Tully Arnot has a great sense of humor. His sculptures, installations and videos all have a subtle sarcasm to them, and are all a clever commentary on the man/machine connection, and the part technology plays in contemporary society. His latest sculpture in particular (Lonely Sculpture) is a amusing look at the current online dating app Tinder. Setting up a mechanical finger tapping mindlessly away at nothing, Arnot just places a mobile phone underneath the finger machine and proceeds to interact with other humans on the internet. Luke Letourneau sums it up perfectly in his essay about Arnot’s work:
[Lonely Sculpture] is a piece of technology that reflects the way we interact. Dating apps like Tinder are an aspect of socialization that allows for isolation: it reduces identity and demands judgement. The work heightens an absence or disconnect that already exists with this form of interaction. However, Lonely Sculpture does not reserve judgement. The artist’s mechanized silicone index finger taps yes to every dating profile that appears on the screen, even when the screen is loading new profiles the finger keeps unconsciously tapping, anticipating, longing. (Source)
Lonely Sculpture is not the only display of Arnot’s cynical sense of humor. As part of a larger show at Wellington Street Projects called Uncanny Residues, it is one of many pieces. All are concerned with the line between reality and the digital world, humans and technology, and how we interact and utilize different interfaces. Tuley definitely gives us something to think about next time we reach our fingers out to touch the screen.