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I love this music video for Chad VanGaalen’sPeace On The Rise single. It’s got everything you want including green giants, aliens, mystic plants, and all sorts of other bugged out imagery that i’m sure you’ll love. Watch the full video after the jump.
In their series, “Anamorphoses,” French artists Ella and Pitr (Papiers Peintres) transform forgotten, run-down places into colorfully framed spaces that create anamorphic illusions. The duo paints frames onto stairwells, empty rooms, and hallways, giving the normally 2D experience of a frame the depth of 3D. The photographs have to be taken at a particular angle in order to create the desired shot of a figure inside the painted canvas. The outcome is a whimsical portrait that lends playful depth to an otherwise drab and neglected setting. The artists completed these installations and photographs as part of a project for National Dramatic Center of St Etienne. (via my modern met)
Beijing based fraternal pair Gao Brothers have been collaborating on nstallation, performance, sculpture, photography works and writing now for three decades and shocking museums around the world with their guerrilla tactic art, one such featuring an apologetic Chairman Mao on his knees with a detachable head. Exhibitions by the Gao brothers, whose work the authorities find politically challenging, have been shut down in the past, and their studio has been raided. So they keep the head of Mao hidden in a separate location — reuniting it with its body only on special occasions to show friends and colleagues. Normally, the body of the statue remains headless, unidentifiable and nonthreatening.
Artist Patrick Jacobs creates highly intricate dioramas. His dioramas, once created, are installed inside the gallery wall and fitted with a large lens. Gallery visitors can spy on each of the miniature scenes through these lenses. Jacobs’ dioramas are often of idealized landscapes or peaceful indoor scenes carefully detailed to appear as entirely separate worlds. Hidden lighting glows as if entirely natural while the foreground seamlessly blends with a background and further to the horizon.
With spring around the corner I can’t help but think about flowers, which led me to consider Anna Schuleit’s installation Bloom, 2003, a site-specific installation at the Massachusetts Mental Health Center in Boston. Though now over ten years old I feel the idea that art and beauty can heal is a powerful and ever-relevant concept. The installation consisted of over 28,000 flowers, 5,600 square feet of live sod and recorded sound that played over the old public service announcement system. The flowers and sod filled four floors of the historic building and the basement hallways.
The building, which was slated for demolition, had a long and complicated history, having hosted thousands of patients and employees over the years. Struck by the absence of both life and color after visiting the site, Schuleit conceived of BLOOM, reinvigorating the building with an impressive display of flowers and transforming it into a fantasy world for four days. After the installation Schuleit had the flowers donated to half-way houses and psychiatric hospitals throughout New England. As she said of the installation in her interview with Colossal, “I wanted these flowers to continue onward, after the installation. Bloom was a reflection on the healing symbolism of flowers given to the sick when they are bedridden and confined to hospital settings. As a visiting artist I had observed an astonishing absence of flowers in psychiatric settings. Here, patients receive few, if any, flowers during their stay. Bloom was created to address this absence, in the spirit of offering and transition.”
Check out more of Schuleit’s work at her website and read the full interview with her here. All images copyright Anna Schuleit.
By photographing emotionally troubled dogs suffering from abandonment and aggression, the artist Martin Usborne chronicles his own painful struggle with depression. His recent series “Nice to Meet You” tenderly traces unknowable canine narratives by carefully placing the animals behind surfaces and materials: a wet glass pane, a cloud of smoke, pressed flowers.
In distancing the viewer from each creature, the artist paradoxically allows for a heightened level of intimacy with each dog; behind a haunting waterscape or transparent white shroud, each set of eyes glistens and each pointed nose seems to poke through the barrier, begging for closeness with the viewer.
In distorting space with long exposure times and unevenly textured surfaces, Usborne also blurs the notion of time; the animals appear ghostly, shadowy, and otherworldly. As each image leads us farther into this ethereal and lonesome dreamscape, we bear witness to the profound confidences of these gorgeous creatures, and they stare back, inviting viewers to empathize.
Ultimately, Usborne’s canine subjects recall our own murky and lonesome pasts, mirroring the dark places that we normally keep hidden within ourselves. In juxtaposing everyday statements like “I’m fine” and “I also work at the bank” with the charged photographs, the artist paints a portrait of isolation; he himself often repeated automatic phrases like “Nice to meet you” and “You look great” when in the midst of his depression. These animals, partially hidden by fog and fabric, serve as surrogates for we who hide behind words. If only for a moment, these vulnerable faces of dogs remind us that we are not alone; in lending us their quiet companionship, they become our confidantes. (via Design Boom)
Aether & Hemera’s ‘Voyage’ installation consists of three hundred floating ‘paper boats’, encasing coloured dynamic LED lights that come alive at night in the Middle Dock.
The etymon of the word ‘voyage’ comes from Latin ’viāticum’, which means ’provision for travelling’, and the aim of the artwork is to allow viewers to travel and sail with absolute freedom to all the places they care to imagine.Colourful paper boats’ on the water invites everyone to make a transition from reality to imagination, reliving childhood memories and embracing our freedom; blurring the lines between the real and hyper-real, ‘Voyage’ invites the thoughts of the visitors to cross the borders of their imagination.
Voyage installation is designed to be an interactive experience; people can engage with it and impact on the behaviour of the lights from their mobile phone. (via)