“With these un-gravity constructions, I want to show that we live in one world, but we live in it in very different ways – playing with everyday objects and spaces, placed in impossible ways to express that many times, the inner dimension of each one of us does not match the mental structures of those around us. The architectural spaces and day-to-day objects are part of a metaphor of how difficult it is to fit everything that shapes our daily space: our relationships, work, ambitions, and dreams.”
What’s behind the door of a therapist’s office? Psychiatrist and photographer Sebastian Zimmermann provides a look into these spaces with his new book titled Fifty Shrinks. It features 50 portraits of New York City therapists in offices that are normally only seen by their patients.
“In contrast to other medical specialists’ offices with their practical equipment of examining tables and rolling tools, the therapist’s work space has few obvious demands beyond seating for clinician and patient,” Zimmermann writes in the introduction. It’s fascinating to see how these offices vary, each with their own idiosyncrasies that meant to support those they’re trying to treat. An essay for the book, by architect Elizabeth Danze, explains that the spaces are “floating vessels, places of sanctuary and protection, healing, and reconciliation,” and goes on to say, “a patient reflects on the trajectory of his or her therapy, an indelible part of that recollection involves the space in which it took place.”
Depending on your personal preference, some offices are more appealing than others. The colors, textures, and choice of seating are all different and no doubt unique to their own philosophies. Zimmermann had the idea for this project about 13 years ago, when he was starting his own practice, and became “aware of the paradox that I spent most of my time interacting with many people yet feeling that I worked in isolation.” (via Hyperallergic)
You could have blinked and missed getting tickets to this hotly anticipated show by Glasgow’s Chvrches at the Echo in Los Angeles last week. Opening the show was France’s Isaac Delusion who played very danceable music to the early arrivals and Denmark’s Karen Marie Ørsted aka MØ stirring up the crowd with her karate styled dancing and ponytail flipping… yup, I’m obsessed with her… check out the video for Pilgrim to see for yourself.
With a pumped up and lively crowd waiting, Chvrches took the stage and played a tight set starting with one of my favorites, Lies. Since this was only their second show ever in the US, their first being the night before at San Francisco’s The Independent, the excitement level was pretty high throughout the show. Other standout songs was their new single Recover as well as the very catchy, The Mother We Share that ended their short, but sweet set.
Definitely a band to keep an eye on, even with the buzz, they delivered a knock out performance. Check out the video for Lies and remember to act fast when they come back to town because I’m sure it will be another quick sell out. You can pre-order their EP, Recover from iTunes out on March 26th.
Wayne Gilbert doesn’t just paint your average minimal iconic paintings? His painting process involves mixed REAL human remains into his work. I’m not sure if he’s visiting the local funeral home to pick up a bag of dust or taking bones and pulverizing them to mix into paint but he definitely gets the “creepiest art material” award for 2011. Check out the rest of his work after the jump.
For those of you who haven’t had a chance to hold a copy of Beautiful/Decay Book: 5 in your hands here’s a short video sneak peak that shows you the wide range of artists and designers we’ve featured. Remember that we have about 150 copies left available for purchase and they will sell out. Watch the full video after the jump!
Constance Mallinson‘s large-scale paintings merge the man-made world and nature literally by constructing figures from images of leaves, twigs, and decaying organic material. They are grotesque meditations on both the mortality of humans and the world in which they live. Her full-figured “nature people” reference both the works of Giuseppe Arcimboldo, the 16th-century Italian known for paintings in which still life objects are used to form surreal portraits, and famous paintings, such as Edouard Manet’s 1863 seminal painting “Olympia.”
In examining her recent paintings created from decaying matter, L.A. Times critic Christopher Knight wrote that “after painting savvy landscapes for more than twenty five years”… the current “imagery suggests the way in which we project ourselves on conceptions of nature, creating the natural world even as we go about assuring its destruction.”
See Constance’s work from now until July 28th at Culver Center of The Arts in Riverside, CA.
We are all familiar with the attractive female student stock photo, right? It is everywhere,
and it has been everywhere for the last few years. Net Artist Parker Ito appropriates the infamous stock photo and turns it into multiple works of art. The hilarious implementation of paint, animation and text creates a series of works that ridicule the stock photo ideal. Ito is not really after our attractive model here, however, it seems as he is trying to defame or degrade, and make fun of the ridiculous archetypes that reign over stock photography.
The avid web surfer and culture mixer, creates videos, paintings and sculpture out of popular images in internet culture; he does so with materials not typically associated with art production (highly reflective 3M Scotch-lite fabric, automotive flip flop paint and a top layer of vinyl over some paintings). He has described some of his works as stand-ins for paintings claiming that the real artwork is the iPhone pic posted by someone else. Ito’s practice is one of high activity and high volume: ”I heard that Picasso made around 250,000 works in his lifetime. I could make that many jpegs in 5 years. And when I say 5 years, I mean 5 minutes.” (via Steve Turner Contemporary)
John Baldessari is literally a living legend. Not only has he exhibited internationally more than most living artists but he has blazed the trail for millions of young artists who consider him a mentor, colleague, peer, and friend. I was fortunate enough to work with John for a few years while getting my MFA at UCLA and I have to say that he was one of the most giving professors that I’ve ever had. He always had time for his students and had explosive energy that was infectious. Commissioned by the Los Angeles County Museum Of Art and narrated by Tom Waits this six minute documentary is a playful tribute to the man the call The Godfather Of Conceptual Art. Watch the full video after the jump.