Sculptor Lauren Fensterstock crafts dark, supernatural worlds of monochromatic nature scenes, often fashioned in all black, that contain a deep sense of tranquility and serenity. Completed with paper and Plexiglass, these intricate scenes show flowers, grass and ponds. With thousands of flowers and blades of grass, all carefully placed, the work is dense and lush, taking over the room it inhabits. Fensterstock’s work breathes life into the space. Showing a landscape that is distilled into a single color illuminates the beauty and the texture of each individual component. Fensterstock’s work was recently published in a beautiful, hardcover book titled Radical Sentimentalism, with analytical essays and an in-depth catalogue of her installation work.
The details of her work as written on a representative gallery’s site:
“Fensterstock’s. site-specific installation work and wall pieces depict nature by incorporating meticulously cut and curled paper, charcoal, and Plexiglass to create floral and garden scenes. Fensterstock’s work and practice references French and English garden design of the 1500s to 1700s, the 18th century practice of ‘quilling’—sculpting paper by wrapping around a quill—along with a nod to, and reflection upon, 20th century American earth art and the work of Robert Smithson.”(Excerpt from Source)
Catching and throwing light from all the right angles, the peculiar, prismatic acrylic pieces from sculptor Phillip Low look like something from outer space. Tip-toeing on the line between art and design, these objects make excellent use of the medium—giving a sense of weight, depth and cellophane-like luminosity to the dense material. The expertly carved shapes combine crystal-like angles and precise areas of coloration to create a series of constantly-shifting reflections that use simple daylight to dazzling effect.
Natalie Frank‘s paintings are worlds in which both form and formality have been melted away. Faces have been disintegrated into their constituent parts, held together by goopy swathes of color; subjects are diving into free love, violent and vulnerable states. One thing you might notice when looking at her work is that however distended every other part of a body may be, at least one eye is always in sharp focus. This may or may not have to do with the fact that until this last summer, Natalie could only receive optical sensation from her left eye, causing her to see a two dimensional world. How you theorize about that information in relation her work is up to you, but if you want to do it in person, she has a show up at Fredericks & Freiser until November 3. Check it out!
Erno-Erik Raitanen‘s site specific installation, Cotton Candy Works, is built to crumble. For the installation Raitanen builds a wall of cotton candy. Visitors lick or pull off the cotton candy. Within hours the entire installation returns back to its original nature – the fluffy sugar reverts back to its crystalline form. The installation is definitely playful and looks like for gallery visitors. Its more serious ideas of creation and destruction can’t be ignored.
How long has Barack Obama been in office? It may seem like years considering the fact that he may not have slept since his inauguration with all the progressive advances weve made; from international relations to stem cells to releasing our beloved hostages from our torture camps. Is it really that farfetched to associate our new president with the 2002 Flaming Lips Album Yoshimi Battles the Pink Robots? I dont think so. Jayson Mussons investigation of President Barack Obamas International status ranges from nieve exploration to something that Al Jolson might have drawn as a child. Nonetheless, 1st amendment bro: important.
Carlo Van de Roer‘s Portrait Machine series is a special kind of portrait photography. De Roer’s portraits are of friends, family, and well known personalities (you may have recognized Miranda July in the first photograph) with a Polaroid Aura Camera. Related to spirit photography, Aura photography uses electromagnetic readings to create the “auras” of colors in the photographs as well as a report explaining the reading. Though the process, readings, and reports are hardly scientific, they reveal much about how much we invest in portraiture. We continually attempt to translate an inner person from outer appearances, particular from a person’s face. The aura photography further reveals to what extent each person can be a mystery to another, even between those familiar to each other.
Today we go behind the scenes with Emory Allen, one of the ten featured artists in our upcoming “Art Works Every Time” exhibition. Emory will be showing his latest series, which uncovers and explores the mythology of his Filipino heritage. The result is a collection of strange and beautiful images, vibrating with energetic linework. Read on to discover more about Emory’s work!