Dan Gluibizzi’s work combines voyeurism with soft wash watercolor, creating pieces that feel like you’re looking in on strangers lives from a distance. He uses images from the internet, sometimes amateur porn photos but recreates his pieces in a completely refreshing manner. Viewing his work is nothing like viewing the photos they came from, he adds a sense of curiosity and innocence in his figures that comes through beautifully in his medium.
In the year 2237, after we’ve all been forced to move to the Moon, we will keep warm with these post-apocalyptic future quilts. That is, of course, assuming rumors are proven false and the moon isn’t really the Death Star. Anyway, thats my take on London based artist Roger Kelly’s work. His pieces are not just a random collection of abstract shapes, but on close inspection, fragments of buildings, rocks, and trees all stitched together to create Kelly’s overwhelming vision.
Last November I introduced you to Philadelphia duo, Lockets and their beautiful debut album, Camera Shy. Well, Todd Mendelsohn and Dani Mari are back with a new single, “Surrender” that they’ve graciously let us premiere down below. The two track, limited edition 7″ will be released July 9th on London based label, Beautiful Strange.
The lush song is filled with big beats and huge synths and Todd from the band says, “this is probably the most pop oriented track we’ve done”. It’s definitely a song you’ll listen to on repeat and then wait in anticipation for them to release the b-side.
Lockets will be performing in Brooklyn tomorrow night, May 3rd at Shea Stadium as well as a hometown show supporting Twin Sister at Johnny Brenda’s on May 12th. You can also still order their amazing limited edition debut LP, “Camera Shy” here. Be sure to follow them on Facebook for more news about the upcoming release and enjoy the premiere of, “Surrender”.
I thought long and hard about whether I should post this but even after a good nights sleep i’m still angered by this video. If you’re not familiar with Justin Bua he is an illustrator primarily focusing on urban imageries of dj’s, breakdancers, and other various hip-hop related imagery. What do we think of his work? Well lets just say you won’t find him featured in B/D anytime soon. But I digress.
Not much to it. Just amazing eye candy for 4.40 minutes.
Stephen Aldrich carefully cuts woodcut prints, steel engravings, and other printed epehemra from the Victorian Age to create these sardonically surreal new vistas of the era. Yes, Garret, I like this because it’s Victorian!
He will be showing his work at NYC’s Foley Gallery from September 9- October 23.
Martin Eder is a German artist based in Berlin, whose nightmarish and perverse paintings abound with contradicting romantic cliches and infantile desires; his work displays lolitas in pornographic poses that are montaged with skycaps, warm bedroom interiors, and saccharine, girly kitsch that includes oversized crying kittens, giant candy, songbirds, fluffy poodles, puffy clouds, and cuddly white bunnies. Eder works exclusively from photographic references, making full use of high contrast and flat shadows and edging subjects with cyan and magenta. His paintings look imperfect and rushed in places, as if he works on his paintings only until they seem convincingly realistic enough. This slightly unpolished quality facilitates the paintings’ exploitative, creepy aesthetic and especially affects his female subjects, making them feel nondescript; the consequences of this purposeful lack of care in turn references the faceless and aggregative nature of pornography. A recurrent aura of seediness and the slightly distorted proportions of Eder’s subjects are reminiscent of the work of German Expressionist Otto Dix, although the anonymity of Eder’s subjects is a theme not reflected in those of Dix.