Japanese designer Dan Tomimatsu’s latest project is a short film film entitled O: -les amants d’eau-, based on a poem by fukudapero. It is a five minute surrealist film narrated in Japanese and subtitled in English which provides an oscillating view of different sceneries, places, and objects.
The magnificent simplicity of this film lies in the technical aspects of how it was made: Tomimatsu shot a drop of water through the hole of a 5 Yen coin, through the lens of an iPhone. The coin was stuck to the lens of the phone in such a way that filming through it would allow a close-up of the drop of water. The result is a truly dreamlike sequence of images, which are tinted, filtered, and displayed through the drop of water. The film plays a lot with the notion of movement and the fluid, unpredictable nature of water.
In this sense, the drop of water provided a sort of natural lens for the film to be shot through as well as a new angle concerning the iPhone as a legitimate filmmaking device. His project underlines the role of new media and technology within the realm of filmmaking and the process of creating something simple yet so intricately beautiful as a film shot through a drop of water.
Stephen Mallon’sNext Stop Atlantic is a stunning series of photographs, which capture the retirement of hundreds of New York City Subway cars to the depths of the Atlantic Ocean.
In a bold move, the NYC Transit authority joined the artificial reef building program off the East Coast of the US in 2000 and sent stripped and decontaminated subway cars off on barges to be dropped into the Ocean in order to build refuge for many species of fish and crustaceans which would colonize the structures.
Mallon traces the progress of the train cars on their way towards their last voyage, majestic waves approach the viewer in these large scale photographs as they too are transported out to sea to behold the lifting and transfer of these massive machines. One photograph hauntingly depicts elements of nature creeping into their barren hulls, drifts of snow lines the walkways, a glimpse of sunshine streams through their removed doors as they wait in stacks to be carted off to sink to the dark depths of the ocean floor.
Mallon’s photographs elicit both the sadness and the beauty of cascading water overtaking these iconic figures of New York transit as they sink beneath the surface of the water; surges and sprays are caught in time. Stephen Mallon dedicated the last three years to following this endeavor, chronicling the last phase of NYC Transit’s involvement in this program. The photographs that are presented in this exhibition capture the grandiosity of this effort; the weight of these 18-ton train cars can be felt as they are ferried off and plunged into the water.
Together, artists Anton Abo and Ooli Mos make up Orka Collective. The like-minded, Eastern block natives draw inspiration from nature, animals, people, and magic in the creation of their predominantly black-and-white illustrations.
Nokia recently challenged BMXer, James Ivett to try out the Lumia 900 in and around the city of Barcelona. James took the challenge to hear tearing through the city and documenting every step of the way on his Lumia 900. Find out more about the Nokia Lumia 900: http://nokia.ly/AkeWie
As part of our ongoing partnership with Feature Shoot, Beautiful/Decay is sharing Amanda Gorence’s article on Chi Lei.
Red Star Motel is the clever, action-packed series by Beijing photographer Chi Lei, “Chili”, that reads like an unraveling drama brimming with sex, drugs, murder and chaos. Each scene is set in an identical divey Beijing motel room where Chili supplies us with plenty of voyeuristic moments to witness. The images are linked together through subtle visual clues that have been woven throughout, encouraging the viewer to take part and piece together the story.
For artist Felice Varini it’s all about your point of view. Varini takes this idea to its extremely literal conclusion. From the perfect perspective his painted geometric shapes seem to float in front of your eyes. However, in reality Varini works hard to make only appear this way. In reality his pieces are huge, cover entire structures (at times multiple buildings), and carefully prepared to be seen from a precise viewpoint. His large optical illusions underscore the subjective nature of art – it’s all about your point of view.
when captured from the side, you can see how the individual layers of paint appear out of the white surface.
Swiss photographer Fabian Oefner’s latest “Orchid” series of paint actions depicts the ephemeral nature of gravity and fluid paint, frozen in time. In each image Oefner captures a fleeting moment with his camera which appear to look like sculptural floral blooms when in fact they are explosions of paint set into motion by gravity.
In his unique process Oefner filled a tank with several layers of different colors of liquid paint with the top layer being either black or white. Then, a sphere was thrown into the paint. As the falling object splashed into the tank, the paint was forced upwards, shaping the individual layers of paint into a blossom-like structure.
“Orchid” is about preserving ephemeral beauty. Photographed with high speed devices, these images capture structures of sublime elegance, which appear only for a fraction of a second before disappearing beneath the surface again. (via designboom)
Since October 2014, photographer Chris Forsyth has been capturing the architectural beauty and sophistication of Montreal’s metro stations. The city’s underground network is massive, with four lines, 68 stations, and over a million daily passengers. Forsyth’s vibrant, long-exposure shots accentuate an impressive side to the Metro, beyond its functionality: a creative and brightly bold character, which is both a hallmark of modernism and architectural design.
Construction on the Metro began in the 1960s, during the tenure of Mayor Jean Drapeau. Each station was assigned to a different Canadian architect in order to create unique designs for the spaces. For passengers today, it may sometimes be challenging to appreciate these artistic, historical nuances while in the midst of urban mayhem, but as Forsyth’s project description points out, “architectural portraits show that beautiful design is all around, even when we don’t have the time to slow down and notice.” Forsyth’s contemplative images reveal there are signs of human expression and ingenuity embedded in the very foundations of Montreal.
Visit Forsyth’s Instagram page to follow his ongoing project. For readers living in or visiting Montreal, be sure to share your photos of the Metro using the hashtag #mtlmetroproject.