Carnegie Mellon grad Cassandra C. Jones makes work that embraces the digital photography + social web revolution to the fullest extent. She combs the web for pictures that fit whatever project she may be working on (above, wallpaper made entirely from images of flamingos), many of which end up being amateur digital snapshots uploaded to Flickr or other photo hosts. Taking this found photography, she creates art – sometimes smart, sometimes clever, sometimes thought-provoking compositions.
Cassandra C. Jones was recently featured on BoingBoing Video. The interview, which I highly recommend watching, is after the jump, along with some more images of her work.
Korean sculptor Cha Jong Rye shapes, carves, sculpts and manipulates wood to not look like wood. Whether it’s building the material up into pyramids sprouting up from a 2D surface, or forming wood into a free standing spiky form, or making it resemble a scrunched up ball of paper, Jong Rye is one competent carver. She splices different layers of wood together and builds up new shapes, alluding to the actual growth patterns of the raw material. The spikes, recesses, folds, indents and bubbles she makes are her way of allowing the life and energy of the wood come to the surface. One curator talks about her work in a very holistic way:
Flowing with immaterial energy, her sculptures represent the external and inner rhythms of all beings in nature in the state of complete absence of ego. Those little sharp forms composing each work are wriggling upward as if to touch the sky. They, that is, the modules are getting smaller upward as if to indicate the layers of time piled up in nature and universe. They are twisting upwards in their own disparate directions, until they evaporate or disappear into the limitless, leaving only their points. (Source)
Whatever the wooden forms of Jong Rye represents, she does inject a beautiful serenity into them. Her sculptures have a calming effect about them; as if we were there with her in a meditative trance while she was making them. The physical act of her carving the repetitive forms are for sure some sort of way of Jong Rye closing herself off and letting the wood be wood, or in this case, letting it be whatever it wants to be. (Via Dayraven)
Amidst the overwhelming violence seen in Ukraine’s recent riots, Gizmodo’s Jesus Diaz (an outsider) decides to create visually stunning, but heartbreaking images that explore Ukraine’s reactions to the sudden cultural and political changes.
By taking some of the techniques applied by Sergey Larenkov on his famous series, The Ghosts of World War II, Diaz creates images that merge shots of Kiev from before and after the Ukraine riots using the same vantage points. Through this technique, a masterful trick made possible by the almighty Photoshop, the viewer is able to experience two polar opposites: a happy, peaceful Ukraine, and a chaotic Ukraine.
Looking at the dramatic contrast between happy people enjoying the sun and peace and the anger of people behind in barricades is disheartening.
In her visceral, raw still lifes, the 21-year-old photographer Madison Carroll captures the grotesque remains of meaningful moments gone by. Used condoms, pregnancy tests, and blood stains grace her compositions, punctuating a narrative that skips dizzyingly from girlhood to womanhood, from innocence to experience. As if plucked from last night’s waste basket, these soiled items emerge; in the context of Carroll’s clean, immaculate technique, they become all the more haunting.
As if part of some unusual crime scene, waste products are left out, forensically archived by Carroll’s lens. Here, rotting fruit and old bandaids mark not a murder but the more gradual, subtle trauma of growing up, of being woman. Like a pool of blood, tea spills from a delicate, shattered china cup; a lemon, once fresh and aromatic, rots. An egg cracks, the yoke spilling out into a satin pair of Victoria’s Secret underwear like a giant, monstrous ovum released during menstruation.
In Carroll’s disturbing yet thrilling realm, the dangers and joys of femaleness collide in a moment of brutal self-reflection. Death and fertility become indistinguishable. In a frilly, feminine doily, a cockroach lies dead, rotting beside a snuffed-out cigarette. A Clear Blue pregnancy test sits on an old rust-stained rag, the urine and tissue in the toilet simply a blurred afterthought.
Like a hoarder of significant items, Carroll’s lens seeks out that which might be thrown away, forgotten by time. A male lover, sprawled on the bed, is captured asleep, in a state of heightened vulnerability, his pale nakedness pressing against the border of the frame. At the artist’s feet, a condom evidences the intimacy that occurred minutes or hours before. (via Feature Shoot and iGNANT)
Maine-based artist Matt W Moore is a favorite of mine, and here’s why. For one thing, this guy is into a little bit of everything. The multi-talented, multimedia artist founded and runs MWM Graphics, a studio specializing in illustration and graphic design. More recently, he started Core Deco, a brand that lets him bring his signature style to more functional design objects. But that’s all business – let’s talk more about that signature style. From large aerosol murals in Brazil or France to brightly colored, boldly patterned digital illustrations in a style the artist calls “vectorfunk,” the mark of Moore is instantly recognizable. Sculptural installations – like those done for his ‘Sun Ray Ricochet’ solo show in Moscow – are similarly characterized by well-placed angles and lines, as well as vibrant colors. Lately, it seems that Moore has been moving away from the strictures of more formal geometry and embracing a more organic, flowing style. I’m definitely liking the results so far. Check out more of his works after the jump!
I love these playful photos that escalate the idea of hand puppets to new and surprising heights. If you’re not familiar, Inez van Lamsweerde & Vanoodh Matadin are a photography duo from the Netherlands known for their high fashion photography and artworks. This series is coquettish/seductive, masked/revealing all at the same time.
The world seen through the eyes of Charles Darwin forms the basis for the performance ‘Tomorrow, in a year’. Danish Theatre production company Hotel Pro Formas striking visuals blend with pop-duo The Knife’s ground-breaking music to create a new species of electro-opera. Unfortunately by now the opera might have stopped touring (it began in September of last year) but go check out the clips on Youtube, they look amazing! Kind of reminds me of Wooster Group’s La Didone – but in my opinion, a bit more accessible and requires not so much prior knowledge to digest.