We still have a month left of summer, but autumn will be here before we know it. And that means leaves. Everywhere. Here’s a cool little typography project to help ease the transition from season to season. Twan van Keulen is a graphic designer from the Netherlands. In a series called Falling Leaves, Van Keulen cut letters and symbols out of leaves and scanned the results, effectively creating a unique (well, it is kinda based off Helvetica) set of typography. (via)
Nice wall-mounted sculptures made from books by Tennessee via Malaysia artist Daniel Lai. The sculptures feature clay figures in “Thinker” poses positioned amongst artfully folded leaves from various books. These capture the quiet, contemplative mind-space brought on by a good read, and would make good company in any studio, study, or living room. The Internet and tablet readers are alright, but there’s something about print that just can’t be beat. Always up for a good tribute to ink on paper. (via)
Let’s check in with Danish artist Asbjørn Skou (aka Armsrock), who’s been doing, for a minute now, large scale drawings of downtrodden figures and pasting them on the street. Lately, in addition to continuing his drawing pursuits, he’s been working a lot with image projection. He first used the technique to effectively “paste” his figures onto buildings with light. These days he’s evolved into a slightly more abstract methodology, inserting doors and entryways where blank walls used to be, and conjuring stalactite-filled caves. Armsrock’s always had a knack for depicting the struggles of the working class and the neglected. Nice to see him expanding his reach with this new work without abandoning the drawings.
London based artist Emma Mcnally makes abstract graphite drawings that look like city grids and star maps. But this description doesn’t come close to doing them justice. Usually large in scale, the drawings emit a wizened, emotive quality. Somehow, each miniscule mark of graphite takes on endless personality. In the end, the works are just as effective as maps of life’s random chaos as they are as any type of reference to formal cartography. (via)
Native Los Angeleno Hugh Kretschmer is one of those rare photographers who has the ability to completely transform a commercial ad campaign or editorial piece into a magical story that will move you. Using metaphor and hand crafted trick-the-eye elements he transports us to surreal narratives full of humor and intriguing mystery where anything can happen.
Joseph Parra, who received his BFA in Painting this year from MICA, has started his career with a running start. Back in 2008, he worked with famed architect Richard Gehry as part of HBO’s Masterclass, and last year he completed a solo show at Galerie M in Milwaukee, WI. He distorts portraits of absentminded subjects with unorthodox techniques, employing sand paper and collage. Parra’s charcoal drawings, also figurative in nature, are equally of note. His drawings (like his prints) are ghostly. His figures are presented with little distraction, no context or background. This demonstrates a confidence in his image making. He’s showing us exactly what he wants us to see.
There is a lot of public art on view in Nantes, France right now. Amazing installation pieces have sprouted all over the city, an industrial port off the Loire river near the Atlantic coast, as part of a couple large exhibitions happening all at once. One of these exhibits (and possibly the best of all currently on view), is ESTUAIRE, a trail of installation pieces in and along the Loire near Nantes and Saint Nazaire that celebrates and plays off of river habitats. This is the third year the show has been organized (2007 and 2009, previously). A few of the sculptures include beached boats, partially submersed homes, bears in trees, and monstrous sea snake skeletons, providing for a really strong, visually appealing commentary on the state of our natural environments. Check out more of ESTUAIRE 2012 after the jump.
Thank You Very Much, an artist collective out of Buenos Aires, looks like a really cool, ambitious group. Limiting access to different creative vehicles is never a good thing, and TYVM is definitely not trying to do so. Working with over 40 artists from around the world, they’ve got their hands in everything: production, exhibition, design/marketing, etc. Recently, co-director Luciano Podcaminsky staged in exhibition of five installation pieces at the Centro Cultural Recoleta in B.A. The show, which “mixes conceptual art with POP culture”, gives you a good idea of what the collective is interested in doing. Find more images and some words from Podcaminsky on the exhibit after the jump.