Nice silkscreen work from California-based illustrator and comics artist Kelsey Short. I dig the muted palette full of green, black, and blue. It perfectly matches her washed out, moody style. A lot of Short’s work is like those rainy days where you’re not bummed that you can’t go outside because the quiet sound of the rain just matches your mood for some reason. Hit the tumblr over here for a little insight into Short’s process (artistic and otherwise), and grab yourself a copy of her zine, “Grid” and some prints at her Etsy shop.
Jack Ramunni is a graduating senior at the Columbus College of Art and Design, a school with a sclerotic curriculum geared toward producing graphic designers for local corporations, a place where “fine art” tends to begin and end at object-based art-making for commercial galleries. Ramunni, using this restrictive background as a catalyst, instigated an array of projects aimed at redefining what contemporary art is and what we should expect it to do.
Ramunni and Nikki Skrinak have coined the term “Social Heat” to describe the intent of his artwork. Social Heat is:
“…the spontaneous transfer of energy from one body, group of individuals, or larger social system to another due to a multiplicity of connections and modes of communication.”
Ramunni uses a variety of methods to achieve this goal. In Sweater Shoppe, he reworked the logic of the market system by co-founding a trade-based pop-up “store” replete with its own currency; with Late Lunch Live, a weekly USTREAM cooking show, Ramunni turned the banal activity of making lunch into free community entertainment; in EX-PDF Library, he exchanged lithographed bookmarks for PDF files from the public, which he printed out and made available in a public library; in Benches Gallery, Ramunni created a portable gallery for showcasing artwork in public spaces, excising commercial concerns from the gallery experience.
Samantha Rehark is a 22-year-old multimedia artist and graduate of the Columbus College of Art & Design. Her artwork limns the psychological space nature holds in our collective consciousness. Aside from creating collage, installation, and sculpture, Rehark plays keyboard in the band Threesome with Jordan DiDomenico and Alex Ross. Pony, her recently released artist’s zine, was made during a residency in Truth or Consequences, New Mexico.
Marci Washington is an artist, based in Northern California. Her lightly rendered gouache and watercolor paintings depict the interiors and exteriors of creepy houses, reed-bordered pitch swamps, forbidden correspondence, and nocturnal, aristocratic cannibals who always seem to maintain a certain measure of grace amidst unsavory conditions and elements. To me, it’s always appeared as if such figures are pausing for her to paint their portrait while the world crumbles around them. A macabre fashion shoot staged amidst the apocalyptic environs of a world without sunrises, Washington’s delicate, detailed work is a rich stroke of contrast between dark and light; brutality and delicacy. I caught up with Marci in-between her various travels and projects and, in keeping with her reputation for graciousness, she answered some questions and brought us up to speed with her career. (Images courtesy of Rena Bransten Gallery.)
Hardcore punk is a codified style with a ritualistic devotion to convention in both its sound and imagery. However, a much-needed wave of art school interveners have recently begun to re-imagine the genre. Elijah Funk, current or former member of the bands Drug Money, Horrible Creeps, Le Vansona, and Shaver, creates artwork that expands and complicates the abusive iconography of hardcore, infusing it with irony, intelligence, and anxiety. Funk is currently a student at the Columbus College of Art and Design in Columbus, Ohio, where his senior thesis show opens April 7th, 2012.
His recent zine Sometimes When I Am Feeling Sad – images of which are after the jump – is now available for purchase.
Where to start with Jay Howell? The legendary laidbacksman and zinester, recently relocated to Los Angeles by way of San Francisco, seems to have taken good vibes to every corner of every creative cul de sac. Howell, who participated in the group show “Supply and Demand” at Brooklyn’s House of Vans early this fall, works his quirky, character-driven vision onto all available formats. His trademark dudes, rockers, and big-breasted babes have graced gallery walls, skate decks, apparel, original cartoons, original “nickelodeon cartoons”, album covers (he has serious ties to the musical community), and public spaces. Sometimes it feels like he has a message, but then you kind of wonder whether it’s really reflected in his work or not. And then you’re just like, dude, who cares?
Cassie Ramone is most recognized as the front woman and lead axe shredder of the Brooklyn based lo-fi garage rockers the Vivian Girls. She is also perpetually working on and exhibiting new drawings, paintings, t-shirts, and zines. “Shitty Reality'” is an ongoing tour diary of sorts that is chock full of her endearing interpretations of popular cartoons, notes and scrawlings from the road, and various snap shots and collages from hours spent traveling the contiguous United States of America.