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Takeshi Haguri Sculpts Beautifully Detailed And Tattooed Characters From Traditional Japanese Art

"Chojun (Zhang Shun)," from Kuniyoshi Utagawa's "Zhang Shun in the White Streak of Waves" - from the 108 Heroes of the Suikoden (2014).

“Chojun (Zhang Shun),” from Kuniyoshi Utagawa’s “Zhang Shun in the White Streak of Waves” – from the 108 Heroes of the Suikoden (2014).

Otokogi (Chivalry) - from a Matsuri (festival) (2013).

Otokogi (Chivalry), from a Matsuri (festival) (2013).

Otokogi (Chivalry) - from a Matsuri (festival) (2013).

Otokogi (Chivalry), from a Matsuri (festival) (2013).

"Kaosho (Tattooed Priest)," from Kuniyoshi Utagawa's "Lu Zhishen, the Tattooed Priest" - from the 108 Heroes of the Suikoden (2014).

“Kaosho (Tattooed Priest),” from Kuniyoshi Utagawa’s “Lu Zhishen, the Tattooed Priest” – from the 108 Heroes of the Suikoden (2014).

Takeshi Haguri is an artist from Nagoya, Japan, who creates incredibly detailed wooden sculptures of traditional figures from Japanese art and culture. In the 1990s and early 2000s, Haguri created series of works depicting musicians, “Yankees” (delinquent Japanese youth), and melancholic outlaws. His more recent works, featured here, are modeled after traditional prints from Edo-period (1603-1868) Japan, such as Toyokuni Utagawa’s “Kauraiya: Portrait of an Actor on Stage” and Kuniyoshi Utagawa’s “Lu Zhishen, the Tattooed Priest” from the 108 Heroes of the Suikoden. In a current series titled Otokogi (meaning “chivalry”), Haguri features a cast of men wearing fundoshi (undergarments) while standing proudly and wearing masks of traditional creatures and characters, such as the long-nosed tengu and clownish Hyottoko.

Several of Haguri’s works are covered in beautifully painted tattoos in the style of traditional Japanese art: dragons coil around torsos, koi fish arch over shoulder blades, and sakura bloom across arms and legs. Created by Haguri’s apprentice, Miki Nagasaki, the tattoos signify an interesting reversal of 2D and 3D art; instead of woodblock prints on flat surfaces, Haguri’s wooden sculptures transform the traditional images onto dynamic, wooden “bodies.” Drawn from the rich archives of art, myth, and cultural memory, these characters (and their tattoos) can be viewed and appreciated from all angles. By exploring tradition through a different medium, Haguri reinvests age-old images and artistic practices with his beautiful and contemporary style. (Via Sweet Station)

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Lorena Guzman’s Fantastical Resin Sculptures Are Like Frozen Dark Fairytales

Lorenza Guzman - polyester resin Lorenza Guzman - polyester resin Lorenza Guzman - polyester resin Lorenza Guzman - polyester resin

Argentinian artist Lorena Guzman brings beautiful and twisted fairy tales to life on a daily basis. Using polyester resins and hobby materials she creates haunting scenarios complete with intricate details that continue to be uncovered the closer you look. She uses popular folk lore, bed time stories and myths as a base to her work. Guzman makes work about over-sized alligators who help monkeys cross rivers; genies who are spinning animals around on their fingers as a hypnotic trick; a surreal alpine landscape that is actually a coiled snake; an octopus who eats rabbits; and a crow who is building a cosy nest in the back of a skull.

Guzman chooses subjects that are curious, disturbing or grotesque in some way or another. Her Chihuahua Toy sculpture comments on the bizarre subculture of dog breeding and the type of monsters people choose to create. She asks if a two headed dog is really that much worse than Bull Terriers or Boxers that have been specifically chosen for features that, to some, are ugly.

Another piece is about a hunting mission that focused around catching the illusive albino hare in the Spanish town of Santa María de los Llanos. Pointing out our strange behaviors and traditions is what Guzman excels at. She has been prolifically creating work for over ten years. Be sure to check out her many other incredible sculptures.

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Vintage Behind The Scenes Photos Of The American Museum Of Natural History

Wooden framework, first stage for mounting elephant

Wooden framework, first stage for mounting elephant

Assembling bones for Nodosaurus dinosaur skeleton from dinosaur bone collection

Assembling bones for Nodosaurus dinosaur skeleton from dinosaur bone collection

Charles Lang and Carl Sorensen working on skull of Palaeoloxodon antiquus italicus

Charles Lang and Carl Sorensen working on skull of Palaeoloxodon antiquus italicus

Museum staff with fossil shark jaws under restoration

Museum staff with fossil shark jaws under restoration

If you’ve ever been to the American Museum of Natural History in New York City, you’ve probably spent some time marveling at the grandiose installations and the larger-than life exhibits of species that are both alive and extinct. The Research Library at the museum kept incredible records of how these things were produced and have the photographs available for view on their website. These behind-the-scenes looks are fascinating, featuring taxidermy, assemblage, and the hoisting up of giant bones.

Employes built a lot of the structures from the ground up, forming armatures for what were birds, elephants, antelopes, and more. There was also fun to be had with large fossils, like a shark’s jaw, where we see one of the employees suspended in air, sitting on it, paying the giant teeth very little mind.

Removed from context, there is a surreal quality to these photographs. They represent a different time, an era when we didn’t have all the technological advances that we do today. Because of this, things in the museum have the tendency to feel dated and look aged, but these records show the amount of knowledge of craft and handiwork that had to go into the giant exhibits that we still visit today. (Via Fish Eyes)

David Mascha

David Mascha’s got some great typography and digital illustration work on his portfolio site.

Nick Ervinck’s Sublimely Intricate 3D Printed Sculptures

3D Printed Sculptures 3D Printed Sculptures 3D Printed Sculptures

Belgian artist Nick Ervinck‘s work is a divergent collection of the physical and the digital: by employing computer design techniques with a singular vision to make sculptural works new and exciting, Ervinck turned to 3D printed sculptures for his gallery works and comes out the other side creating works of singular focus, applicability and immediacy.

Says Ervinck on his website’s artist statement, “I have always been fascinated by how art has developed due to the use of new materials and techniques. Somewhat disappointed in contemporary sculpture and it’s lack of renewal, I turned towards architecture, applied sciences and new media, in order to elaborate a new language generated by computer software, and to compose forms and designs that were unthinkable in all those years before.”

While many of his works contain a quality that derives from ““Using copy paste techniques in a 3D software environment, I derive images, shapes and textures from different sources: basilicas, corals, dinosaurs, cottages, Rorschach inkblots, Chinese rocks and trees, manga, twelfth-century floral wallpaper, anatomical parts…”, perhaps most interesting in Ervinck’s work is his particular interest in the future possibilities and practical uses of the 3-Dimensional printing medium. In works such as the AGRIEBORZ series (pictured above), Ervinck worked closely with medical scientists to create realistic reproductions of the details of the human body in the fledgling bio-printing industry. He has openly remarked that he hopes that his artistic concerns and sculptures will eventually fuel scientific inspiration to continue research into the realms of human potential. (via MELT)

Sun Yeo’s Dreamy Gestures

Sun Yeo 07_owl_690_795

Sun Yeo is a graphic-designer-gone-artist based in Los Angeles. Remnants of Sun’s graphic design career are visible in the work, which introduces a hybrid digital/analog technique to create each piece. Through the subtle, dreamy, and whimsical gestures in her artwork, Sun suggests the simultaneous presence of comfort and innocence in a world that is stuck somewhere between fantasy and reality. Check out a handful of Sun’s latest body of work after the jump, and be sure to see the full collection on her website.

Kristy Milliken’s Drawings Of Luscious Fat People Confronts Body Image Issues





Australian artist Kristy Milliken knows nudity. A former photographer in the amateur porn industry, she became inured to capturing images of stereotypically attractive, thin women on film and moved to paper and ink and a new point of view.

“We see skinny women everywhere. I always forced ‘flaws’ into any of the skinny women I painted, the bigger ladies are what they evolved into. Something far more interesting, of course different pieces have different intent behind them, but there’s a naivety to them. An unaffectedness that I aspire to in my own life. I draw them as beautiful because I think they are.” Source

Milliken’s ink drawings are adorably subversive. The women are gorgeously fat, rosy and delicious. They look luscious, like ripe fruit, plump and sweet. Round tummies, thick thighs, heavy breasts, all kissed with pink and purple, topped with adorable round cheeked faces. They’re sexy, these large women, bound and gagged, smoking and eating, covered with food. The whimsical execution contrasts with the overtly sexual nature of the work.

“It’s a weird time for fat. Fat is both confronting and can be the most normal thing in the world, It’s the context that’s important. Plus I’m sick of all the pictures of skinny girls that seem to be everywhere.” Source

According to the artist, the themes of greed and beauty reoccur in her work, paired in an unusual way. Luxuriant pasta cascades over the women, sating and draping and entangling them. But despite her claim that these images are about avarice, the images feel affirming, even charming.

Body positive art can sometimes be confrontational, taking a focused, warts and all approach. Asserting that she’s not attempting to be political, Milliken’s work feels joyous and sweet— a light perspective on a weighty subject.

Muralist “Moneyless” Creates Intricate Geometrics That Will Remind You of Visions In A Kaleidoscope

Moneyless - Paint on WallMoneyless - Paint on WallMoneyless - Paint on Wall

Moneyless - Paint on Wall

With his work engulfed in geometric shape, the artist known as “Moneyless” creates infinite patterns of triangles and circles that seems to multiply endlessly. The Italian artist having talent in both two and three-dimensional work, his murals and paintings on wood are cosmic bound, mesmerizing and hypnotizing you with its fluid shapes. Originally a street artist, his influences from graffiti is apparent in his work on walls, with their bold color schemes and intense movement across the spaces they inhabit. This breakdown of text based graffiti into more non-representational, abstracted forms and shapes allows for more contextual freedom.

These murals and wall pieces are reminiscent of a kaleidoscope or a Spiro graph, with repetitive circles turning his compositions into large-scale Slinkies. Moneyless’s works on wood contain the same depth and intricacy created from his geometric perception, with an excellent eye on negative space. Staring into these works will have you lost in their unbelievable intricacy and rhythm. Each line is so thin and delicate, but make up a larger part of the stronger whole. This series is brilliantly symmetrical, forming a central focal point that pulls us into the space. The artist sees the triangle shape as the root to life, making up our existence along with everything around us. The reoccurring theme of geometry represents the foundation of life itself.