As you may know Book 4 should have already come out by now. Unfortunately I received an email from our printers last week about an unforeseen delay with our cargo ship. At first I thought pirates had taken over the vessel to hog all the copies of B/D for themselves, but alas it was just some bad weather combined with faulty parts on the cargo ship. So what does this mean for you, our faithful subscribers? Well the good news is that our magazines have just arrived in good ol’ sunny los Angeles. It will take a few days to clear customs and to pack up each book to send your way but you will get book 4 within the next two weeks. I know that the wait is longer than anticipated but I promise that it will be more than worth the wait.
For those of you who haven’t subscribed yet here is your last chance to get on board and get B/D delivered right to your door. Book 4 comes with a signed, full color, editioned silk screen print that will only go to subscribers so make sure you get in on it. Once we close subscriptions in the next couple of days you will miss out on Book 4 and will have to buy it separately at the regular,non-discounted price. Subscriptions are just a click away here.
Since we feel so bad about the delay we have decided to extend our 50% sale until every single subscription has been sent out. This way you can keep getting great deals while you patiently wait for the highly coveted book 4!
“I feel it is not important, can be even detrimental, to conceive of, or predict outcomes in the studio: accidents, chance occurrences and reaction will direct the coarse of the work. What is important is to be present, to be a sensitive, sincere, focused, open and as powerful as possible. The work is thus finished when either it says it’s done or I abandon it and take to working on something new.
In my recent work, I am moving away from image based painting and drawing towards more ambiguous, blatantly abstract and open-ended works that seem to want to define painting as a pure, visual language.”
Sweden’s Kate Boy are set to release their debut EP Northern Lights on IAMSOUND Records on January 22, 2013. They have kindly released two songs in advance, one a video for Northern Lights and the other, a b-side called In Your Eyes via SoundCloud. Both songs are infectious and have been on repeat since they landed in my inbox late last week.
Iain McKell, a renowned fashion and social documentary photographer, has compiled a series of compelling images, The New Gypsies, which depicts both the physical and emotional life of a modern traveler community living in the outskirts of a technology-driven society. McKell creates surreal images that almost treat his subjects as fictional characters, yet we find that there is an undeniable hint of warmness, liveliness and honesty that instantly creates a strong bond between viewer and subject.
The British horse-drawn travelers whom sport decorated caravans, colorful clothing, and share a desire for freedom from the trappings of contemporary life, served the artist as more than just an artistic project; he calls the 10-year study “a personal journey.”
With these photographs, McKell intends to show a way of living that is both colorful and meaningful- something that lacks in contemporary living. He states that the tribe draws from the past and combines with the future, therefore “creating a set of progressive new ideas and values that are not based on materialism […] and are not chained by the stress and complications of our modern existence.”
In 2011, the photographer published a book of the series by the name of The New Gypsies by Ian McKell, it includes essays by Val Williams and Ezmeralda Sang. (via Huffpost Arts & Culture)
In the garden of my house there’s a tree with lots of randomly grown twigs. It looks odd and nice at the same time. One day I asked myself if I could create a piece of music with it.
To tune the tree I picked a fundamental note and tuned the twigs by trimming them with a pencil sharpener. I used two Røde NT6 and a NTG-2 as microphones, combined with a customized stethoscope.
I recorded the tracks live on a Pro Tools LE system. I didn’t use any synthesizer or sampler to create or modify the sounds. All the sounds come from playing the tree, by bowing the twigs, shaking the leaves, playing rhythms on the cortex and so on.
Meatwater, a line of 60 plus meat-inspired beverages and photographic prints, is currently showing at 303 Grand in Williamsburg but its depth may be best explored at Dinnerinabottle.com. Varieties like Italian Sausage, Tandoori Chicken and Wiener Schnitzel have received raves from beverage trade magazines (none of which found a press release with quotes from a “Governor Rose Selavy” suspect) and a writer for the LA Times described it as “the most disturbing thing I have seen on the internet in a month.”
Queries about the cost of an actual bottle are met with a winking “If you have to ask, you can’t afford it,” but for a lucky few who make it to the closing party Aug. 22nd at 303 Grand @ 7pm, tall glasses of Pork Dumpling may be on offer.
20 Year Old Gustavo Fuentes (aka Flëkz) is not your usual graffiti artist. This L.A. local creates large scale murals on the walls around the city without the aid of stencils, rulers or spray paint. His only material he uses to create his pieces is a roll of humble painter’s tape. Finding light colored, bare walls to work on, Fuentes uses the electric blue of his tape to create amazing designs that you can’t help but notice. The contrast makes his pieces hover and pop off the wall and definitely stand out against the background.
Refreshingly different from most other graffiti and street art, Fuentes is quickly forming a fan base. He uses a technique of overlaying the tape and playing with the thicknesses and gaps left between the layers to create really interesting patterns and optical illusions. Deceptively simple, his pieces are actually full of strange perspectives, beautiful symmetry, fractured segments, sneaky curves and clean crisp corners. Featuring many variations of triangles and prisms Flëkz’s pieces add drama to the cityscape, but still don’t escape the inevitable fate of all street art – that it is unfortunately temporary. So if you can’t see his work out on the streets, and want to see more of it while it is still visible, go here. (Via Source)
Brooklyn-based artist Elana Adler uses the traditional craft of an embroidery sampler to outline the crude things said to her by street harassers. The series is titled You Are My Duchess, and features small, decorative pieces of needlework (which historically feature bible stories or other imagery) that say some negative, disgusting things. Adler stores each saying in an elaborate frame, and writes in her artist statement:
This series of thirty-two (plus) samplers is intended to be provocative and evoke emotion. It is a contemporary feminist interpretation of women’s work and an objectification of my personal experience. Each captures a moment, giving these words a visual presence, a power, and a state of concreteness. These words were hurled casually and heard quickly but required hours of time-consuming, careful stitching.
The physically delicate, traditionally feminine, form of the piece engages the viewer and confronts him/ her with a sweetness that may mask its crassness and vulgarity.
She goes on to explain that the strength of this series comes in numbers. While you might read one and be amused, the more you read will change your response.
The inherent filth emerges. It is a beautification of an assault. Perhaps in the moment these statements are meant to compliment, but most don’t find vulgar, highly sexualized statements whispered or screamed at them by random strangers complimentary. Rather, they are an invasion of personal space. (Via Got a Girl Crush)