The A’ Design Award & Competition largest annual juried design competition in the world. The competition aims to honor the best designers, architects and design-oriented companies around the globe. This is done in part by way of the competitions extensive prize package which includes a trophy, inclusion in and copies of a hard and softcover yearbook, two invitations to an award night gala in Italy, space in the winners’ exhibition, free sales listing at SaloneDelDesigner, press release preparation and distribution through DesignPRWire, feedback from a prestigious jury panel, translation services and much more.
A’ Design Award & Competition has announced the results of its 2017 – 2018 design competition which includes an array of 1,962 winners from 100 countries and 99 different design disciplines. You can find the online gallery of winners at http://www.designmag.org/ and interviews with the designers at http://www.designmag.org/.
Would your work and designs be a good fit for this large winners’ circle? Early registration for the A’ Design Award are now open and can be found here.
Neon lights are no longer bound to the buzzing drone of roadside restaurant signs as they have been freed by artist Yudi Noor. Yes that’s right, his mixed media works light themselves! Seriously though, check out his cool experimentation with neon tubes.
Montreal based mural artist Jason Botkin loves to paint large, strikingly colorful abstractions of faces doing weird things. And bodies doing weird things. He likes to paint hands out of scale, eye brows quivering, bird faces animated, alien shapes in bright bold shades and cartoon characters who are larger than life. Recently returning from the Festival Internacional de Arte Público in Mexico where he collaborated with Jeremy Shantz on a series of weird masks and faces, he is no stranger to combining his distinctive pop style with other artists’, to create unforgettable imagery.
Botkin is not only a master of street painting and graffiti-style work, but also of installations and drawings – all which have a surrealistic twist. His work in Cancun is a natural progression on from his more figurative work which is aptly described here after the success of his second solo show in 2008:
Figures turn inside out, dressed in their emperor’s finest; bodies unwrapped to explore inner worlds, emotions, and ideas; vapors and clouds permeate architectural structures of unknown purpose; buildings chart impossible perspectives, cities in chaos; geometric forms emerge from and are swallowed by the imagined inner workings of internal landscapes. These various elements form a tapestry of self divined utopias and personal myths. These offerings are made with the belief that change is possible, when we reinterpret social identities and then test deeply entrenched, and often flawed social realities. (Source)
Leading on from that, Botkin leaned toward painting more cartoon-like heads complete with their own personalities. He adds a healthy sense of humor to his work and enlarges it, places in it a public sphere and allows people to enjoy it at their own leisure. See more of his paintings after the jump. (Via Hi Fructose)
Victor Rodriguez‘s acrylic paintings defy the simplistic categorization of the hyperrealistic or photorealistic. His work includes surrealistic, abstract, and cinematic elements, giving a fresh feel to the realist aesthetic. Portraiture is often his style, though he alternates between representations of still-life objects and human figures. Using realistic imagery within a dream-like context, Rodriguez’s work offers viewers a peek into a finely-detailed, deeply personal narrative.
Graphic designer/art director Julien Vallée makes graphic design and typography tangible by pulling it out of the computer and constructing his art out of actual physical materials, creating an effect that is quite explosive. He excels in creating both still and moving imagery, often for magazines, (including the New York Times Magazine), and other high-profile clients like MTV.
What do you get when you combine underwater sea creatures with elegant and sophisticated lighting? You get the weird and whimsical octopus chandeliers of artist Adam Wallacavage. The Philadelphia based artist uses traditional ornamental plastering techniques to create working chandeliers in the shape of octopus and fantastical sea life. Each chandelier is created from a wide range of materials such as epoxy resin, iridescent powders, spray paint, and glitter. His inspiration and ideas come from a very eclectic range of sources such as flashy church decoration, tales of underwater adventure, and, not surprisingly, taxidermy. His absurd style is both gaudy and Victorian while still being absurdly fun.
Wallacavage’s childlike imagination turns a seemingly normal object into wonderfully gaudy and kitschy chandeliers full of shiny colors and tentacles. Each chandelier Wallacavage constructs is unique with their wide array of pastel, glittery colors and their endless ocean-life motifs. These include green seashells, purple tentacles, pink pearls, and even big, round eyes starring straight at you. Some of his chandeliers seem to be inspired by the pastel colors and ornate design of the Rococo period, while his other chandeliers have a louder palette with strange faces and eyes. His octopus creations create a surrealistic atmosphere as each sea monster is suspended from the ceiling, reaching out its tentacles, which happen to hold the chandelier lighting. After seeing Wallacavage’s highly imaginative and extravagant chandeliers, you realize how much chandeliers already looked like octopus! Not only can you find the artist’s octopus chandeliers in several New York City galleries, Wallacavage is also an accomplished photographer. He even has a book published on his photography titled Monster Sized Monsters available in many museum stores.
Swiss/Danish art duo known simply as PUTPUT blurs the lines between photography, design, and conceptual art wonderfully. For their series of photographs titled Undress, PUTPUT isolates a daily dance. On the series, the duo comments:
” The ‘Undress’ series highlights an everyday choreography undertaken by the majority of people on a daily basis. The garment becomes central and embodies the movement.”
The photographs transform a mundane task into a beautiful flash of time. Undress further presents an especially intimate and unguarded moment with the attention of an abstract artist.