The Company is pleased to announce the exhibition of “Jesse Reding Fleming’s Methods of Invisibility: Shades of Gray (2001-2009).” In addition to an installation in The Company’s main exhibition space, the video for this project (shot while driving from California to New York in 2001, edited in 2009) will make its world premiere in The Company’s video garage. Jesse states, “Eight years later, returning to California and for my first show in LA, it seemed to be a suitable time to reopen it for completion.”
2veinte is a small design and motion arts studio based on Buenos Aires, Argentina that works with clients from Europe and the United States. I have to say I love the work they are doing. It’s colorful, exciting and has so much depth and movement. They have a very impressive portfolio that ranges from digital media works to print.
Shot in 2005, this video takes viewers on a tour of painter Fred Tomaselli’s studio where the artist discusses his elaborate process of maximalist collage and poured resin. Tomaselli throws everything but the kitchen sink into his psychedelic and psychological works from plants grown in his garden, prescription pills, to hundreds of magazine cut outs. The result is an explosive mix of obsessive and ornate pieces that delve into the darkest inner corridor of the human psyche.
Russian graphic designer and artist Yulia Brodskaya draws with paper instead of on it. Her highly detailed pieces are constructed of rolled, folded, and carefully placed strips of color paper. The intricate curls of paper are intriguing in themselves while creating a larger image – it took me a moment to realize what I saw in the top image. Brodskaya’s process and style has garnered her some serious attention. Her long client list includes companies such as Starbucks, Anthropologie, Penguin Press, and HOW Magazine. [via]
Tristram Lansdowne’s watercolors are investigations of landscape and architecture in relation to ideas of permanence and function. Geological and botanical frames of reference add temporal concerns to Lansdowne’s exploration of the metaphorical power of ruins.
The watercolours present richly described scenes in which various tropes of landscape and architecture have been assembled to create conflicted systems, developed according to a logic dominated more by historical glitch than any autonomous idea of form and function. Both enchanting natural phenomenon and deluding vision, the mirage serves, here, as false refuge but also as an opportunity for divination, for time travel. Vestiges of architectural modernism appear, but only as specimens in a larger natural history that includes 17th century geological theories and Romantic totems. This is a world comprised of art historical flotsam, predicated on faulty idealism and mistaken identity, where everything is an invasive species.
The texture on these mixed media paintings from Canadian artist James Kirkpatrick is insane. Packed with color, the artist’s nebulous, jumbled works, which contain just the slightest hint of concrete elements here and there (is that a car? –wait– is that a face, now?), exist very close to complete abstraction. This deft “one foot in, one foot out” dance is indicative of great skill on Kirkpatrick’s part. The subtlety of these paintings is really where their greatest value is. In a culture where everything is increasingly spelled out for us ahead of time, it’s nice to preserve a little bit of mystery.
Kirkpatrick is taking part in Zaga Zow, a group show at Cooper Cole in Toronto, until August 18.
Since October 2014, photographer Chris Forsyth has been capturing the architectural beauty and sophistication of Montreal’s metro stations. The city’s underground network is massive, with four lines, 68 stations, and over a million daily passengers. Forsyth’s vibrant, long-exposure shots accentuate an impressive side to the Metro, beyond its functionality: a creative and brightly bold character, which is both a hallmark of modernism and architectural design.
Construction on the Metro began in the 1960s, during the tenure of Mayor Jean Drapeau. Each station was assigned to a different Canadian architect in order to create unique designs for the spaces. For passengers today, it may sometimes be challenging to appreciate these artistic, historical nuances while in the midst of urban mayhem, but as Forsyth’s project description points out, “architectural portraits show that beautiful design is all around, even when we don’t have the time to slow down and notice.” Forsyth’s contemplative images reveal there are signs of human expression and ingenuity embedded in the very foundations of Montreal.
Visit Forsyth’s Instagram page to follow his ongoing project. For readers living in or visiting Montreal, be sure to share your photos of the Metro using the hashtag #mtlmetroproject.
Angelika Arendt creates her vivid sculptures out of a variety of materials. Arendt often twists and shapes polymer clay to form dripping and swirling patterns, but also uses foam, wood, and acrylic paint to fashion similar forms that are rich in texture and movement. These intricate patterns lend her work an organic touch, something psychedelically oceanic, perhaps. A quick look at her illustrations reveals her incredible ability to transform intricate two-dimensional designs into three-dimensional models. Arendt lives and works in Berlin.