Brooklyn, NY based painter and sculptor Lisa Beck creates reflective, Rorschach like abstractions that function simultaneously as murals, paintings, sculptures, and installations.
“My work has always been driven by certain preoccupations and obsessions, that can be seen as divided between the particular and the universal. The particular is shorthand for the observable aspects of reality, the stuff around us (the landscape, our bodies). The universal is a shorthand for things that are too vast or too tiny for us to grasp completely ( space, atomic physics)— that necessarily become a kind of abstraction. Those are the things that I think about, with an emphasis on the relationship between those things — the place where they meet or interact, rather than the divide. I’m concerned with where I stand, or where anyone stands, in relation to these aspects of existing reality … the act of observation of the place in between; visual awareness and perception as a way of understanding existence, like a filter.
I tend to be attracted to opposing but related visual phenomena like positive and negative, pattern and randomness, color and grayscale, flatness and depth, representational and abstract imagery. I always want to go in both directions a once and much of my work has involved trying to find ways to integrate these opposites. My most prevalent motif has been the circle in all its forms and references. Atoms, dots, spheres, solids, voids, cells, selves, stars, eternity, emptiness- it’s amazing how much can attach to this form.” (via)