Toronto artist Matt Bahen creates thick oil paintings of desolate scenery and, often, dogs. Tweaked just right, the lighting in Bahen’s work almost renders itself the subject in each respective canvas, creating a sense that the elements most “alive” in his world are not, in fact, animate. Scavenging dogs and dying foliage or crops are often the only living organisms depicted in Bahen’s most recent work. And though a veritable source of action, these elements often serve more as secondary, blended, narrative connections than primary statements. In keeping with the aesthetics of B/D, this body of work presents a perfect opportunity to draw as much life from the dead as from the living. Bahen is currently showing at LE Gallery in Toronto in a solo exhibition entitled “After Wolves.” If you’re up that way, do not miss out.
Guy Denning of Bristol, UK has been putting out emotive, figurative paintings for almost two decades. He works mostly in oil, perhaps the perfect medium for working with the human figure due to its unique luminous qualities, and he takes the guesswork out of using art as a mirror for the human condition by directly rendering our anguish and strife in muted, stylized tones. He also maintains a pretty awesome daily drawing blog.
Artist Gary Brewer combines the visual language of old school science illustrations (like the kind you’d find in a textbook from the 70s) with some extra imagination to create these otherworldly floating collections of plants, rocks, and other organic matter.