Fantich & Young is the creative partnership of artists Mariana Fantich and Dominic Young, who have been working together since 2008. In their series Apex Predator (meaning a predator with no predator of their own),they imagine the world’s toughest animal, and attempt to dress it. They created a suit and two pairs of shoes using natural materials that the Apex Predator could have gathered from his prey; a grotesque but awesome display of power. The suit is covered with human hair, with glass eyes and small bones for buttons. The collar is lined with dentures. The artists created two pairs of shoes to match the suit: oxfords and high heels, both lined with dentures (the thought of standing on teeth gives me goosebumps!!). This is a true power suit, designed for the cold-blooded animal who has fought their way to the very top of the food chain. The fact that this suit is designed to fit the human form is a clear indication of who the artists think that animal is…
The curious artwork of Grzegorz Gwiazda breaks down form and structure, yet often builds up color and shape. His sculptures range from a wide variety of style, whether it is representational, surreal, or incredibly abstract. Reminiscent of 19th century European sculptures, his work has a timeless quality that demands respect and appreciation. However, there is always an unmistakable contemporary element present in each piece. For example, one of Gwiazda’s sculptures appears to be a classic, male nude made out of bronze. However, this man is also riding a unicycle, and even has one red foot. Another striking piece holds his arms out in a traditional stance, also nude. This sculpture contains a brilliant blue stripe dissecting the man in half, while several shades of vibrant colors fanning across the background in which he stands. The artist beautifully takes 19th century motifs and style and majestically brings them into contemporary times; into the avant garde.
Not all of Gwiazda’s sculptures display realistically sculpted, male nudes. Many of them break down the figure, melting their details and characteristics until, sometimes; they are nothing but a skeleton of a man. His multiplicity in styles is as impressive as his eclectic us of media. He uses more common materials like bronze and ceramic, but also uses more obscure ones like resin and paper. The artist is able to create such magnificent form and detail, with just enough abstraction to push male nude sculpture to the next level.
Antoine Magnien of French design agency Mugshot has created a beautiful and poignant series of images for Amnesty International‘s new ad campaign. Rendered completely in 3D, the campaign depicts the horrific scenes of Lynchings, killings, and injustice that Amnesty International fights against out of candles (Amnesties logo). The result is a powerful reminder that we have to keep educating, fighting, and protesting to create a safer, more just world. (via)
The idea of finding and re-sharing images on the internet is nothing new, but sometimes someone does it well enough it’s worth talking about. Canadian artist Wyatt W.’sDeath In Rainbows tumblr is not the usual loosely connected (or completely random) mess, it is broken down into meticulously curated sets of fascinating images. This care and direction create an experience that is both focused and full of surprises.
The Unconventional Apology Project, created by Los Angeles based artist Chantal Barlow, was inspired by events haunting Barlow’s own family’s history. Her grandmother, Mableine Nelson Barlow, mother of 7 children, was shot and murdered by her grandfather two days following the finalization of their divorce. The dark secret has remained unspoken within her family, as her grandfather, a man of power, was never convicted or even sent to trial. As her grandfather grew older, he began to consistently capture moments from their family’s life. When he died, at age 84, he left her his beloved camera. Today, she uses this camera “as a tool to photograph…women that have been impacted by abuse, and have been silenced.” She aims to give these women a “Trail of Existence. They will not disappear.”
Barlow and her teammates, Tiffany Curlee and Dr. Susan Hammoudeh, have taken on this ambitious and altruistic project with the aims to create a platform to raise the volume of survivors of domestic violence. Not only does the team capture portraits of these women, they also have listened to and documented their stories. Each photograph shows the brightness and radiance in each of these women’s eyes, proving that there is light on the other side. The diversity of both the women’s stories and appearances teaches that domestic violence has no face. This is a truly pure and critical project, offering insight into a dark and far to common reality.
The body of work has been created to, in the words of the project developers;
“recaptur[e] the humanity of abused women. Part of the apology is shaking up our preconceived notions of abused women; how we have made them all appear (or disappear) in media and other social outlets. They have lost their personhood, and are reduced to an event. This portrait project aims to shift our experience of these women.”
To know more about the project and get involved, find the project’s website here.
Artist Mark Farid is attempting to undertake a strenuous social experiment and is asking for your assistance. He has a Kickstarter project called Seeing-I which is aimed at raising enough money to develop a headset that he will wear for 24 hours a day, for 28 days in a row. With the piece of technology he will live his daily life completely and utterly through the experience of another person. He will see everything through the eyes of the second person, including when they go to the cinema, to the toilet and having sex. The only prerequisites for this other human – naturally called “The Other” is to be over 21 years, a heterosexual male, currently living with his partner, and they must agree it to. If you personally suit those guidelines, you can apply here to become a part of the experiment.
Farid will throughout the process be living completely on display in a small box containing only a bed, a toilet and a shower. All of his actions will be open for all to witness and completely transparent. Because of the intensity of this project and what could be mentally damaging to most people, Farid will have the support of one psychologist for one hour a day, and will be the only time he is able to talk to someone.
The Seeing-I project will result in a documentary wanting to explore just how virtual reality affects us emotionally, the role of the individual in the larger society, how we define ourselves through what we see, and we know of ourselves. Farid says about the integrity of the project:
I don’t think any of the realities in which we live are genuine. We take this physical reality as ‘real’, but, you know, every building, road, park and garden has been designed… Everything within our existence is unnatural. We live in an entirely man-made world, where none of it is ‘real’. (Source) (Via Dazed Digital)
Laurent Chéhère’s photo series of floating buildings and homes takes these once permanent structures and shoots them off into the sky like a light weight balloon fill with helium. Inspired by the French film The Red Balloon, these playful and whimsical photographs are at once powerful surreal images and a masterful blend of analog photography and digital wizardry. (via)