Laurence Aëgerte‘s conceptual photography series, “Hermitage, The Modernists” depicts staged people and objects in front of classic paintings – by artists like Van Dongen, Kandinsky, Matisse, and Picasso – that were on view at the Hermitage Amsterdam during 2010. Aëgerte’s series complicates the expectation of the experience of iconic works by turning them into photographic palimpsests – the patterns, textures, and colors of the people and objects are juxtaposed against the paintings-as-backdrop that frame the foregrounded subject, elevating the layers of significance of the original painting.
Aëgerte says, “I wanted to investigate our individual relation to art and our perception of iconic artworks. The more the icon is alive in our mind—by means of reproductions and stories around it—the higher is the intensity of the expectation to be confronted with its reality. But what can we really experience of it? When our vision of a work of art is altered, it becomes a reversed mirror—anchored in our present time. By layering the images, I seek the in-between spaces and bits of time that occur in the process of looking.”
Using toys, computer hardware, beading, and even money, Argentinian-based artist Elisa Insua assembles images of popular culture with the items that make up popular culture. The intricate works take similar textures, colors, and shapes to form iconic portraits of Darth Vader, a Playstation controller, and the lion from the 20th Century Fox logo. Sometimes, Insua also covers three dimensional objects, like Maneki-neko (fortune cat) and toy guns and dinosaurs.
Erika Rae on Core77 described these works as appealing to someone who used to thumb through the I Spy series, a set of books where the reader would find a specific object among many, many others to solve a puzzle or riddle. Looking at Insua’s works, this description feels very appropriate. The mosaic of bright and cheery objects is alluring to our eyes, and focusing on the innocence of all of the toys in every image is almost escapist. For a period of time, we can slowly look over every part of Insua’s and be mesmerized by past popular culture. (via Core77)
Dilok Lak’s recent series “The rabbit ears” is the graphic designer’s respite from everyday tedium and a retreat into imaginative play. Drawing on children’s books and the trope of the talking animal, he imbues his illustrations with a minimalist innocence and charm. The title of the work harkens back to whimsical fables, but it also applies to the artist’s own persona, as he was born in the zodiac year of the rabbit. The work lightheartedly examines the existential questions of a young human mind: the caption for a few images reads, “Why is life so boring?”
Placed starkly against a white and pale pink backdrop like murals on a child’s bedroom wall, furry friends perform unlikely feats. Some of the illustrations are brilliantly nonsensical; in a sort of modern Dadaist exploration, Lak combines a vintage photograph of a young girl with a high-resolution duck and collaged orange. Collaged creatures appear to wander in and out of his frame of their own free will, teetering on its edges and leaving empty space in their wake.
“The rabbit ears” is a childlike ode to the imagination, bringing with it hints of critical self-parody. The brilliantly ironic series reads like a 21st century kind of pop art, using commercial graphic design techniques to satirize human behaviors and pretensions. An absurd cat sips on a cappuccino and sports classic hipster-style glasses; an erudite bunny proudly displays a portrait of himself in a suit. A bored kitty chews on bubble gum. In Lak’s delightful world, animals play as humans and humans play as rabbits, and ultimately, all our everyday worries seem a little less serious, and life feels a lot more fun. (via iGNANT)
Where I See Fashion is a blog created by Milan-based fashion design student Bianca, who pairs fashion photography with related images that correspond to the aesthetic found in the fashion image. The corresponding images depict anything from landscapes to architecture to fine and conceptual art. She began the project this past summer, inspired by the multitude of beautiful photographs found on Tumblr. Her juxtapositions illustrate the inspiration to be found in fashion and the world around us.
“Sometimes a fashion picture reminds me instantly of something and I go look for it, sometimes it’s a random picture that makes me think of an outfit or editorial. Occasionally it happens that by chance I see two pictures near each other on my dashboard or in a random blog that perfectly go together. Also I have A LOT of photos that I saved on my computer because I found them interesting, it’s like my personal archive and I use it a lot to make matches.” (via we the urban)
Jane Perkins reproduces classic paintings using found plastic objects like buttons, beads, jewelry, shells, toy figures, LEGOs, and other plastic items. With her careful and meticulous arrangements, she faithfully recalls well-known works, enhancing the texture of them and creating interesting depth. She implements each item’s original color and shape skillfully into the compositions, illustrating shades and lines with the outlines of the objects. From afar, her pieces could pass for prints of these famous works, but up close, the viewer is granted another layer of appreciation for them. Perkins applies her background in textile design to her plastic found object arrangements, artfully utilizing the textures of each object. (via my modern met)
Everyone’s Time Is Their Own is the latest project by curator Gabe Scott. The exhibition title is borrowed from the curator’s grandmother, who held it as her philosophical way to life and death. Each of the artists encompass in their work something deeply spiritual, contemplative in the exploration of their practice as well as the surrounding world.
The works selected are representative of the fleeting moments in life that are permeated by a sense of musicality or lux. Depictions of figures play a prominent role throughout the exhibition, often appearing solitary or faceless, disconnected and searching. Body and soul are paradigms that often find themselves at odds in discourse. Individuals die alone but they take a part of their loved ones with them, this leaves the bereaved musing interconnectivity, lonesomeness, and the vast possibilities associated with continuity. Life and death cannot be bottled up, instead remembered through the slow turning lens of nostalgia.
Beautiful/Decay has partnered with premiere website building platform Made With Color to bring you some of the most exciting contemporary artists working today. Made With Color allows you to create a sleek mobile/tablet optimized website that is easy to use with just a few clicks and no coding involved. This week we bring you the works of Arizona based artist Kristin Bauer.
Kristin Bauer wants you to not only read her artworks visually but literally as well. Working in a wide array of media from neon to assemblage to painting, Bauer combines and mixes high and low iconography, imagery, and texts that will make you play a mental game of connect the dots. Unlike most stories however, Bauer’s works aren’t supposed to have a beginning, middle, and end – leaving the viewer to fill in the blanks between her references to anything from Renaissance sculpture to Jayne Mansfield, Shakespeare to Spielberg films, The Great Gatsby to Cheap Trick.
About her work she states:
I am influenced and inspired by the nature of how humanity derives meaning when presented with the combination of word and image. Our culture is highly visual, and rises and falls with the crests and waves of marketing and propaganda. I draw from my background in Masters studies of Psychology and Therapy practices and my related interests in Social Influence Theory as well as my love of music, film, classical literature and pop culture.
While some of my art seems socio-politically subversive, I do not have a concrete message with the work. Rather, what I am after is the dialogue and internal response of viewers that arise from how they put together visual and written information.
For Cynthia Greig‘s project, “Representations,” the artist whitewashes objects with ordinary white house paint before using charcoal to outline the items, then photographing the transformed objects against a white background. The effect renders the image as two-dimensional, appearing to be digitally manipulated or hand-drawn. The objects used, now in black and white, appear more iconic and symbolic than they would appear unaltered. In her artist statement, Greig explains that her work is an homage toWilliam Henry Fox Talbot and his treatise, “The Pencil of Nature.” Greig’s photographs ask observers to consider the truth of photography by challenging our perception of the reality of common objects.
“I’m interested in how we learn to see, identify and remember, and the role images play in the codification of perceptual and mnemonic experience. By denying certain aesthetic expectations and assumptions, Representations intends to interrupt a more conventional, passive viewing experience, and provoke the viewer into seeing a photograph as if for the first time.” (via my modern met)