New York City based artist Klaus Enrique constructs portraits based on painter Giuseppe Arcimboldo’s 400 year old work that features human figures with features represented by images of plant, fruit, or other organic elements. Enrique was inspired to create these portraits while photographing a human eye peeking out of leaves. He thought he could use leaves to construct facial features or masks. After some research, Enrique discovered Arcimboldo’s paintings and decided to recreate the images. This project has also inspired him to recreate other portraits, like those of Darth Vader, Gandhi, and The Terminator.
Enrique says, “Although most recognize the images immediately as portraits, there are many people who do not. At first they only see the individual parts of the image: the fruits, flowers, and vegetables. But after looking at it for a while, they realize that it’s a portrait of a person. To see that thought process being played out in real time is very satisfying to me because it mimics the thinking behind the art: that simple organic objects come together to create something more meaningful than the sum of its parts.” (via lens scratch)
Was perusing FAIRspot the other day and discovered Edvard’s Scott’s hypertastic digital extravaganzas. They look like mystical maps to strange new (video game) worlds. Fairspot also recently did an in depth interview with Edvard, you can read it here.
I came across Ken Reid‘s work through various internet wanderings, and his humor and technical skills still blow me away every moment I look at them. His work bears resemblance to Basil Wolverton‘s, and both mastered the art of the humorously grotesque image which dominated 70’s comic magazines. It’s easy to see how work like this went on to influence ZAP Comix and WEIRDO, and these in turn went on to influence a large portion of contemporary independent and underground comix. Below is Reid’s WORLD WIDE WEIRDIES series, an extensive collection of visual puns inspired by different locations in the world, which originally appeared in WHOOPEE! and Shiver and Shake. Some of these fly right over my head, but its makes no difference when the imagery is as compelling as it is. ‘Nuff said.
Now that we’re in the dead of winter, Rebecca Louise Law’s installation “Outside In” of 16,000 flowers in the lobby of a Manhattan skyscraper is soundly appropriate. The British artist who grew up in the English countryside says she wanted to create a site-specific work which would give city folk a little breather from the hustle and bustle of urban life. Her installation of 16,000 hanging flowers does the trick. When initially installed the fresh flowers gave the lobby an outdoorsy spring like smell. As the days pass and the flowers dry, the lobby at 1515 Broadway in New York’s Times Square will become a potpourri scent tank.
Some of the specimens used in the installation include roses, chrysanthemums, carnations and baby’s breath. Hung upside down, the different shapes and colors of the flowers resemble paint marks floating in thin air. In some instances, the entire installation looks like a wonderful abstract painting.
Law is known for her flower installations around the world. Some of her more intriguing projects have been “The Hated Flower” UK where she used carnations and chrysanthemums, “Bulbs” UK and “The Grecian Garden” Greece which fused 10,000 plants, herbs and cut flowers of over 27 varieties. She also did a project using 1500 apples methodically placed throughout Fulham Palace Chapel in London. (via the creatorsproject.vice.com)
Ash Thayer photographs are the reflection of her life. Portraits, landscapes and places that represent the beginning of her life as a young woman braving the intense city of New York. ‘Kill City’ is her memoir through those years. It’s a compact diary comprised of photographs taken when she was living in the See Skwat squat after she got evicted from her first apartment in the city. The pictures are raw and incredibly emotional. It’s not a wish to uncover a way of living, it’s a desire to extract the beauty that lies inside the characters and scenes she witnessed.
At 19 years old, Ash Thayer found herself evicted. With no resources and no family, she found in a Lower East Side building a shelter, a roof to call home. She surrounded herself with a new family, punks surviving just liked her. Soon realizing that she was deeply touched by social activism and protest movements she took part in defending and documenting the subculture she was living in.
The subjects of her photographs are simple and honest. People from her daily life posing naturally under the dim lighting of the squat. There’s no intention in claiming a harsh living situation or showing off extreme conditions. In her pictures, the artist depicts vulnerable sincere souls supporting each other. “On the street [people saw us as] street hustlers, trouble makers, vandals—that just wasn’t really the case. We were hanging out, drinking and watching 90210 around one TV, like 15 of us”.
Ash Thayer’s photographs will be exhibited at Superchief Gallery in Los Angeles starting September 19th 2015. The ‘Kill City’ book is available for purchase here.
Observing Brendan Flanagan’s paintings is like walking through a dark dream of regrets, fears, and loneliness. Vague, human-like figures in physical, emotional, or silent turmoil completely transient within their own surreal environment.
It is common knowledge that superstar athletes are paid handsomely. But artist Victor Solomon reminds us of that fact in a beautifully colorful and decorative way. He spent over 100 hours hand making stained glass window-style backboards for the basketball court. He makes the connection between the luxury life a lot of professional athletes live, and the historical opulence that once existed in homes and interior design.
After designing the backboards in a traditional ‘Tiffany‘ style, he cut the glass, soldered the frame together, strung together different style nets to suit each design, and even gold plated the rims. He has weaved jewels, gems and chains together, attaching them to the Art Nouveau style designs. Literally Balling is his collection of three different backboards, and what started out as a joke between friends, quickly turned into a labor intensive project centered around luxury and grandeur.
The thought of someone haphazardly throwing a basketball at one of these intricate and fragile creations is quite an unsettling one. Solomon cleverly points out that the attachment to, and respect we have for beautifully handcrafted objects, is also the same we have toward celebrity sports stars and professional sports. We can look, but it’s probably better not to touch. (Via Design Boom)