Weirdest ad campaign ever is about all I can say about I Want to Be a Baby. Created for Egg, a baby clothing brand by art director Martai Barrondo, the site…is just weird. Words cannot do it justice, just go look.
Beautiful/Decay presents a month-long series of art-based films to screen at the brand new Space 1520. This selection of films showcases a stunning array of creative concepts and ideas.
Xavier Barrade is a French artist and designer that does many creative things. My favorites are these wacky installations and sculptures. You’ll love the Bob Marley installation after the jump… Trust me!
Anne Simone combines her knowledge of computer programming with a love of music. Bittersweet is her new lp which features a twist. The lyrics of lead track “Digitize Me” make up a running computer program and the words you hear are directly taken from written code. The idea came to Simone when she thought about a computer reading language. In that environment, a simple machine responds to basic commands of yes/no, true/false and 1s and 0s.
The artist compared it to human nature and concluded that life would be so much simpler, if we just followed these Zen-like rules. If we did, there would be less complication and miscommunication in our lives. Getting a further glimpse of what actually occurs when two different disciplines collide, it can be witnessed on the actual computer printout of “Digitize me”. Nothing too complicated or elaborate in the aesthetic sense, it reveals just a simple drawing. The real innovation is in concept and design. A place marker for today’s interdisciplinary melding of styles and tastes. Originally from Vancouver, Canada, Simone currently resides in Seattle, Washington, where she works as a software designer. Her passion has led to a double life that now overlaps and is reflected in well written, emotionally charged songs. These are further enhanced by an equally lovely voice, reminiscent of Imogen Heap or Tegan and Sara. Besides uplifting music, other novel bits on her new record take cues from classic synthsters Kraftwerk. The German outfit had a single called “Pocket Calculator” where the sound of fingers pressing a keypad accounted for the actual beat. Another, “Computer Love” taken from the same album, falls in line with Simone’s dreamier tracks. For the technically minded or just curious, the code/lyrics to “Digitize Me” is available on GitHub (https://github.com/kineticsongs/digitizeMe).
On May 12th, the Nepal earthquake striked, killing dozen and injuring thousands. With a magnitude of 7.3, the earthquake was so large that it affected those living in India and Bangladesh. Documentary photographer Probal Rashid, who currently lives in Bangladesh, documented the aftermath through his lens. These photographs tell a heartbreaking story of those directly in the middle of the chaotic and horrific outcome of such an earthquake. Rashid masterfully reveals poignant images of mothers, fathers, and children living in the current state of their homes and villages. The emotions seen in his photographs strike you to your core, as you are shown a child looking right back at you in the midst of this catastrophe.
Allowing us to see a different aspect of the lives of the people affected by the earthquake, Rashid includes images of the remnants of people’s homes and belongings, creating a more intimate connection. A haunting photograph of the inside of a house in ruins displays an empty couch and chairs, with photographs of the family up on the wall. The city’s culture as well as its people was damaged, as we see a piece of beautiful architecture now almost completely destroyed. Rashid rightly has no sensor, as his photojournalism displays an uninhibited truth. Witnessing so much destruction, Rashid also finds compassion. Although so much desolation can plainly be seen, there is also a sense of hope. The photographer also chose to capture people trying to help; citizen’s aiding one another.
As humans often identify with each other, it is always difficult to see photos with this kind of content. However, it is very necessary for us to see and understand what is happening to others in a place we may not know very much about. Probal Rashid provides us with a better grasp on how the earthquake has affected Nepal and its people in this unforgettable series.
Through an intensive process, Shannon Finley applies numerous, translucent layers of acrylic paint and industrial polymers onto canvas with specially designed palette knives. The results offer prism-like surfaces whose subtle nuances chronicle the build up of the material itself. This process draws from the history of geometric abstraction in painting as much as the reductive language of early computer graphics. But Finely eschews any simple opposition between the hand and the pixel, exploring instead the optics of the picture plane while constantly emphasizing the limits of the edge, which provide an unexpected archive of his painterly layers. Ultimately, these compositions remain suspended between the immaterial and the concrete, and are best apprehended as passageways into indeterminate spaces. In this, Finley invokes traces of sacred geometries and religious architecture within a technocratic context, but only as an alternate mode for engaging the unseen. (via)
Kira Leigh‘s website comes with a warning: “Many pieces deal directly with the symptoms and sisters of depression and are therefore triggering.” While on the surface, Leigh’s work may seem fun and fantastical, it is also highly personal and psychological, addressing subjects of anxiety, body dysmorphia, life obstacles, and feminist issues. Taking inspiration from gaming culture, Leigh turns the escapist pastime on its head, creating a “surreal fictional gaming universe” in which she courageously battles her real-life demons through “a self-insert mage/ alchemist” named KUURA THE STRANGE. The result is a magical mystery tour through Leigh’s psyche, where the cute meets the grotesque in the form of distorted human figures and oozing intestinal forms, turning the often difficult parts of human experience into captivating, colorful adventures.
British artist Matt Williams A.K.A Uberkraaft should be renamed Uberkool! He’s got a beautiful portfolio full of ultra detailed black and white illustrations as well as perfectly colored pieces that are bold but not too pushy. More visual eye candy after the jump!