Today is your lucky day. I just happened to stop by the office of one of our book distributors today and he handed me a box containing these 8 SOLD OUT B/D Books. have four copies of Beautiful/Decay Book: 1 with HAND DRAWN covers, and four copies of Beautiful/Decay Book: 6. I was going to keep these for myself but since I’ve gotten so many emails about these I thought I’d make them available to you. Book: 1 is extremely rare and you’d be hard pressed to find it even on eBay.The first 8 people to email us at [email protected] can get these rare books at the usual $20 plus shipping. The faster you email me the more likely you’ll be to get your hands on these so if you are missing that coveted Book:1 or Book: 6 to complete your Beautiful/Decay collection email us now!
Ian Pfaff’s demo reel is a classic. In my mind, the guy nailed it. While partying really, really, hard while on spring break, Ian multitasks by writing, editing, directing, animating, building props, and making music. All around killer.
Melissa Cooke’s accomplished powdered graphite on paper works explore themes of beauty, fantasy, violence, vulnerability and identity, with the artist casting herself as subject in a myriad of thematic scenarios.
” I take photographs as I paint and pour liquids onto myself, using my face as a canvas. The photo shoots reference the practice of drawing and painting; then the final graphite drawing references photography. The boundaries between the mediums are broken down and the processes are interwoven.
The images depart from the framing of traditional portraiture. The viewer is not given an entire bust of the subject; rather the frame zooms into up-close sections of the face. The cropping pushes the face to the surface of the paper, making the figure more ambiguous. Flesh becomes abstracted: obliterated by paint on the skin, distorted by the eye of the camera lens, or smeared by the glass of a Xerox machine.
Photographs are used as inspiration for drawing and mark making. The drawings are made by dusting thin layers of graphite onto paper with a dry brush. The softness of the graphite provides a smooth surface that can be augmented by erasing in details. Gestural marks are apparent, while still creating dimension. Textures are given precedence over portraying a likeness to the figure. The act of drawing becomes the focus.”
We don’t often highlight web design, but I thought that this recent work by Ritxi Ostáriz was worth showing. The site uses a very interesting animated background that uses moving image in quite an entrancing and hypnotic way. Check out the website by clicking here.
Los Carpinteros is an art collective founded in 1991 in Havana, Cuba. They create small and large scale installations that reflect perversions of common, everyday objects. These objects are bent, twisted, de- and re-formed, creating abstract work with recontextualized boundaries. The artists deconstruct these simple forms in order to complicate our experience of them. Stable forms become chaotic, erratic, and fragmented through Los Carpinteros’ manipulation of them, ultimately representing a subversion of structure that transcends the domestic or personal.
Izumi Keiji’s figurative sculptures seem to ridicule their subjects’ oblivion, in a playful way. Does anyone else find it humorous his poor sculptures are trying so hard to be normal, but can’t contain their bizarre idiosyncracies? It’s almost as if Izumi takes delight in rendering a white T and blue jeans, business-only bun wearing woman into a magical, blue lagoon water-fall headdress goddess with rainbows erupting from her armpits, as if about to take off in flight. She stands sort of delicately, both aware and inanimately unaware of her liminal position between a world in which anything is possible, and the mundane one you and I reside in. Not to be missed is the casual wear young man whose “afro” is turning into a martian below, completely unbeknownst to him…who knows, maybe I have a giant bolt of lightening erupting from my armpits, and I just don’t know it?
Emily McDowell designs greeting cards for family and close friends of cancer patients. The messages are blunt and direct. As a former cancer patient herself now in remission, the designer got irritated when her close circle stop visiting and calling her because they didn’t know what to tell her.
She is making things simple by putting the right words on a sentiment which is most of the time sincere and honest but comes out awkward to the patient. Loneliness and solitude is, according to Emily McDowell the most difficult part of the illness to endure. Despite the loss of hair, fatigue and the heavy medical treatments, loosing friends and family members as a support system because they are having a hard time verbalizing encouragements and empathy is painful.
The illustrations on the cards are handmade by the designer herself. The pastel color scheme softens the message which can appear straightforward and cynical but which speaks truly to the patient. Emily McDowell believes these cards can make a difference in the way we communicate. In a digital world where motivational quotes are spread out through Instagram and Facebook, these make a difference because they are palpable and create a direct connection between the friends, family members and the receiver.
Find Emily McDowell’s ‘Empathy Cards’ on her eshop. (via Slate)
Jesse Fillingham is an emerging illustrator who holds burgers, mythology, and unicorns close to his heart. His work holds a lot of energy, humor, and powerful storytelling. I especially love his series on mythological hunters.