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Merry Mustache and a Happy New Beard!

652_1229726713For the facial furniture lover, Peskimo created these festive Xmas cards that’s sure to bring hairy cheer to that special Mustaccio in your life. Available at Moo.

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Colorful Pixels Integrated Into Unique Portrait Photography by Ashihiko Myoshi

 

Cool photographs from Akihiko Myoshi. The photographer is captured in a mirror as bars of color, meant to evoke pixels, are positioned in the frame. A nice commentary on personal identity in the Digital Age. But the coolest thing about this series is Myoshi’s process:

The photographs included here are of mirrors, paper and tape often adhered to the surface of the mirror taken with a large format camera as they attempt to unpack the structural mechanics of photographic representation.

Originally a computer engineering PhD candidate, Myoshi now makes art and teaches at Reed College. (via)

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Chiharu Shiota’s Mesmerizingly Tangled Installation Of Woven Yarn And Keys Explores Global Forms Of Memory And Connection

Chiharu Shiota - Installation Chiharu Shiota - Installation Chiharu Shiota - Installation Chiharu Shiota - Installation

A mesmerizing, surreal experience awaits anyone entering the Japan Pavilion at this year’s Venice Art Biennale. In a stunning installation called “The Key in the Hand,” artist Chiharu Shiota has filled a room with webs of red yarn. Suspended from the ceiling, the yarn is tied together so densely that it filters out the lights above. Hanging from the mass are over 50,000 keys collected from people all over the world. Like dark, frozen drops of rain, they appear to spill from the stringy red “clouds” into two weathered boats below, creating a dual sense of breathtaking movement and suspended time.

Despite their seemingly simple utility, keys are intimate objects that we all carry to keep ourselves—and the things we love—safe. Invested with our deep trust and passed between hands over time, keys symbolically bind us together. The Curator’s Statement for “The Key in the Hand” eloquently describes this further:

In our daily lives, keys protect valuable things like our houses, assets, and personal safety, and we use them while embracing them in the warmth of our hands. By coming into contact with people’s warmth on a daily basis, the keys accumulate countless, multilayered memories that dwell within us. Then at a certain point we entrust the keys, packed with memories, to others who we trust to look after the things that are important to us. (Source)

The keys represent a collection of human feelings, while the yarn visualizes their immaterial connections across time and space. Furthermore, while far removed from their international owners and original purposes, the keys also embody emotions and memories on a transcultural, transnational scale, as they are webbed together without perceptible distinctions of race, class, gender, or nation. As all the keys fall perpetually into the same ancient boats (which are described as “two hands catching a rain of memories”), Shiota’s installation beautifully visualizes a global form of connection spanning borders and generations. (Source). As the Curator’s Statement movingly concludes:

I look forward to watching as The Key in the Hand, an installation that forges a link between a space made up of keys, yarn, and two boats, and photographs and videos of children, transcends national, cultural, linguistic, and political contexts, and emotionally arouses countless visitors from all over the world. (Source)

Born in Japan, Shiota has been based in Berlin for the last two decades. Visit her website to see more fascinating large-scale installations. (Via Colossal)

Carrie Louise

Benny & The Jets

Carrie Louise takes set design and photography to a new level! Her work is downright playful!  From conception to completion her hands on and experimental style creates a new world of fun. 

London’s Veronica Falls, Waiting For Something To Happen

Roxanne Clifford from Veronica Falls performs at the Troubadour on March 29, 2013. Photo by Saunter Lee

“I’m Broken Hearted, Dearly Departed”, sang Roxanne Clifford as Veronica Falls played their very first single, ‘Found Love in a Graveyard‘ to a very happy crowd at the Troubadour in West Hollywood this past Friday night. Their new album, Waiting for Something to Happen released this past February on Slumberland Records is definitely a step in the right direction. A lot more polished and confident then their first release, the band had plenty to celebrate on this second to last show of their US tour.

“We’re not used to the heat, it’s pretty crazy”, said drummer Patrick Doyle as they launched into ‘Bad Feeling‘, another song from their self-titled debut. Funny enough, I don’t think it topped more than 70 degrees on the day of the show, but I guess living in the UK, every day in LA seems like a hot one. The band played a mix of new and old songs that kept everyone dancing and head-bopping through their 50+ minute short set. Standouts from there new record were the title track, ‘Waiting for Something to Happen’ as well as their new single, ‘Teenage’. Closing the show with their cover of Roky Erickson’s ‘Starry Eyes’, the band immediately left the stage and almost instantly came back out to chat and take photos with the crowd.

Check out their new video for ‘Teenage’ shot entirely on 8mm film and be sure to catch them when they tour Europe this month and next.

 

Harvard Scientist Creates Incredible Microscopic Crystal Flowers In A Beaker

harvard Flowers

harvard Flowers

 

Science never ceases to amaze us with its bizarre, powerful and sometimes even beautiful. Wim L. Noorduin, a postdoctoral fellow at the Harvard School of Engineering and Applied Sciences has managed to create tiny flower like sculptures out of crystals. Now crystals are commonly known for having hard jagged edges. However Noorduin’s crystals buck convention with their organic shapes that were created by manipulating chemical gradients in a beaker of fluid through a chemical reaction between Barium Chloride and Sodium Silicate. (via)

“For at least 200 years, people have been intrigued by how complex shapes could have evolved in nature. This work helps to demonstrate what’s possible just through environmental, chemical changes.” -Wim L. Noorduin as told to Caroline Perry

Jon Fox

Floss Face

Jon Fox, artist from the South coast (near Bournemouth,) usually works with the issues of emotion, where the mind is often at war with the heart. He creates a world of conflict, tension, and drama that his characters must confront.