This is the third and final installation in B/D’s food art series. Check out today’s artists and get inspired by the delicious madness!
Ed Wheeler, a photographer, superimposes himself on famous paintings while dressed in a Santa costume.These hysterical renditions are inspired by Ed’s long time traditions of dressing as Santa for holiday cards he created for fun. For years, Wheeler would send out photographs of himself as Santa doing strange and comical things to clients around the holiday.
Inspiration stuck with him, and, according to Wheeler’s website, in 2011 Wheeler stood in front of Emanuel Leutze’s famous painting of George Washington at the Metropolitan Museum of Art, it was then that it occurred to him: Santa needed to invade canonical works of art!
That is just what he did.
As you can see in these photos, Santa (Wheeler) has made appearances in many famous paintings. He appeared in his long underwear as Venus de Milo in Botticelli’s most iconic painting, and has also posed as a pensive, and a very spirited Santa, over Claude Monet’s Water Lillies. Through Wheeler, Santa has ridden Napoleon’s horse, sipped a cup of coffee in a 1940s diner, played poker with dogs, and floated in a flock of businessmen into the stratosphere in these humorous interpretations of some of art’s most iconic works.
Tanaka Tatsuya has taken it upon himself to make a miniature scene a day, every day for the past four years. The artist uses miniature people to scale the environments he creates and form narratives between the objects. His most successful pieces are his simple ones. One of my personal favourites is the tape as treadmill piece, because it works perfectly and seemingly without effort. Having made so many of the pieces, Tatsuya must now have an eye for the world in small scale. His ability to transform the context of the object while emphasizing its essential qualities is impressive, as with the staples as hurdles or the bed sheet as wavy water.
The artwork provides an interesting way for the viewer to consider their own scale and proportion, and imagine themselves in the absurd scenarios Tatsuya creates. Although most of the scenes are of environments within our own experience, some fantastical ones are interspersed throughout the calendar, making them all the more surprising when set beside an easily recognizable scenario. These are Tatsuya’s more humorous works, an example being the astronauts exploring a field of pistachios that look like boulder sized budding flowers. One that seems to encapsulate all of Tatsuya’s strengths is the Google Maps cantaloupe; simple, funny, absurd, and recognizable, it is one of his most successful pieces yet. (Via Spoon and Tamago)
Numen, a European design collective, used 27 miles of scotch tape to create their most recent installation at the Palais de Tokyo in Paris. We’ve posted about Numen’s jungle gym and flexible staircase before on Beautiful/Decay, and they’ve caught our eye once again! Viewers/participants are allowed to explore translucent tunnels that weave around columns and down staircases, mid air. The installation belongs to a group show called ‘Inside’ that “delves into the murky territory of both physical and psychological interiority, thematising immersion, introspection, and probing of the depths of self.”
Numen says their intention was to…
“transform the whole building into a convulsive mind/body organism whose slippery inner limits a motivated explorer has yet to trace and confront. The stretched biomorphic skin of Tape Paris is marking the entry point of the whole experience, being a literal incarnation of an inner-directed, regressive environment – the sense of descent into the primordial always lingering around its openings.”
…A lot to basically say that Numen has created an installation that seems like throughways for blood cells or passageways through time, and looks like it would be incredibly fun to crawl around in. It’s impressive in terms of engineering, imagination, and entertainment value, and it’s not hard to see how it relates to “interiority”, though I wouldn’t have put it in such convoluted terms. I might sound bitter about their project statement, but that’s probably because I can’t get myself to Paris to experience the real thing! (Via The Fox is Black)
A rainbow colored sky as a sole view. This is the dream-like scenery imagined by English artist Liz West. In a room where nothing else can be the attraction other than a multitude of colored neons reflected on mirror covered floor and walls. A place where senses and emotions relay thoughts and worries.
‘An Additive Mix’ installation is part of the group show Light Fantastic: Adventures in the Science of Light at the National Media Museum in Bradford, UK. It is a tremendous piece of art comprised of 250 fluorescent lights and 199 different colors. Aware that she has chosen to express her creativity through a rare medium she is proud to have found her signature in using light and colors. The large scale installation reflects the genuine palette the artist wanted to use in order to design an astonishing environment for the public.
An aesthetic Liz West has been nurturing for a long time. Fascinated by colors, and the way they mix together, releasing beams and streams of perfect white light. She wished the viewer could be amazed, tip toeing before entering and being part of the art itself. The purpose being to place the body into a foreign context, powerful and mysterious.
‘I have designed An Additive Mix to be an overwhelming, intense, immersive experience.’
Italian based artist team, Carnovsky, unveiled their RGB Fabulous Landscapes during Milan Design Week 2013. Their digital fresco’s were printed using an innovative technique by Italian company graphicreport. In plain light the landscapes, figures, architecture and atmospheres vibrate and the images are tangled with one another.
But when red, blue or green light is applied to the digital fresco’s a whole different series of pictures emerge. In the piece Atmospheric N. 1 the sky seems to be in a flux of sunrise, sunset and storm as the lighting changes.
In Landscape N.1 a room that seems to go back into infinity is taken over by a lush green landscape which then gives way to a centuries old battle scene.
Both the technique and the imagery are compelling and together the juxtaposition creates an ethereal and haunting effect. (via)