Brooklyn Brown’s “A Machine Frame of Mind” is a project that investigates the evolving relationship between machines and humans. In a near-distant future (and really in our current present), machines and humans will hold conversations, relationships, and (of course) look at each other. As just one part of her extensive series of projects centered around computer vision, Brown created “Do You Want To Be Recognized”, a series of portraits that explore a potential for the development of trends that include accessories and make up that allow us to be tracked and recognized better by machines.
Robert Gligorov’s work attempts to shock the viewer. Each piece tantalizes the imagination, awakening it from a state of lethargy. Confronting a society accustomed to sophisticated and extreme forms of visual communication, Gligorov amplifies the shock value of his work in order to compete with the deluge of images that cloud our visual field. Gligrov lives and works in Milan, Italy and is represented by Aeroplastics Contemporary in Belgium, and Galerie Pascal Vanhoecke in Paris. More images of his work after the jump.
Anoka Faruqee, 2014P-07, Acrylic on linen on panel, 22.5 x 22.5″, 2014
Anoka Faruqee, 2014P-21, Acrylic on linen on panel, 22.5 x 22.5″, 2014
Anoka Faruqee, 2014P-06, Acrylic on linen on panel, 22.5 x 22.5″, 2014
When walking towards a painting by Anoka Faruqee your eyes refuse to settle. Turquoise, formed into an elongated triangular band, is pinched between two golden curves. The turquoise is misbehaving. Instead of sitting still it appears to flex and blend into the yellow. As you get closer the painting changes, and at arm’s length another dramatic shift occurs, the previous turquoise and gold bands of color atomizes into narrow, serpentine, overlapping lines with several more colors, no longer just turquoise and gold. Looking across the room your eyes settle on another painting. This square shaped canvas is a warm gray that seems to dance. Upon closer inspection the pleasantly worked surface transforms into a swirling design of forest green and cherry red lines. Faruqee calls this series of paintings the Moiré series, after the illusion with the same name. The history of Modern art is often told as a race towards extremes, but will that be true of 21st century art? Anoka Faruqee’s work seems to place less emphasis on ‘pureness’ than other abstraction. Faruqee’s work suggests that we can be more complex, and where artists over the past sixty years searched for the strongest statement, maybe our searches will lead in different, more nuanced directions.
aka…. (Bong Rips, Magical Potions, Mystical Flora and Avatars) is the pretty amazing title of our very own B/D founder & Creative Director Amir H. Fallah’s upcoming exhibition at Baer Ridgway Exhibitions. In case you couldn’t tell, the show pretty much deals with all things next level stoner awesome, from new age crystals to plants mourning their own existential crises. If you happen to be in SF, the show opens January 9th, 4p-7pm and runs until February 13th.
A short animation from the mind of David OReilly. We observe the destructive, hopeful, yet abusive marriage between a cat and a mouse. Incredibly witty, minimalistic, and very conceptual. This is a personal favorite of mine.
Italian Artist Willy Verginer is a master of wooden sculpture. Simply put, his work is beautiful. He has a gift of bringing sculpture to life and compliments it with his unique sense of color and style.
Entering the studio of Joseph Walsh is like embarking on a vessel of imagination. His “Magnus Celestii” piece begins as a desk and then spirals upwards from the floor to the ceiling to end as a slender shelf. The great heaven; as the title of the piece translates in latin; is taking up the entire space, making the viewer the center of the sculpture wherever he is located in the room. Not only is the piece a beauty, but it’s also made out of ashes of wood. A detail that transports us to the premice of the creation, in the midst of nature, in a magical forest somewhere in Ireland, where the artist is from.
Regarding Joseph Walsh, the barrier between him being acknowledge as an artist or a designer is slim, almost inexistant. The fact that he is challenging the technical boundaries of wood carving demonstrates his talent and love for his passion.
He is a visionary redefining design as art. A piece of furniture created by his hands is a sculpture. He wishes to honor the collaboration man has had for decennies with the material of wood.
Once again through this sculpture he has our head swirling in a dream of wooden ribbons. Over the years, Joseph Walsh has created a language of curves, sensuatity and voluptuousness. There is not one way to appreciate his work. How the lines float and the silhouettes undulate leaves us in an eternal spin. No matter how many times we look at a piece, there will always be a new angle to discover it.The simplicity of the material and the complexicity of the lines are what makes his work so captivating.
Joseph Walsh has new work currently showing at Chatsworth House in Bakewell, Derbyshire, UK until October 2015.