Dutch artist Daan Botlek creates commissioned murals and work for the street. His art makes use of simply conveyed bodies often contrasting the inside with the outside. Many of Botlek’s pieces illustrate a sort of literal introspection, looking inside each character. The characters peel off, crawl out of, and smash off outer layers to expose the inner person. Botlek works both in the gallery and on the street, his figures populating walls through out the city inside and out. [via]
In a daring undertaking, MoMA’s curator Klaus Biesenbach has pulled together an immersive exhibition concentrating on the last twenty years of Björk’s musical career, her eight full length albums and also features the launch of her new video Black Lake. Taken from her new album Vulnicura (2015), and filmed in Iceland in the summer of 2014, the 11 minute long video uncharacteristically explores the personal life of Björk and her break up with long time romantic partner Matthew Barney. The video was commissioned by the gallery and gave Björk another chance to work creatively with director Andrew Thomas Huang, whom she teamed up with on her previous video Mutual Core. For Black Lake, she also worked with the talented Erna Ómarsdóttir – a choreographer who gave life to Björk’s emotional journey through the break up. The video moves through the different stages of separation, including grieving, processing, and reincarnation.
The exhibition also features a retrospective of her music videos, from Debut (1993) to Biophilia (2011) across from the screening of Black Lake. In the lobby of the gallery, there is a showcase of the instruments used on Biophilia: a gameleste, a pipe organ, gravity harp and a Tesla coil. And to compete the experience,
…Songlines presents an interactive, location-based audio experience through Björk’s albums, with a biographical narrative that is both personal and poetic, written by the acclaimed Icelandic writer Sjón, along with many visuals, objects, and costumes, including the robots designed by Chris Cunningham for the “All Is Full of Love” music video, Marjan Pejoski’s Swan Dress (2001), and Iris van Herpen’s Biophilia tour dress (2013), among many others. (Source)
Photographer Juuke Schoorl‘s collection is called “Rek,” which means “stretch” in Dutch. It’s a fitting name for both the act observed as well as that demanded of viewers as they are asked to consider all manner of textures both natural and unnatural. In her artist’s statement, Schoorl says that she “[explores] aesthetic possibilities of the human skin through a mixture of image capturing techniques.”
Using nylon fishing rope and cello tape, she creates temporary perforations and artificial patterns on what she calls “this curious stretchable material.” Some of her experiments look natural, almost like scarification. Others approach alien, such as one that tugs the side of a woman’s neck into what look similar to gills or another kind of grittier protrusion.
Interestingly, Schoorl’s subjects all look composed, serene even as viewers might flinch back on instinct. Perhaps that is the point; Schoorl invites viewers to be curious, to wonder at these new patterns and human landscapes. She wants us to consider our “biological upholstery that aside from it’s [sic] protective capabilities could also serve as a medium for aesthetic expression.” (via Juxtapoz)
Jesse was born in San Juan Capistrano, California in 1987. He has been drawing since before he can remember, which was really only the-blink-of-an-eye ago on the geologic time scale. He now resides in San Francisco, California. I love the colors and the fluidity of line work in his drawings- he did what I always wanted to do with those Gelly Roll pens… but could not.
Fashion for the stylish art history nerd alert: Dr. Martens has drawn inspiration from Hieronymus Bosch’s “The Garden of Earthly Delights.”
You can now find a collections of combat boots, oxfords and satchel bags that beautifully display the heaven and hell imagery of this 16th century Flemish masterpiece. The Capsule Collection items are now available on the Dr.Martens website and in select dealers around the world, amongst them Urban Outfitters and Journeys.
I had only one class with Tom LaDuke, but he became was of my most beneficial and most enjoyed professors. Much like his work, Tom is very perceptive; I always felt he was a few steps ahead of us. He inspired many of us to notice aesthetic details, a more clever title, a deeper level of thought – just something more than where our minds stopped at.
Even outside of class, Tom is still encouraging me to be better through his work. He works with challenging mediums, such as, sculpting with graphite, pencil leads, fingernails, eyelashes, and other fragile or unorthodox materials. He is always up to something. You notice this when you start seeing the different layers he puts into all his work, most notably his recent series of paintings where you become very aware of your process of perceiving images.
Maury Gortemiller displays an interest in exploring the “residues of human experience.” Examining discarded objects, “the flotsam left behind,” in his opinion, has the ability to impart a wealth of information about individuals and attitudes. Gortemiller’s photographs appear to be ordinary; however, they certainly allow for potential imaginative and conceptual meanings.