Graham Little’s delicately rendered color pencil drawings bring together a mix of the baroque, surrealism, and high fashion.
Edrem, (merde backwards), is a collaborative sketchblog from three French/Belgian designer-illustrators: Sébastien Paquereau, David Zazurca, and Steven Burke. The concept of the project, as is instantly evident to the viewer, is based in achieving volume. Paquereau, Zazurca, and Burke just want to get as many whimsical, stream-of-consciousness graphics out into the world as possible. In Burke’s words:
“We like not to say who we are when we talk about Edrem, because this is not the point of the blog. We try to get…massive numbers of experimentations and funny things [onto the blog], but we don’t care if the drawing is well done or not, it just has to be understandable…”
We all have a tendency to get heavily involved in our various projects, exerting microscopic levels of control on our output. Edrem reminds us that pulling off the reigns a little bit can yield many fruitful results. The Edrem crew staged an exhibition in Spring of 2010 at Michard Ardillier in Bordeaux entitled, “La Palissade”.
Acclaimed photographer Gregory Crewdson is a master of creating creepy scenes that have an air of mystery, violence and drama about them. He sets his images in small town America, but not as we know it. He presents scenes laden with loneliness; scenarios that are surreal; moments that are unnerving. Taking stylistic cues from Steven Spielberg, David Lynch and Diane Arbus, there is a strong narrative to Crewdson’s work. He repeatedly visits certain locations and waits until a particular moment presents itself in his mind’s eye, and then he tries to represent that as accurately as possible.
His photos are moments of people in a strange sort of limbo, or some state of reflection, all bathed in a dramatic, cinematic light. A woman lies submerged in a flooded living room, it isn’t clear whether she is dead or contemplating what went wrong to cause the disaster in her house; a young girl sits up in bed at night time, either going over some sinister, violent plan, or deciding whether her nightmare was real or not; a woman stands in the middle of an empty street, taxi behind her, door still open and driver waiting. All of Crewdson’s images are filled with heavy subtext, something that is left unsaid. He talks about the mysterious worlds he creates in an interview with The American Reader:
I think that’s really kind of a beautiful point, that at the core there is something very childhood-like about the whole activity of building and constructing a world. My mom just recently reminded me that I used to build these little miniature worlds outside at our country house and populate it with little figures. That whole thing about trying to create a world – there’s something very connected to childhood and reverie and daydreaming and fantasy. (Source)
See more snapshots of his dreamlike worlds after the jump. (Via We The Urban)
The work of architect and designer Sophia Chang, Suspense is a site-specific installation that blends the inner and outer environments of a gallery space. A recent graduate with distinction at Harvard Graduate School of Design, Chang created Suspense at Invivia Gallery in Cambridge, Massachusetts.
By pulling large sheets of Lycra between rectangular frames, her work creates an interactive, suspended environment which both blurs yet highlights the building’s pre-existing architectural features. Some rooms are completely explorable, while others remain visible yet restricted by the installation. Says Chang, “The whole piece holds itself in shape under the tensile forces of being stretched without any extra pneumatic input – except perhaps the breeze flowing in and out of the two doors!” (via designboom)
In “Sleep of the Beloved,” the photographer Paul Schneggenburger takes 6 hour exposure shots of slumbering, snuggling, writhing couples. The artist asks each pair of lovers to lay their weary bodies on a bed in his own apartment, his dark sheets lit gently by candlelight. The movements of the beloveds, sometimes sweeping and sometimes jolting, are all captured on film.
As the subjects’ fleshy tones and unconscious turning blur the lines between individuals, each couple emerges as a vital, breathing organism; the two appear to move as one, thrusting themselves beyond the confines of the charcoal bed. The long exposure serves to flatten time, creating the illusion of synchronized movement; couples appear as if reaching for one another at one precise moment, as if driven to touch, to bridge the gap between two separate dreamscapes.
Schneggenburger captures lovers at their most vulnerable; in the place of lucid, posed faces, the portraits offer slackened features glazed over by sleep, revealing startlingly intimate communications. As each pair enters into a wordless conversation, they express secret desires with the utmost abandon. Some grab and cling urgently to one another; others press their semi-nude bodies close. Pairs of lovers distance themselves, carving out private, isolated nooks within the bedding.
Each recorded face, filmed over the course of a long night, betrays countless emotions and yearnings. Capturing dreamy moments of peace and restlessness within each single frame, “Sleep of the Beloved” blurs the lines between the erotic, the lonesome, and the blissful, painting a beautifully complex, honest, and raw portrait of love and intimacy. (via Lost at E Minor and Demilked)
Recently deceased Hip Hop legend RAMMELLZEE was such an enigma. I often have a hard time deciphering some of his rhetoric. But his genius is so evident. His work (on any platform, vocal or visual) was always a cut above. He always had something slightly different going on. Take his “Letter Racers” (above), for example. Customized skateboard warriors fighting epic alphabet wars? Always on another level. See more from the late great artist after the jump, and listen to “Beat Bop”, the game-changing single that included cover art from Jean-Michel Basquiat.
All photos Copyright The Estate of Rammellzee, Courtesy the Suzanne Geiss Company, New York.
Will Bryant is a designer who excels at following design trends. His use of triangles is both ironic and non-ironic. He also has an illustration style that is very reminiscent of a lot of other illustrators working today. Overall, Mr. Bryant is fantastic at creating work following the lead of a select few trendsetters.