When Do Ho Suh first proposed “Fallen Star” to UC San Diego’s Stuart Collection, he “never thought it would be realized.” A cottage built from scratch and permanently joined to an existing campus building – several stories up in the air? Right, mm-hm.
“Fallen Star” is hard to miss. The 18th addition to the renowned collection of site-specific sculptures at UC San Diego is in a central campus location. It sits atop Jacobs Hall, also known as Engineering Building 1 – cantilevered at an angle from a corner of the seventh floor.
The house was built during the fall of 2011. On Nov. 15, it was gently hoisted 100 feet and then attached to Jacobs Hall.
It has since been furnished and accessorized. Its garden is growing: There’s a plum tree, a wisteria vine, tomatoes and more. Lights flicker on at night; a TV, too. And steam, simulating smoke, sometimes rises from the chimney.
To some, imagining Oz, it might look like a tornado-tossed interloper from Kansas. To others, more biologically minded, perhaps like a small blue creature living in symbiosis with its much larger host. Either way, it can be seen from multiple vantage points on campus and off. (Watch a video about the installation after the jump)
Kaeleen Wescoat-O’Neill has recently been working on series based on mugshots from her hometown in Florida. She recently flew out of Art Center with a Bachelor of Fine Art. Her work has a beautiful air, like Elizabeth Peyton or Alex Katz, but offers something uniquely her own.
Beautiful/Decay is happy to announce new sizing for our artist prints. You can now buy each of our gorgeous prints, designed by a whose-who cast of international designers, at a new small size of 8″ x 10.6″. Each print is produced on a heavy, high quality, archival stock that’s ready for framing. To celebrate our new small size we are giving all of our prints an extra small price! All prints in all sizes are 20% off until Sunday September 4th at Midnight (PST). Just use discount code “coveryourwalls” during check out and start decorating your home, office, and walls today!
Nicolai Howalt‘s Car Crash Studies series ties a post-crash carnage to artistic abstraction, as the photographs of metallic dents and scratches have a true sculptural quality. This contrasts to the chaos of the subject-matter to unveil a fascinating and hidden beauty in destruction.
Do you control your desire? Or do you allow it to control you? The elusive devil can be a sensory – and involuntary – appetite starting with a gleam in the eye. So when a leather-clad Dougray Scott walks out of a dimly lit diner, temptation of course awaits.
The Scottish actor aspired to make billions as Ethan Hunt’s nemesis in Mission Impossible 2 and he’s been both Dr. Jekyll and Mr. Hyde. He’s played at being a sadistic killer (New Town Killers), a chef falling in love (Love’s Kitchen), and is scheduled to be Dr. Godfrey in the soon to be released goth-horror Hemlock Grove. In this short video directed by Antony Hofman, we find Scott behind a gleaming Mercedes-Benz SLS AMG.
And he’s not resisting, of course, to harnesses the power and beauty of a 1695 kg amalgamation of precision design, performance, and aesthetics being fed by a V8 engine and controlled by a DCT 7-speed sports transmission, charging you up to 317 km/h. As the machine sparks over the dark streets of Los Angeles, the attraction ultimately rests on the drive you get.
Initially inspired by an accidental discovery of Marilyn Monroe’s image embedded within the frames of Shinobi—a classic SEGA console game from 1987 Japan—Atlanta-based artist Ashley Anderson‘s multi-media exploration of the icon’s 8-bit image skims across the realm of painting, drawing, collage and animated gifs. The glitchy, pixelled-out nature of the images is indicative of Anderson’s 8-bit aesthetic, but this new body of work somehow begins to morph, to twist, and to move into something more obscure. Loaded with fragments of late 1980’s digital culture, some pieces only offer the faintest recollection of the image, requiring a bit more visual extraction to pull out the digitally reduced visage of Warhol’s Marilyn. As a whole, the investigation is an intriguing peek into the nature of digital reproduction and image appropriation.
Artist Socrates Mitsios‘ series Postcards from Vegas document in snapshots his journey through Las Vegas and the surrounding desert with his subject, and often collaborator, Actually Huizenga. The photographer’s lively, suedo-glamorous style gives new life to the seduction of the kitschy, Americana that is Las Vegas. In this series, the scantily clad model poses provocatively, and sometimes humorously, in typical Vegas settings such as in a hotel room, in front of a casino, or on top of a slot machine. Each snapshot resembling a postcard, as the model looks somewhat like a tourist in these classic and reminiscent settings. This concept is the result of inspiration taken from the book of postcards starring Cicciolina, the Italian porn star ex-wife of Jeff Koons.
Mitsios model in this series, Huizenga, combined with Vegas’ cheesy glamour, creates a rough, strung out portrayal that is at the same time attractive and desirable. However glamourous, fake castles and costumes surround Huizenga. Her environment is an illusion of luxury that so many desire. These alluring images embody a “live fast, die young” feeling of a young generation looking for adventure and excitement. Full of costumes and props, casinos and lingerie, this series represents a lifestyle of dreaming, a journey through the spirit of Las Vegas.
‘Framed by the fantasyland of Las Vegas, these images are a cross between cheesecake postcards and Americana tongue-in-cheek idealism. Amidst the flurry of cheap promos and raunchy advertisements that litter the Vegas streets, Mitsios’s perceptive camera captures Huizenga’s genuine desire to inhabit a world of erotic ivory-tower make believe.’ –Ryan Linkof, V Magazine