Peter Gronquist makes the unlikely combination of taxidermy and symbols of power and luxury. Taking the traditional forms of taxidermy, Peter creates gold and silver antlers for the stuffed animals that are transformed into an array of powerful firearms and luxury brand logos. One could argue that using the ever so popular image of guns and brand names might be a rehashed idea that keeps popping up over and over again within the street art/low brow community but you have to admit that there is a wow factor when you come across a giant stuffed deer with Rambo style machine guns pointed at both sides. What do you think? Are these simply gimmicky combinations with not much depth or the next best thing since sliced bread?
Mernet Larsen’s geometric paintings are at once an affectionate parody and critique of Renaissance narrative painting, a longing for something lost, and a desire for a sense of space and narrative unity more in accord with contemporary concepts of reality.Read her full artist statement after the jump.
Black Hole is a project by Stockholm-based artist, Orestes Grediaga. A feeling of “void” and “emptiness” had struck the artist almost instantly – a feeling he had yet to experience. That day, the artist was drawn to a large piece of paper, on which he drew a black hole. “When it was dry, it seemed to absorb all of me as I looked at it. Inside, there were no thoughts nor feelings, no memories, no physicality, nothing. It was like a black hole. At that moment a sense of abiding calm came over me from inside, from the very same place this enigmatic void was coming from.” – Orestes Grediaga
Location is important to Canadian artist Aaron S. Moran. The wood sculptures he creates are both inspired by, and dependent on pieces of wood that he finds in a particular area. From them, he assembles the discarded material into works of art. Using a variety of colors, textures, and patterns, he creates pieces that create a dialogue between place, media, and the viewer.
At times, his sculptures feel like they are going to combust. In his series If You Resist This! and Wash Up (Boundary Bay), wood is unevenly matched in color and size. Pieces are wedged, layered, and placed where they will fit. The non-matching feels almost haphazard, like the piece’s shelf life wasn’t supposed to be very long. This visual tension feels volatile, as if there is something is ticking inside them and about to burst.
At other times, Moran’s sculptures are more docile. They hold an entirely different air and attitude. Here, he uses wood that’s been painted colors of a pretty sunset. Moran has considered placement of colors and arranged the wood in patterns. He titled the series Kite Contest/1991, conjuring up the feelings you’d get from a warm, pleasant day. He writes this about the series, poetically stating, “Sun filtered nostalgia, memories of vibrant kites flying high in the sky along the shore of a beach. Lively patterns from days gone by, blurred by time. Sun bleached photographs of smiling faces. Picnic blankets and pinwheels moving in the warm breeze.”
Moran is currently pursuing his MFA with the University of Windsor in Windsor, Ontario, Canada. He lives along the Detroit River on the border of Canada and the United States. You can follow his works in progress and inspiration on his Tumblr, Year On A River.
During his graduate studies in microbiology, artist Zachary Copfer invented a new type of photography, one grown entirely of living bacteria. By exposing sections of microscopic organisms to radiation, he accelerates their growth, allowing them to multiply and compose vivid photographic portraits. Copfer’s subjects include both artists and scientists who inspire him; famous images Albert Einstein and Pablo Picasso are replicated in Serratia marcescens, a human pathogen often associated with infections of the urinary tract and respiratory systems. The portrait of Stephen Fry is made of bacteria found in the actor’s own body.
Copfer’s portraits closely resemble the art of Roy Lichtenstein; his faces bear the same comic book-style polka dots made famous by the legendary pop artist. Also like Lichtenstein’s paintings and prints, they are duplicates of mass-produced, iconic public domain images. But quite unlike the work of Lichenstein and his colleagues, Copfer’s images are imbued with an undeniably unique and human tenor. These bacterial cells, some drawn from the bodies of the subjects they portray, are corporeal and therefore inevitably personal. In contrast the ink used by the pop artists, these cells will someday die. Though iconic, these portraits are ultimately of mortal men, and the fact that they are rendered here in disease-causing bacteria only underscores that fact.
In addition to portraiture, Copfer experiments with photographs of celestial bodies. Here, in glowing green E. coli genetically modified with GFP, the vast cosmos are paradoxically formed from the microscopic, reminding us that in the end, all matter great and small is profoundly interconnected. Take a look. (via Jezebel)
I am really enjoying Jane Benson’s work. One series in particular of hers I find to be quite intriguing; The Chronicles of Narcissim. Its narrative takes a closer look at people’s preoccupation with material and identity transformation as well as the tension that exists between both the natural and the artificial form of beauty. Benson was born in Thornbury, England and lives in both London and New York.