Photographer Florencia Durante’s series uses light to wrap her seated subject in a brilliant spectacle of energy. It appears as fractured, gestural drawings that dances on the floor, up the bald man’s (named Ruso) legs and sometimes around his head or out the door. The white-yellow spirit is erratic and is chaotic.
In addition to having a drawn quality to them, these photographs are sculptural. Durante builds up form and by layering line upon line, taking into consideration the contour of the knees and the head. She creates a halo and a veil around her subject.
The light seems simultaneously helpful and terrifying. Ruso sometimes sits idly as it moves around and throughout him. Other times, he has his head in his hands waiting for impending doom.
Photographer Tim Dodd has long loved space, so when he happened to find a vintage Russian high altitude space suit on an auction website, he had to have it. The purchase has definitely been worth it. After owning it six months, he’s worn the suit at least 17 times to photograph himself in the series Everyday Astronaut. It depicts Dodd as an astronaut character that’s doing the everyday activities we all do, like walking the dog, cooking dinner, and grocery shopping, but all with a hilarious (and sometime tragic) twist.
In all of these images, the spacesuit is present. It’s the narrative thread that connects all of the Dodd’s stylishly-shot photographs. The character is an everyman, just going through the day like anyone else, except that he has this special suit. Does it give him super powers? No, but we get the sense that he might think it does, which adds a humorous touch to this series.
It’s impressive at the amount of details that Dodd included in each image. Every photo is an attribution NASA in some way, and some are more obvious than not. Like shopping for tang, watching Apollo 13 on TV, and even down to the bedding, take a look and see if you can spot all of the photographer’s carefully-placed references. (Via Fast Co.Exist)
Sin-Eater is a UK-based artist who draws murky scenes of ancient beasts and the dark arts. Like fable illustrations or tarot cards, his works are replete with eerie-yet-powerful symbols, such as the moon in various phases, leaking hourglasses, human skulls, and obscure runes hidden amidst fog and fur. His intricate linework and grimly religious imagery recall the works of Albrecht Dürer, one of Sin-Eater’s influencers; in a similar style to Dürer’s 1513 engraving “Knight, Death, and the Devil,” for example, Sin-Eater depicts his own esoteric, dream-like sequences wherein the underworld seeps through the surface of the earth, manifesting in visions of twisted forests and unearthly beings.
The name “Sin-Eater” comes with its own fascinating mythologies. From Mesoamerica to the English countryside, the concept has arisen in folklores across the world, referring to people who eat or drink the sins of a deceased person, thereby purifying the spirit’s soul. Through images of death, rot, and consumption, Sin-Eater’s artwork hearkens back to these ritualistic practices, using a traditional medium and ancient imagery to figuratively dissolve the “sins” of humanity across time and space. Like polished bone beneath the rot, the result is a series of illustrations that fester in the imagination before splitting open into near-transcendent beauty.
View more of Sin-Eater’s works on Tumblr. Prints and other merchandise featuring his work can be purchased on his shop. Sin-Eater has also designed items for the Irish clothing company Nine Lives, viewable here.
Deenesh Ghyczy’s fragmented figurative paintings take the human figure and weave it in and out of itself as if dozens of film negatives were laid on top of one another to create a constant state of motion. This technique serves as a metaphor for multi-layered identity and a look at individuals as living structures with more than one center. (via)
Greedy Hen is a multi-disciplinary studio functioning partly as an art collective and partly as a design studio, housing the collaborative works of Katherine Brickman and Kate Mitchell. Working mainly with the music industry Greedy hen creates layered images with a classic vintage feel.
Greedy Hen is presented by the online printer, Next Day Flyers. Next Day Flyers offers rack card printing which is quite popular in the tourism marketing industry.
Stefan G. Bucher is a graphic designer, illustrator, author, creator of monsters, and pursuer of obsessions. The (sole) creative force behind 344, his clients have included art galleries, film directors, magazines, record companies, Saks Fifth Avenue and the Blue Man Group. If you’ve seen the Yeti themed Saks Christmas windows, you’ve seen Stefan’s work. The Daily Monster is his, too. The cover of The Matrix soundtrack; typography for Mirror, Mirror; Blue Man Theater. All Stefan G. Bucher.
Aside from his amazing and prodigious creative skills, Stefan is an astute observer of culture and a consistently funny writer. He agreed to be interviewed for Beautiful/Decay.
B/D: Thanks for talking with me, Stefan—I’m just going to jump right in. What’s the most interesting thing you’re working on right now?
Stefan Bucher: It’s my pleasure. The most interesting project I’m working on right now is the pitch for an animated show surrounding the Daily Monsters. It’s a long process of uncertain outcome, but it involves a lot of things I love—illustration, working with a brilliant writer and a genius animation producer, thinking about music and character design. It’s great! I’m also working on a solo gallery show for the spring. That’s just a big beast breathing down my neck. I don’t know how much of it will be retrospective and how much will be new work. I just want it to be a fun trip for the audience.
Jackie and her brother together. On his first day in the world, and a few years later.
60mg methadone + heroin.
Jackie Dives is a Vancouver-based portrait and documentary photographer who has bravely followed her brother’s recovery from heroin addiction. The project began nearly a year ago, when her brother asked her to capture his progress. Jackie agreed, explaining she “wanted to do it as a record for him, hopefully [as] a way for him to remember the severity of his addiction, and prevent him from relapsing.” The images are unfailing in their honesty, capturing fluctuations of strength, hope, pain, and vulnerability. We see him smiling, looking healthy, and sitting beside his girlfriend (who bravely accepted that Jackie take her photograph post-breast augmentation, thus adding another dimension of fearlessness and candidness to the series). In other photos, he looks troubled, his face lined with pain and sadness. The emotion emanating from these images is palpable, and even though Jackie’s brother may be unknown to us, his portraits of struggle and hope inspire a profound sense of empathy and acceptance for individuals enduring the trials of drug addiction and recovery.
What makes this series even more significant is the fact that, for Jackie, her love-infused photographic ambitions began with her brother. Eight years his senior, Jackie began documenting him as soon as he was born; as she writes in her Artist Statement, “Because of our age gap, photography was a realistic way for us to connect that didn’t require us to have much in common, other than being in the same room.” He was not an easy subject; “he moved fast,” and was uninterested in the art she was trying to create. As a result, Jackie became adept at working on the fly, less concerned about refinement and perfection, and interested instead in snapping the purity of a moment. These experiences documenting her brother have developed the core of her artistic objectives and philosophies; while working in the fields of family, event, and travel photography, true portraiture is always her primary focus:
“What’s important to me is simply a moment in the life of my subject. It is not forced or artificial. I want to show my subject truly. […] Ultimately, it’s about letting people continue to be themselves, and not stopping the moment, but letting it flow on, and being adaptable to it. I only want to capture what is actually happening, and in doing that, take a true portrait.” (Source)
Visit Jackie’s website to see more images from this powerful series, as well as many other beautiful portraits and projects. Her Instagram, Twitter, and Facebook page are also up-to-date with her most recent and ongoing work, so be sure to check out those as well. More images of her brother’s recovery after the jump.