Los Angeles–based photographer John Divola is perhaps best known for this series of photographs documenting the gradual destruction of an abandoned and oft-vandalized beachfront property at Zuma Beach in Malibu. Without a studio of his own in the 1970s, the artist roamed Los Angeles in search of vacant properties that he could photograph. Using them as his canvas, he sometimes spray-painted his own designs onto their interiors, photographing them before the buildings were destroyed. Reflecting his painterly manipulation of the physical site, Divola’s Zuma photographs skillfully frame spectacular sunset views within these dilapidated structures, making his visually compelling, color-saturated photographs more than just pure documentation. See Divola’s work in Under The Big Black Sun currently on view at MOCA until February 13th, 2012.
Nathan James’ paintings may look like well executed digital collages but they are in fact carefully rendered oil paintings where girls from pop magazines, graphic patterns, and painterly abstractions are combined together to create a world where flatness battles depth, vanity duels humility, and graphic confronts painterly.
Ladies & Gentlemen Studio is a two person team with a love for vintage items. Looking at their serving utensils from their Superior Servers collection, their sensibilities are immediately apparent- use classic silhouettes in a new modern way. Their other projects share this clever and endearing quality.
Don Porcella has a show of his signature, brightly hued sculptures and encaustic paintings up for one more week at Spattered Columns in NYC. The show is entitled Everything and Nothing at All. In a recent conversation Don and I had, he brought up his love of imagery that could be read in multiple ways. He talked about painting secrets, and casting shadows in multiple directions, dislocating literal time and space into a psychological time and space. He is an artist worth paying attention too. His show has a closing party on October 26th, from 6 to 8pm. Porcella will also be playing music during the closing party. Porcella has performed his music in San Francisco, Nashville, and recently at Robert Miller Gallery in NYC. Should be a very good time.
Alyssa Monks might make photorealist paintings but she’s equally interested in abstraction. Monks’ paintings explore the tension between abstraction and realism, using different filters to visually distort and disintegrate the body. In this shallow painted space, the subject is pushing against our real space. Strokes of thick paint in delicate color relationships are pushed and pulled to imitate glass, steam, water and flesh.
“When I began painting the human body, I was obsessed with it and needed to create as much realism as possible. I chased realism until it began to unravel and deconstruct itself,” Alyssa states, “Realism and Abstraction are in a symbiotic relationship – they need each other to exist and eventually become the same.” -Alyssa Monks