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Beata Wilczek

Beata Wilczek is an artist and photographer living in Wrocław, Poland. Through her photography work and her collages, she mixes old and new whilst retaining a feminine edge. Check out more of her work below.

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Caroline Mackintosh’s Photographs Give Us A Taste Of Summer (NSFW)

Caroline Mackintosh Caroline Mackintosh Caroline Mackintosh

When looking through photographer Caroline Mackintosh‘s visual archive, the themes are immediately evident: beauty, youth, adventure. Using her lens, she paints a vivid storyline of an endless summer, stretched out over empty streets, swimming holes, and desert air. The sun-soaked quality of the colors, and slight dip in and out of focus give her work an air of honesty, as though she’s invited the viewer to casually sifting through a box of snapshots.

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Rich Pellegrino’s Perfectly Messy Portraits of Obscure Pop Culture Icons

Rich Pellegrino has a fantastic way of splattering paint and pigment all over the place in order to create vivid portraits of famous people and myths. He’s a fan favorite at galleries who have pop culture themed group shows, like Spoke Art in SF and Gallery1988 in LA. In fact, it just wouldn’t feel right to go to an exhibit based on any kind of film, comedian, or obscurely famous what-have-you without one of Pellegrino’s pieces in the space. His style is recognizable from across the room and he’s one of the few illustrators I’ve seen who employs a use of texture in his work that makes it pop up a little bit from the page even when it’s in the usual purchasing form of a print.

Pakayla Biehn’s Double Exposure Paintings

Pakayla Biehn is a San Franciso-based artist who collaborates with photographers in her Double Exposure series, by taking inspiration from double exposure photography and painting the images using oil on canvas. The end result is an incredibly beautiful and detailed series with an oneiric quality.

The Marbled Reams Print Project

Marbled Reams is a print project initiated by Tom Godfrey in the UK in 2009. The idea was simple: Produce a single 11.7 x 8.3 inch work and photocopy it onto an entire ream. The reams are then marbled along one edge and displayed in a stack. The result is a miniature monument that consists of 500 multiple works of art. The project has grown and these days new reams are produced on a bi-monthly basis featuring guest artists. The faux marbling enhances visual impact and lends a sculptural quality to the editions.

Photographs Of Asbury Park And The Jersey Shore From The Early 80’s

Joe Maloney - Photograph

Joe Maloney - PhotographJoe Maloney - Photograph

Photographer Joe Maloney revisits the art of summer slumming along the east coast in his retrospective show “Asbury Park and The Jersey Shore, c. 1979” at Rick Wester Fine Arts. Maloney, according to The New Yorker, chose Asbury Park specifically because the area was “distinctly working-class, non-affluent, semi-urban, slightly run-down beach town, with a music culture and a vibrant street life.”

Most striking about this collection, however, is not just the “Darkness On The Edge of Town” vibe meshed with beach resort kitsch, but even more so, the intense level of isolation that vacation culture embodied before cell phones, Wi-Fi, and the Internet at large. Each portrait seems quiet somehow: subjects full of secrets and aspirations. Its a trapped or estranged sort of quiet that I strangely miss . . . and maybe long to reclaim.

Surreal Self-Portraits Of Travel And Transcendence

Alicia Savage - Photography Alicia Savage - Photography Alicia Savage - Photography

Alicia Savage captures her life with a surreal twist that pushes beyond the static point and shoot. From absurd flights of fancy to soft reflective moments, each self-portrait conveys an independent sense of travel or transcendence: movement that emphasizes the importance of dreaming in relation to personal exploration and documentation. Conceptually, it’s that simple– but technically, it’s a little more challenging. Her exquisite use of color, light, setting, and digital manipulation curiously compels us to enter these departures with great anticipation.

How To Get Yourself Off The Canvas And Earn Some Money

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Warhol Dollar” (CC BY 2.0) by Incase.

“Art for art’s sake, money for God’s sake. Gimme the readys. Gimme the cash”, the band 10cc sang in the ‘70s. Kevin Godley, the band’s drummer, and Lol Creme, both former arts school students, were the creative force behind the Stockport-based art rock quartet.

Essentially, the message behind the line ‘Art’s for art’s sake’ is that producing a work of art should not need any justification – monetary or otherwise. But with Arts degrees costing three times as much as science-based subjects like Biology, according to research by Voucherbox, and student debt higher than it has ever been – the highest in the English-speaking world, claims an online BBC report – sometimes it can be hard to stick to those principles. Godley spent eight years, not the usual three, studying to be a graphic designer. Just imagine the debt he would have been in had he graduated in 2016.