I’m absolutely loving Sally Cruikshank’s trippy cartoons from the 70’s and 80’s. They have that great flat retro look that just can’t be duplicated by todays computers. She should put out a book of her drawings or at least a small series of brochures. Watch the full video after the jump!
I am really digging Chinese artist Ju Duoqi’s personified vegetables! She takes old masterpieces like the Mona Lisa or Andy Warhol’s Marilyn Monroe and recreates them with tofu, cabbage, ginger, potatoes, the list goes on. Can you guess which paintings these are?
In less than 3 weeks since its release Beautiful/Decay Book: 5- Psychonauts has officially sold out! This is the fastest any B/D book has ever sold out. You may be able to find a few copies here or there at local shops or boutiques but the chances of finding one will now be slim. We still have four copies of Book 2 left, thirty five copies of Book 3, and fifty copies of Book 4 in our shop. Make sure to grab these before they sell out as well. As always once B/D books are sold out we will never reprint them and the only way to get them will be via ebay. Make sure to subscribe to Beautiful/Decay to ensure that you get all future copies of B/D. All subscribers receive 33% off each book as well get books before they land in stores.
There is no real connections between the center pieces of Thomas Jackson’s pictures and the landscapes in the background. We are seeing tutus, magazines, cups and streamers floating candidly in a scenery of virgin mountains, forests and beaches. The artist is offering a dreamlike visual of what can be perceived as the last moments on earth of these peculiar items.
Each image, part of the emergent behavior series, is an experimental coalition of items placed where they don’t seem to belong. This juxtaposition creates at first a feeling of well being; we foremost notice the swirl and the nature. After a deeper glance at what is really going on there’s a hesitation: are these everyday things really the focus of this beauty? The emphasis is made on industrial versus natural; reality versus imagination. Thomas Jackson’s purpose is to come up with a fresh interpretation of our daily routines. Calling for a distress, if we are brave enough to face it, of what is really going on in our ecosystem.
There has been quite a few inquisition about how the pictures where taken. They were in fact photoshopped and kept as realistic as their originals. Thomas Jackson confesses that he photographed the whole thing and then only removed the prop using photoshop: On the spectrum between “retouched image” and “real time image”, I’ve strived to make it closer to the latter”. When a picture can create such a flow of different kind of emotions, there’s no need to question the retouching. What the artist has created is a hazy fantasy that we wish could appear in real life.
Artist Mehmet Gozetlik has designed a series of popular trademarks into neon signs. The series called Chinatown takes popular logos and adds a description of the represented product in chinese neon letters. The sign’s unusual characters reminisce experiences tourists have wandering aimlessly throughout the world’s Chinatowns letting themselves get seduced by these exotic bright letters. The irony is that nine out of ten times the logo itself is recognizable on its own and the words are unnecessary. Is there anyone on the planet who cannot identify Starbucks or Pepsi brands on sight?
Mehmet’s signs are made from handblown painted glass. Each letter and product logo is stenciled out and designed from a printed drawing. The process of blowing glass is long and tedious. The flame has to be exactly the right temperature in order for it to mold into the desired shape. After it hardens the glass is painted. Upon studying the signs and seeing them together you realize people cannot digest more than a few colors at once when making a decision. Each logo Mehmet chose has three colors or less which is not a coincidence. It’s been documented that the brain can only handle six choices at once. If it goes over that number it shuts down. Corporate culture wouldn’t dream of this happening and explains why these logos are kept simple.
A few years ago, Gozetlik designed another interesting series which minimized logo packaging. The study “Minimalist effect in the maximalist market” showed how a product becomes more desirable as the packaging is stripped away. He used brands such as Nutella and Pringles to achieve this goal. (via designboom)
We have featured the work of NY based Matthew Palladino on the blog in the past (here). He has an uncanny ability to reveal subtle dark humor within everyday objects and situations. Palladino has just unveiled a new series of vinyl on canvas and ink on paper paintings that extend his cryptic vision. Figures sway as his claustrophobic compositions warp and pulsate. In other pieces fabric swatches shift and mutate throughout explosive abstractions. In his own words, “The work I make is not like science, it doesn’t begin with a question. It instead tends to end in a question.”
These plump and curvy sculptures are the work of Chinese artist Mu Boyan. Using a variety of materials, Boyan’s sumo wrestler sized figures are sculpted into contexts that make use of the space and density of the large bodies. The rolls of fatty tissue are shiny and smooth, the positions of the bodies graceful and balanced, though almost completely consumed by their own densities. Boyan’s figures are vulnerable, and each figure’s bodily placement underscores the vastness of their large forms. The figures’ faces and bodies are soft and playful, almost cherubic, lending a familiar and comfortable feel to the experience of the sculptures, though the figures are placed into vulnerable positions. According to Boyan, this series reflects his exploration and fascination with the depiction of Chinese political symbolism in art. (via exhibition-ism)
The paintings of Chase Westfall are pleasantly elusive. His work often toes the line between abstraction and figuration. He seems to often swing from sunny imagary such as flowers or rainbows to that of mutilated animal carcasses. However, he never gives it entirely away. The imagary often is obscured by a diamond grid work or its own abstraction. The viewers eyes constantly shifts between deciphering the images and inspecting the pattern, neither resolving the other. His oil paintings are executed on linen contrasting the soft surface with his hard edged geometric shapes.