Israeli artist Ron Arad has a thing for the Fiat 500 car. Ever since his father was almost struck by a garbage truck while driving a Cinquecento, the Italian automobile played an important part in his life. Arad tells the story of how he came to own his first Fiat to W Magazine. While stopped at a red light in a taxi, a Fiat pulled up next to him, and he
….opened the door of the taxi and shouted to the driver, ‘Are you selling?’ The next day, his car was [his]’. (Source)
That car was used to cart his family around for a number of years, and even housed a homeless man for a short period. After looking at it every day, he decided he wanted to immortalize the car like the cultural icon it is. Using a metal press at a shipyard in Groningen, in the Netherlands, he managed to squash and squeeze the cars into a 12cm thick plate. After spending a while trialing with smaller cars and a variety of presses, Arad found the perfect way to flatten the frames while still keeping the integrity of the shape and design. It is quite a bizarre sight seeing something which is normally such a full shape being hung on the wall like it is a colored cardboard version of a car. Arad has indeed preserved the idea of the Fiat 500 for all to gush sentimentality over.
His exhibition “Ron Arad: In Reverse” is on view at Paul Kasmin Gallery, 515 West 27th Street in New York City, until March 14, 2015.
Pierce Thiot and his wife, photographer Stacy Thiot, have been collaborating on an ongoing project titled “Will It Beard” wherein the couple test the limits of what a beard can hold. Pierce tells BuzzFeed, “Over Christmas break, my mom had her grandkids do a talent show for her (she’s an adorable grandma). I tried to put as many pencils as possible in it for my ‘talent.’ I got over 20. Needless to say, my mother was very proud.”
Since then, the couple has put dried pasta, flowers, chips, matches, balloons, scissors, and even Mr. Potato Head pieces into Pierce’s beard. Through this playful series, the Thiots prove there is more to beards than just looking cool. You can keep up with the project’s progress on Tumblr and Instagram. (via moarrr)
Lisa Rienermann‘s Type the Sky series is reminiscent of the big city tourist’s point of view. The tops of metropolitan buildings squeeze in the sky to form a unique alphabet. Rienermann uses the negative space, the small patches of cloudy sky, between roofs to as the structure of a fun typography. The font has been understandably popular. The series received an award from the Type Directors Club New York. It was also used by Mercedes and Renault for respective advertising campaigns.
Vlad Mamyshev-Monroe is a master of camouflage and likes to play as many different people as possible. If the three artists are recounting the failure of being the engine of image making in a self-focused narrative role, Mamyshev-Monroe fills a role which makes failure the fate of her life. In the 2005 video ‘John and Marylin’, he tells the supposedly true love story of John F. Kennedy and Marilyn Monroe which remains shrouded in any number of conspiracy theories to this day. (from Artfacts)
Magnus Pettersson… is a name I would want if I were a guy. He is also an editorial photographer working from Berlin. While I do enjoy his portraits, it’s his personal portfolio that I am very interested in. This is because the people in his work appear transient within their environment – they just dissolve into the atmosphere.
I found Julio B Esq’sBouduoir series during my weekly stroll through the B/D Creative Pic Pool. Julio’s photos walk a fine line and could quickly be dismissed as shocking snapshots of drunk/high people taking part in bizarre acts.However I think there is something that sets his work apart from all the shock and awe Terry Richardson wannabes that deserves a closer look. When I first saw these photos I immediately thought about the infamous Calvin Klein ads that were scrutinized for their basement kiddie porn appeal. I can see Julio’s photos taking place in the same old basement as the CK shoots complete with cheap wood paneling and 30 year old shag carpet. Creepy or not Julio’s photos have an erie calmness to them that separates them from the pack. I liked the series even more once I read his text about the inspiration for the set:
“Historically, the boudoir formed part of the private suite of rooms of a lady, for bathing and dressing, adjacent to her bedchamber, being the female equivalent of the male cabinet. In later periods, the boudoir was used as a private drawing room, and was used for other activities, such as embroidery or entertaining intimate acquaintances.”
Stephen Aldrich carefully cuts woodcut prints, steel engravings, and other printed epehemra from the Victorian Age to create these sardonically surreal new vistas of the era. Yes, Garret, I like this because it’s Victorian!
He will be showing his work at NYC’s Foley Gallery from September 9- October 23.