Sako Kojima’s sculptures channel all the pain, suffering, and heartbreak of the human species into the bodies of cute and cuddly creatures. Here is a description of the artists work in his own words:
“I use a variety of medium including sculpture, performance, photography and drawing to explore the people of modern society. At present I’m interested in the psychology of diseased human psychology for the civilized world, because it’ s the same as my pain. Humans are animals, therefore we get tired, sad, and go mad. I want to become a small animal, because they don’ t meditate, they aren’t thinking deep. All of my works are rather optimistic than gloomy. At first sight, the works appear unique and cute but after time the works show a sense of irony, pain, and sadness of the individual human experience.”
In a combination of makeup art and illustration, Israeli artist Tal Peleg has turned her eyelids into expressive canvases. Peruse her collection and you will see eyes and brow bones masterfully transformed into emotional landscapes, various animals, and renditions of famous paintings and movie scenes. Each piece is painstakingly achieved using a combination of eye shadows, watercolors, eyeliners, and tiny brushes, taking hours to perfect. The result is a series of artworks—ephemeral in nature—that express identity and creativity in unique ways.
“Makeup is an amazing form of art, and I use it in order to make my eye tell a story,” Peleg wrote on Bored Panda. “Inspiration is all around me, and I give my own unique artistic interpretation using makeup. It can be inspired by emotions, movies, fairytales, animals, food, important social matters, and more.” (Source)
The eye is the proverbial “window to the soul”—the lens through which our inner states become visible to others. It is incredible how the mood of Peleg’s ice-blue iris appears to shift depending on the artwork and narrative that surrounds it. As mentioned above, the topic range of Peleg’s eye-art is vast; some explore scenes of child-like innocence, while others convey important social messages, such as the pain and isolation of bullying, and the spiraling, dark coils of depression. With incredible detail and sensitivity, Peleg has captured these themes and experiences well, with her eye as the deep locus that communicates their significance on intuitive, emotional levels.
Ray Collins sees waves and water in a way that most people don’t. Luckily for us he also captures it with his camera. Collins acquired his first camera in 2007 and seems to have stayed in the water with it ever since, focused on capturing all of the different forms of water. Initially he wanted to take snaps of his surfer friends in his native Australia catching rides and enjoying barrels, but instead was enticed by the blue liquid under their boards.
Collins, who is actually colorblind, is able to focus on the patterns and light play in the waves, and pays special attention to the shapes they make against the sky. His unique perspective shows off the grandness and drama of the seascapes. Normal splashes of water are seen instead as incredible peaks on mountains. The front of a wave turns into a deep canyon which sinks to unseen depths. Collins manages to capture the translucency, strength, fluidity, and the unrelenting force of water all at the same time.
His unique style has won him some hefty accolades in just a few years, including 1st Place for ‘Australian Surf Photo of the Year‘ (2015), he was a finalist in the ‘Smithsonian – Annual Photo Contest’(2015), and also was the winner for the ‘American Aperture Awards’ – Landscape/Seascape/Nature (2015). He has shot campaigns for Nikon, United Airlines, Qantas and National Geographic, and has a new book out called Found At Sea, which a collection of some of his favorite photographs.
Interesting presentation at the MOMA about the infamous Guerilla Girls. If you’re not familiar with them here’s a blurb from their website.
“We’re a bunch of anonymous females who take the names of dead women artists as pseudonyms and appear in public wearing gorilla masks. We have produced posters, stickers, books, printed projects, and actions that expose sexism and racism in politics, the art world, film and the culture at large. We use humor to convey information, provoke discussion, and show that feminists can be funny. We wear gorilla masks to focus on the issues rather than our personalities. Dubbing ourselves the conscience of culture, we declare ourselves feminist counterparts to the mostly male tradition of anonymous do-gooders like Robin Hood, Batman, and the Lone Ranger. “
It’s surprising that I’m just discovering this epic 2004 installation by Daniele Buetti. Titled Le Grand Rhume (The Great Cold) this piece features a massive larger than life nose complete with skin blemishes,discoloration, and bad pores crashing through the roof of an old hut and dripping a gooey pile of stalagmites from the nostril. I’m not usually a fan of nasal drips but this just be one of my all time favorite sculptures! More shots of the install after the jump.
After 30 years of war and Taliban-rule, pop culture has returned to Afghanistan. Afghan Star – a Pop Idol-style TV series – is searching the country for the next generation of music stars. Over 2000 people are auditioning and even three women have come forward to try their luck. The organizers, Tolo TV, believe with this programme they can ‘move people from guns to music’.