Budapest-based designer Zsolt Molnár created an illustrated poster for every episode of the popular television show, Breaking Bad. It took the designer five months to produce 62 full-color posters, which are minimalist representations of iconic moments in each episode and include an important object or person that’s accompanied by a memorable quote.
If you’ve ever watched Breaking Bad, you’re aware that it’s basically an hour-long anxiety attack. The tension between characters and situations in the show is intense and suspenseful. It takes place in New Mexico, and in every episode we’re inundated with saturated colors of sand and the desert. Molnár styles his illustrations similarly, like gritty texture with a pop color, like Walt’s green shirt or a destroyed pink teddy bear. They are contained in their compositions, and rely on symbolism of objects and colors in every poster.
Molnár has posted his handiwork on his Tumblr. If you haven’t seen the entire show and don’t want any potential spoilers, then you might want to hold off on scrolling through the his series until you’ve watched it. (Via Buzzfeed)
If you’ve ever visited a thrift store, you’ve no doubt seen the wonderfully-awful paintings that people have given away. Completed paint-by-number sets, idyllic landscapes, and amateurish attempts at impressionism are common sights. Artist David Irvine takes thrift store paintings and enhances them with additions of his own. He brings in characters from popular culture to these compositions, such as Darth Vader, the Marshmallow Man, and Bambi. Irvine maintains the original style of the paintings when creating the mashup, making the figures look as though they’ve been there all along.
Some of the paintings are subversive and a feature villains about to tear through the town or city that they’re in. Other times, the characters are helpful, like the Storm Trooper that’s helping with yardwork. Twisted or not, these works are funny, and the kind of artwork from the thrift store that you’d actually want to display in your home. (Via Demilked)
Raised a Catholic, and using obvious religious iconography, Liz Maw like to paint other-worldly and sublime beings. By combining the faces of celebrities or people she knows and admires with pseudo-mystical relics she glorifies them. Maw draws on many different periods and styles, mixing contemporary symbols with techniques from the Old Dutch masters, her subjects in poses akin to many Renaissance works. It is this mix of old and new; mundane and divine; hyper-realism and fantasy; sacred and profane that makes her work at once beautiful and comical. As one critic said:
“Her sleek paintwork resembles air brushing in its precision, offering a surrealism somewhere between Salvador Dali and the kind of hot-rod paintings which stretch across panel vans. Liz’s paintings are drenched with a sense of desire, beauty and power.” (source)
Her “Colleen” painting features a beautiful naked woman perched on a cloud surrounded by floating seashells and in a glowing sky illuminated by lightning. Intentionally referring to The Immaculate Conception painting, Maw manages to rework something old and accepted with a kitschy, slightly erotic spin. Talking about what is “distasteful” and what isn’t, Maw likes to challenge people’s standards. She says she doesn’t understand why some people will accept a painting of a figure with one breast covered, and others would think it to be inappropriate.
“I think that female sexuality is a very mystical thing… I don’t think that romance goes seamlessly into sex for women really. Maybe it can, maybe it can’t. A lot of women disconnect romance from sex. I don’t know why that is. “
She wants to paint to encourage more warmth and softness, and less judgement. And I think one painting at a time she will.
Decaying structures house the oddest assortment of memories. Without an explanation for why it’s there, a newspaper on the wall of an empty room can get pretty Murakami-esque. Mou Hoo, a young photographer working out of Beijing, explores the mysterious clutter of abandoned buildings.
Russian Artist Dimitri Tsykalov’s incredible Meat series is equally frightening and beautiful. Creating weapons, body armor, and other accessories of war and violence out of raw flesh, Tsykalov’s powerful photos put death front and center.
For Meat Tsykalov used over 150 kilos of fresh meat. He had to work rapidly because the meat had to be as fresh as possible in order to have optimal colour and texture. He sculpted his “meat weapons” at night and decorated his models with them in the morning.
The concept: ‘It is flesh holding meat to shoot flesh’. He brings rifles to life using dead meat, wielded by a human being, live flesh, that will, eventually, die, too. The idea of transience and mortality, that was already present in Skulls, is continued here. Tsykalov made Meat in the aftermath of the war in Iraq, but the series is not a reaction to that war as such. It is a reflection on man’s violence in general, devoid of melodrama and with a sense of humour. But it is not the humour that will strike the spectator most. The life-size prints of naked people holding ‘meat weapons’ make an aggressive first impression. It is only after a while that the poetry, aestheticism and even eroticism become visible. The photos are frontal and highly stylized, even though they may look raw: the clair-obscur lighting, the colour nuances and the texture of the meat and skin, a drop of blood slowly meandering down the body … the images make a lifelike impression, almost as if we can touch the bodies. Still, the uncanny feeling they arouse, is in the mind of the beholder, rather than in the images themselves. -Tamara Berghmans
The visions of Mario Martinez (also aptly known as MARS-1) seem to either be extraterrestrial or drug induced. His large scale paintings hold to very realistic perspective. However, there the realism breaks down. Geometric shapes, organic like growths, and strange lighting effects intertwine to form one complex mass on his canvas. Martinez’ work seems to depict something between living and synthetic, not quite landscapes or creatures. Check out his website to seem some similarly styled sculptural work.
The first life size skull hand made from a rare crystallized meteorite ‘Gibeon’. This unique piece has been realized by Lee Downey; an American jeweler artist, whose purpose is the celebrate the mystery of the human skull and its numerous symbols and interpretations. The astonishing piece will be auctioned by Bonhams on November 24th 2015 and has already been estimated at around $400,000.
The process started out by cutting and carving down a block of meteorite (617 lbs) into a 46 lbs skull. The precious artifact is called ‘Gibeon’. A meteorite of 4 million years old, dating from the prehistorical era and founded in the Namibia region. The coveted material is renowned for his crystal structure and its singular ‘Widmanstätten’ pattern. A motif unveilinga repetition of matte and glossy stripes imitating metal. The intricate work of polishing and washing the carved skull revealed an unexpected insertion on its forehead classified as ‘Tridymite’, a rare component.
Lee Downey, now residing in Bali, through his work, has brought out never seen before features on the texture of this particular meteorite. The reflection of the light onto the multi-faceted inclusions creates a shimmery luxurious aspect. The fact that the surface, including the gold insertion, is pure; confers to the skull an exceptional uncommon value. “Of any material I could think of to fashion an accurate human skull out of, this Gibeon meteorite best embodies the “mystery” most acutely. I call him The Traveler… a true time traveler”. The artist’s intention in presenting the symbol of death with an ageless, immortal material is to focus on spiritual consciousness and the definition of eternity.
American Juggalo is a look at the often mocked and misunderstood subculture of Juggalos, hardcore Insane Clown Posse fans who meet once a year for four days at The Gathering of the Juggalos. Very Ape Productions went to The Gathering of the Juggalos and let the Juggalos speak their minds. Watch the full documentary after the jump.