Italy-based photographer Andrea Frazzetta gives us a little glimpse into the lives and rituals of modern healers from Lima, Peru. His project called “Urban Shamans” peeks behind the doors of the rear private shops where shamans, or the so called curanderos, perform their traditional mystical rituals which are not subject to the laws and orders of today’s world.
Up to this day, curanderos are trusted by the majority of Peruvians and are considered to be in line with psychiatrists and physicians. At some point, the parliament of Peru considered regarding them as doctors. However, bigger part of the healers are frauds as they don’t really deal with physical disorders, rather with emotional issues like fear, evil eye or even business and love life related questions.
“Nestled in plain sight throughout the streets of Lima, these generations of shamans and their sometimes shocking ritual practices toe the line between cultural fixture and anomalous spectacle.”
In his pictures, Frazzetta managed to capture even the very intimate, strange and eerie details of these healing ceremonies. Most of them include the use of a small animal (guinea pig, black hen or a white dove) or a doll to whom the illnesses of the patient are transferred. (via Feature Shot)
Brooklyn-based artist Hannah Kunkle puts Kim Kardashian on the altar, literally. Kunkle delivers Kardashian as the Virgin Mary, Medusa, the devil and even Kleopatra. With a flashy net-art inspired aesthetic, the artist takes Kim’s iconic, worshiped image and puts it to work, naturally, with religious/cultish iconography. The controversial juxtaposition is rather riveting as its subtle insights perfectly captures the absurdity of our nation’s obsession with Kardashian and celeb idolatry in general. “We have accepted her into our lives via television screens, memes, and Instagram feeds”, she says. “If Jay Z is the father and Yeezus is the son, then she is the ever-present holy ghost of pop culture.”
According to the Huffpost, Kunkle’s recent exhibition in Bushwich titled “The Passion of Kim Kardashian” caused some controversy amongst the religious community in New York. “It’s deplorable,” Pastor Reggie Stutzman of Real Life Church told The New York Daily News. “It’s sacrilegious, irrelevant, and disrespectful… It’s idol worship.” The Hindu community had opinions about it too. “I am certainly not happy about this,” said Dr. Uma Mysorekar, of the Hindu Temple Society of North America. “Any religious symbol should not be used or abused.” (Via Huff Post)
Fractals are a geometric concept and mathematical set that represent repeating patterns, also known as self-similarity. Scotland-based physicist and artist Tom Beddard, aka subBlue, who we have previously featured for his generative graphic work, has recently been creating 3D geometric fractal designs that he refers to as “Fabergé Fractals” because of the detailed and ornate patterns that are rendered by the artist’s formulaic methods. At first glance, Beddard’s designs appear to be fully realized, physical forms due to the intricacies of the patterns and the technical skill that is applied to each generation.
Beddard explains, “The 3D fractals are generated by iterative formulas whereby the output of one iteration forms the input for the next. The formulas effectively fold, scale, rotate or flip space. They are truly fractal in the fact that more and more detail can be revealed the closer to the surface you travel.
“The fascinating aspect is where combinations of parameters can combine to create structural ‘resonances’ of extraordinary detail and beauty—sometimes naturally organic and other times perfectly geometric. But then like a chaotic system it can completely disappear with the smallest perturbation.” (via my modern met)
There’s an air of both mundaneness and mystery in the series The Waiting Game by Spanish photographer Txema Salavans. The blown-out landscape images were collected over a period of six years, and the intriguing photographs don’t depict hitchhikers – they feature prostitutes. We see women sitting at rural roadside locations along Spain’s Mediterranean coast, including highways, secondary highways, and small byways between towns. Formally, they are not the focus of Txema’s composition. They appear from a distance and sit on the side of the photo’s frame as road signs, wilderness, and construction sites surround them. The routes seem desolate but are still well traveled, as drivers want to avoid having to pay for toll roads, as well as trucks carrying goods and fruit take them from Andalucia to France.
Salavans disguised himself knowing that these women probably wouldn’t want their photos taken in the first place. He wore a surveyor’s costume, complete with an assistant and a surveyor’s pole. The results offer an unconventional into the world of prostitution that takes it off city streets and to quiet moments. (Via Feature Shoot)
For his breathtaking project “Atypical,” the Warsaw, Poland-based illustrator and graphic designer Pawel Nolbert creates a typeface unlike any other. Composed of globular, thick brushstrokes saturated with dense color, his letters take on a tangible and material form, becoming what he calls “half-realistic, half-illustrative figurative sculptures.” For the series, the artist, who is also an art director, photographed paint splatters, and he later enhanced them and added depth through digital manipulation.
What emerges from Nolbert’s compelling work is a refreshing and visceral take on the written word, which in our contemporary culture can seem stale and lifeless. Here, language becomes physical as the body, writhing and twisting with vivid pleasure. The two dimensions of the page become the three, with thick, textured lines overlapping and creating an unexpected depth of field. Displaying an impressive grasp on color theory, the artist uses cognitive and perceptual tricks to extend the letters and numbers into three dimensionality. Complimentary colors are layered atop one another, creating an engaging visual dynamic: orange is paired with blue, purple with yellow, and green with red.
In a cultural landscape in which we are constantly bombarded with images, language moves to the wayside, and yet Nolbert finds a way to reclaim our attentions and bring us back to the fundamentals of words, letters, and numerals. Dancing about and leaping from the page, spewing paint in unexpected directions, his “Atypical” posters remind us of the vitality and creative potential inherent in verbal expression. Take a look. (via Colossal)
In the digital age and generation of the selfie, a spiraling and often disorienting importance placed on consumerism and commodities permeates even the most remote of regions. Through the billboard jungles and beehive of mass media, images relentlessly promoting youth and sexuality haphazardly depict ideals of femininity. Creating a wormhole of inadequacies, the female form has found itself in a constant tug-of-war in either defending its natural state or scrambling to correct propagated notions of aesthetic shortcomings. As Barbara Kruger famously stated on one of her notorious gelatin silver prints from the 1980’s, “You Are Not Yourself”.
There’s a pervasive sense of childlike fantasy that seems to underline many pop surrealist works. Make-believe animals that don checkered coats, tight rope walkers and re-imagined cats all vibrate within and beyond the confines chosen by each artist at hand.
The alluring world of pop surrealism frequently ushers in a sense of mythical innocence and humor, unifying the superficial world of popular culture with the recesses of the unconscious. With underlying themes of fragility and the macabre delicately hidden beneath a veil of cultural kitsch, saccharine sweet dreamscapes transform and redefine a caustically bright world enamored with packaged goods. The fantastical worlds created through the lens of the following artists explores the relationship between the seemingly pristine and the accompanying bittersweet decay that dwells beneath it. Featured artists include: Casey Weldon, Mac Sorro, Rafael Silveira, Leslie Ditto, and Britt Ehringer.
With rippling, coiled muscles, the sculptures of Masao Kinoshita stand skinned and erect. Working with materials ranging from wood to resin to bronze, the Japanese sculptor uses an aesthetic we normally associate with natural history museums to render athletic, flexing creatures of the sea and land. Save for their multiple heads and engorged limbs, these beasts could easily be ancestors of man.
Kinoshita draws much of his inspiration from diverse mythologies, religions and folklores from around the globe. Fusing narratives across space and time, the horned maenads of ancient Greece live alongside the Yoga Asura deities of Buddhism in a visceral, animalistic universe where fitness reigns supreme. The Hindu god Ganesh poses confidently while a human baby and a small teddy bear develop muscles of similar size and strength.
Given the artist’s knowledge of folklore and spiritual histories, we might interpret his massive, hulking walrus as a nod to the beast mentioned in Alice in Wonderland, who is widely assumed to represent the Buddha. Built from wood, he would certainly seem at home in the story of “The Walrus and the Carpenter,” but his soulful eyes maintain a divine dignity that eluded Lewis Carroll’s infamous character.
Throughout Kinoshita’s impressive body of work, the physical and the metaphysical are allowed to coexist. Where modern religions condemn the pleasures of the body and exalt in those of the spirit, these sculptures present a world wherein the gods themselves are proud—even arrogant, as the case may be with those thong-wearing bodybuilders—to live within mortal anatomies. Take a look. (via HiFructose)