer Kaye’s article on John Mdgley.
Cosmetic giant MAC put their in-store makeup artists to the test this Halloween to create the most compelling looks. Artists from stores in Miami, Los Angeles, Las Vegas and New York will be judged by MAC’s facebook followers for their annual “Halloween Face-Off.” The portraits, which range from glamorous to macabre, were shot by photographer John Midgley. “The passion of each of the artists was a lot of fun, and it was infectious,” says John. They lived for it—they lived for the look. They lived to have their picture taken. It took it back to the simplest form of photography, which is flattery and escapism.”
As a huge fan of Electronic Musician Amon Tobin, I’m excited to post about Photographer and Director Celia Marais. Why, you ask? Well that would be because Celia created a series called “Field Excursion”. She constructed a group of odd creatures, built from scraps of meat and fish that were named after existing or imaginary bacteria. A few chosen ones were then animated and included as part of an interactive minisite released alongside Amon’s album, Foley Room. You can also view the animated creatures as a video.
Seinfeld was the award-winning, best-ever show on television that broke the traditionatl situation comedy mold with producer Larry David’s emphasis on it being “the show about nothing”. Of course, it was about something, four friends and their misadventures in New York City. But a recently prominent super-edit of the series takes the program’s motto to its natural conclusion, by piecing together every cut-scene and still-shots which gave the audience scene establishing, and oddly, never showed any people. The results are disorienting, a bit existential, and completely nostalgic for fans of the show.
(A fair warning, the sound of slap bass might be a bit much at first, but if you are a fan of the show, you heard that familiar 90’s-tinge sound enough times to make finishing the video worth it).
The video is a product of LJ Frezza, whose other video edits often investigate unusual or rarely noticed characteristics or subplots of other familiar popular culture touchstones. For example, in Boldy Going, Frezza focuses on the Star Trek’s Captain Kirk bravely reading the American constitution and the Fleet’s policy of non-involvement, followed by endless, violent and direct physical confrontations with alien planets and lifeforms. Frezza points out that the show’s writers were making commentary on the then escalation of American involvement in the Vietnam war. (via vice)