Delicate wood carvings by Satoru Koizumi.
I have never heard anyone utter a word of dislike towards Yuichi Yokoyama‘s work, and for good reason. Personally, I have never come across a comic artist this flawless and complete. His style is immediately recognizable, but never tedious, and his works are as spectacular as Hollywood action films, yet they can be about visiting a garden, traveling on a train, or building strange forms of shelter. He reinvigorated my interest in comics, and I hope he can do the same for you (if needed).
Curiot is a Mexico City based artist who combines indigenous and street art to make some incredible, mythical murals. I would recommend making the trip south to see some his murals in person; it’s 100% worth it. If you get there and can’t find any, you might be able to pick up some of his sculptures at La Vamp skateboard shop in La Roma.
Yasamin Keshtkar’s work is about examining the role of painting through process, material, and the nature of the two dimensional image. Each painting is part of an effort to solidify these elements into an effective/legitimate result. Personal questions about what she is doing are carried from one painting to another, underscoring this foundational dichotomy between painting and reality that she is trying to represent.
Sculptor Thom Puckey has a new exhibit on now at the Museum Centro Pecci in Prato, Italy, called Extreme Beauty. The unexpected combination of classically-sculpted figures paired with implements of death are a definite comment on where society has taken us since Neoclassicism. “The presence of modern weapons in the sculptures makes them seem contemporary in a cheap kind of way, this I realise. I like this suggestion of cheapness, I play into it. Chicks and guns,” explains the artist. Puckey makes “cheap” look pretty amazing, don’t you think?
Argentina-native and -based artist Irana Douer‘s works are delightfully deceptive; often, simple lines and minimal color are combined to create works fraught with symbolism. Women are the stars of her productions. Many of her illustrations and sketches show hurt or sad, yet strong women.
At first glance I thought these clever byomorphic and hybrid characters by Overunder were painted directly on the wall but upon closer inspection I realized that these pieces were painted in the artists studio with spray paint on paper and then cut out as giant posters. Although this isn’t a completely unique idea Overunder does a great job of creating a Trompe-l’œil effect with this technique giving his pieces a spontaneous feel while still being labored over and well planned in the comfort of his studio. I’ve posted some images of his work in a gallery setting after the jump so you can see how they are cut.
Historically, the formulas of Modernism have lent themselves to the imposition of structures on nature. Utilizing an economy of means, or a paring down of form, some artists have drawn attention to the processes and materials that they employ in order to comment on limitations inherent in human observation and experience. The impossibility of this search for certainty is prescient in a world rife with unforeseen technological advances and consequences. From Kurzweilian “singularities” to the embrace of dystopic or parallel hyper-realities, many artists today use Modernist tropes to draft odes to possible futures.
In the face of such infinitely malleable destinies, the ten artists selected for this exhibition remain undaunted. In bold, minimal and idiosyncratic terms, they propose new, decidedly un-grandiose, vernaculars through various mediums such as video, photography, and sculpture. Their works concern themselves with an intensely personal present tense, with lives lived and documented in real time. These works are inward, solipsistic, and in some instances, similar to an occult experience or an exercise in ritualized revelation. The art object is often left over from actions performed in service of an impossible quest, or crafted in playful celebration of it. These artists seem to exist in cultural peripheries, lobbing ruminations out of left fields, revealing epistemological truths—truths that have little or nothing to do with changing the world.
Featuring: Bas Jan Ader, Olaf Breuning, Jennifer Cohen, Scott Hug Kevin Lips, Niall McClelland, Jesse McLean, Kristie Muller, Rbt. Sps., Brent Stewart
July 28 – August 26, 2011 | Opening Reception: Thursday, July 28, 6-8pm
535 West 22nd Street, 3rd Floor
New York, NY 10011