Israeli artist Ronit Bigal transforms the body into a text. For her “Body Scripture II” series, Bigal uses digital photography overlaid with Biblical text (in Hebrew) and floral ornamentation drawn with black Indian ink to create these stunning images of body calligraphy. The body is exposed and abstracted, the text contouring bodily landscapes and capturing hidden textures and unspoken eroticism. Upon close inspection, the text on the bodies is hard to read. It’s small and intricate, but the overall effect creates a visually hypnotic pattern. Bigal places the text so thoughtfully around the curves of the body that it is hard to believe the text was not drawn directly onto the subjects. Her work also leaves me curious about which passages she placed on particular body parts, and if she was deliberate in the placement.
Her Saatchi profile explains that these images “…are almost abstract and enigmatic, arousing the viewer’s curiosity to discover what are the photographed objects, what meanings lies behind the texts; and whether there is a thematic affinity between them or, perhaps are the associations purely aesthetical?” (via my modern met)
A young designer named Teresa Lim uses a centuries old tradition to remember her trips to exotic places. Instead of a shutter and lens she threads needle and yarn to embroider her memories. The idea first evolved when she wanted more than just a photograph or postcard as a memento. She used her training and expertise as a textile designer/illustrator and concocted the embroidery idea. The labor involved in the project satisfied Lim’s taste and was a positive way to imprint these unique places into her memory.
The work itself is not much larger than a photograph and round in shape. On her website (teeteeheehee) she shows a picture of the finished piece against the actual subject matter. Most are uncannily accurate and quite beautiful. She chooses an array of colorful, natural destinations to sew which work well with the bold, vibrant yarns. Some of the places she’s embroidered have been Vietnam, Berlin, Prague and Tokyo. She has also done other projects in embroidery which depict girl power topics and are less traditional in the sense of technique.
Embroidery has been in existence since the early 3rd century B.C. Since that time it has changed very little. There are a few different types of stitches and that’s it.
It differs from needlepoint which uses a stiff open weave canvas opposed to embroidery’s soft cloth which requires a loop to create a border. (via boredpanda)
Sarah St. Clair Renard‘s website is divided into “Fashion,” “Portraits” and “Stories.” I love that last section, as all the photographs have no captions. We’ll never really know what stories she refers to. Her photographs capture a etheral feeling, be it fashion spreads, intimate portraits or seemingly snapshots of a high school football game. Also check out her blog, she posts more pictures from her day to day life there.
For two weeks only Beautiful/Decay will have all Apparel and headwear at 50% off. You can even save 50% off items that are already on sale getting you shirts for as low as $5.00! Just enter discount code:MAYSHIRTSALE And let the savings pour in!
The description of this video says “A short abstract movie dealing with nature and maritime creatures, metamorphosis and transformation-connecting art and science” but all I keep thinking of while I watch this is “wow this is what happens when we’re conceived.” Anyone with me?
Video by Silja
We first featured Michael Swaney in B/D 4 years ago in issue:X with a feature length interview. Issue:X is unfortunately sold out but if you happen to be in or near Brussels you can stop by A.L.I.C.E Gallery and check out Michael’s latest show opening April 7th.
Boston-based photographer Caleb Cole creates self-portraits that are not so much about himself. Cole’s curiosity about the live (introspective lives) of others inspired him to come up with Other People’s Clothes, a photographic series in which the artist becomes the stranger, the ‘Other’, in order to further understand his desire to know more about the unknown.
“Though I am the physical subject of these images, they are not traditional self-portraits. They are portraits of people I have never met but with whom I feel familiar, as well as documents of the process wherein I try on the transitional moments of others’ lives in order to better understand my own.”
By using scavenged clothing and various themed setting that matched the clothing, the artists creates characters that resembles people in real life – I assume, people by whom he is intrigued by (he fails to portray people of color/other ethnicities, although he does not exclude women). Each photograph evokes a story, which Cole makes possible by arranging and creating the set of each and every one of these images.
The artist’s facial expressions, however, seem static; he seems to hold about the same face, one of despair or discontent, throughout the series. The reason behind that specific characteristic is unknown, however it can be speculated that he might be channeling his own beleifs about the people he is portraying…can all his characters be this unhappy and apathetic about life in real life, or are those just his impressions?
Whatever his reasons may be, there is no doubt that, through his representation of the ‘real people’, Cole is demonstrating an understated sense of empathy. (via Feature Shoot)
Superstition aside, these sculptures made from shards of mirrors were created by artist Lilibeth Cuenca Rasmussen. If you look at the photographs carefully, in addition to the sculptures a person in a similar mirror-suit moves throughout the gallery. The gallery also projects a video for this exhibit featuring a person in this mirror-suit moving through commercial spaces in South East Asia and Denmark. It is interesting noticing the virtually universal nature of mannequins. Rasmussen brings out that they allow us to imagine the way clothes will look on us, but on a deeper level we project what we want to be on them. Similarly, these sculptures literally reflect those gazing at them. [via]