Kate Shaw captures the magnificence and mystery in nature in her hypnotizing landscapes created from acrylic paint, glitter, powder, and resin. Each piece exudes the undeniable and powerful force that the rolling hills and mountains hold. Shaw portrays monumental forms of beauty, such as glaciers and cliffs, in an environment swirling with vibrant color. These mesmerizing, whirling hues are created from pouring paint, letting the movement of the color form naturally. Although these paintings show nature and landscapes, they look anything but natural. The colors Shaw has chosen are completely abnormal. Her mountains drip with oranges and pink while her trees rage with rich reds and blues.
There is a strange balance of natural and artificial brilliance captured in Kate Shaw’s work. Her use of different types of materials creates different textures and reflective surfaces that transform the landscapes even further. They are like environments from another planet, just as incredible as they are unfamiliar. Kate Shaw’s landscapes conjure conflicting emotions of growth and manipulation, showing natural beauty with synthetic qualities. Kate Shaw explains her intentions behind this dichotomy.
“My practice aims to convey ideas of nature, alchemy and cycles of creation/destruction. The paintings and video works deal with the tensions and dichotomies in the depiction of the natural world and our relationship to it. I am concurrently exploring the sublime in nature whilst imbuing a sense of toxicity and artificiality in this depiction. My intention is to reflect upon the contradiction between our inherent connection to the natural world and continual distancing from it.”
Her captivating work will be on display at Mirus Gallery in San Francisco in February of 2016.
Artist Filippo Minelli uses the ethereal smoke bomb to paint atmosphere in vibrant colors in his striking series Silence/Shapes. This title refers to Minelli’s intention of giving the concept of silence a physical form. His clouds of color give off the impression of a demanding presence, taking over the incredibly picturesque surroundings that it inhabits. The photographer’s smoke bombs always take place in breathtaking environments, like deep in the mountains are on the surface of a serene lake. The boldness of the colored smoke is a harsh contrast to the calmness of its environment. However, the smoke can be as unpredictable and wild as the wilderness it is in, as it swirls and explodes with color into the misty air of forests and meadows. Even further, some of the most incredible views of Filippo Minelli’s compositions are of his smoke bombs wafting through the air of abandoned buildings. The organic shapes that the clouds take on create an amazing juxtaposition against the manmade structures that enclose around it.
When exploring this aesthetically genius series of Minelli’s, you realize that there is a complete absence of human form. No people are ever present. It is almost as if the colored clouds are a life of their own, standing in for human life. In one of Filippo MInelli’s photographs, it even appears that a bright, orange cloud is resting on a bench outside. The smoke begins to take on personality and substance, traveling to different natural environments and absorbing their majesty. Filippo Minelli explains the inspiration behind the series.
“The idea came to his mind when looking at political demonstrations footage, when he noticed that when the smoke was coming into the scene people stopped screaming and the scene was visually silenced too, so he thought of the smoke as the shape of silence taking over.”
The view looking out of a window is often one filled with daydreaming and contemplation. Artist Jim Darling creates abstracted images inspired by the view of looking out of an airplane window. His brilliant, wispy use of color and impressionistic style perfectly breaks down the fleeting shapes and colors seen through the perspective from an airplane. His thick, impasto style depicts the aerial views just as they are seen in real life, swift and in motion. The abstract scenes seem to rush in and out of your view as you get a glimpse of the many wonderful colors lighting up the sky at different types of day.
Created from acrylic paint, aerosol, and woodwork, the artist constructs the frame of each piece to appear just like the window in an airplane would, with the window shade and all. He depicts purple mountains, cool, blue skies, a bustling cityscape, and even a wing of an airplane in his scenes from above. Darling takes us on a journey through the sky through different ecological forms, environments, and cities. Because the scenes are abstracted, we cannot tell exactly where his window views are taking us. Even the city is not specific to one exact location. This allows everyone to insert their own memories of travel into the paintings so that we can feel a connection to his work. Darling evokes strong emotions of nostalgia of travel and adventure, as many of us feel while we are aboard a flight.
Adam Friedman celebrates the unchanging mystery of nature in his surreal, hybrid paintings that dissect landscapes from the real world. His newest body of work is bold in color and line, as he portrays scenes of glorious mountains and unwavering glaciers. His unique style depicts scenes of tremendous natural beauty, transformed them into something even more stunning. Plates of the earth seem to shift and glaciers are mirrored in a reversed world that Friedman so skillfully creates. The artist experiments and warps perspective in his paintings, like an M.C. Escher drawing toying with our mind. Sections of mountains are divided and manipulated into geometric patterns and shape that make you question exactly what it is you are looking at. Friedman describes his artwork’s intent.
“Millions of years are compacted into a single instant and rocks become fluid. I strive to present a moment that defies human intervention in the landscape, and pays homage to the potential in the inexplicable.”
Friedman explains that his work celebrates the unknown that the natural world possesses. Society attempts to explain, examine, and make sense of our environment, but there are some things we cannot understand. The beauty in the unknown can be felt in Friedman’s powerful series that radiates with intensity. Mirus Gallery in San Francisco, California currently has a solo exhibition of Friedman’s work on view until July 11th. If you have the chance to see this exhibition, titled Into the Aether, make sure to check out his compelling paintings in person.
David Emitt Adams beautifully captures the landscape of the Southwest on the surface of discarded tin cans along with other debris he finds in the desert. Growing up in Yuma, Arizona, he is no stranger to the desert and the objects inhabiting it. Adams explains that deserts, naturally being so barren, are often used as a dumping site for garbage. This is where he finds all of his materials, with some tin cans being up to four decades old. He combines classic and iconic Southwest imagery with the reality of the state of the land today. Although the present day desert still holds immense and vast beauty, it is not without the remnants of urban sprawl left behind.
Throughout history, the West has long been photographed and documented due to its breathtaking and often unbelievable, natural landscapes. Adams not only pays homage to this tradition, but to its traditional processes as well. Inspired by the history of photography, the process he uses was one of the first methods of photography invented. Adams chosen method of photography is not your everyday digital photograph. He uses a labor intensive process invented in the mid-19th century called “wet-plate collodion.” This complicated process not only takes time, but an impressive amount of skill. Adams’ technical talents are only matched by the creativity of his body of work. Each tin can’s rich, red patina is still intact as they bend and twist around their lids, which hold the delicate image of the desert. This series, Conversations with History, is just one of several series in which Adams uses this traditional method of photography to express his artistic vision.
Adventure photographer David Heath delicately captures the enchanting land of Burma, showing its shockingly stunning, exotic beauty. Over the course of five years and after taking eight individual trips to this mysterious place, Heath has completed a masterpiece of a collection of photographs radiating with natural beauty, and dripping with color. This incredible series, now available in print as a coffee table book, is a tribute and celebration to the lush culture and land that is Burma.
“From the moment I first set foot in this magical land, I fell under its spell. I found it to be one of the most enthralling and visually captivating countries I have had the privilege to explore – truly a photographer’s paradise,” explains Heath, “I aspired to convey the soul of the beautiful Burmese people, their mystical culture and mysterious customs, in the most artistic way possible”.
Burma, a place not many people can say they have traveled to, has become a place of comfort for Heath, as you can see in his photographs. He captures subjects with such love and allows such a strong authenticity to remain within them. Heath uses no flash, only natural lighting in order to show the true, authentic nature of this amazing culture. Traveling through Burma by boat, canoe, train and foot, Heath shows us remote and rare perspective of this captivating land. Each image is a remarkable adventure where we can see ancient temples, colorful and traditional Burmese clothing, busy street markets, tribal face tattoos, and the sparkling, eager eyes of the children of Burma. We are able to experience a culture that seems a world away through the intimacy of David Heath’s travels.
Artist Takahiro Iwasaki is a master when it comes to constructing elaborate, miniature landscapes. However, these small-scale scenes are not formed from Lego’s, but from much more unlikely and unstable items such as cloth fiber, dust, and human hair. This Japanese artist takes the most miniscule, seemingly insignificant materials and uses them to create something incredibly complex and enchanting. His newest installations, which are part of the series titled Out of Disorder, contain mini-scenes of recognizable landmarks such as Coney Island, ferris wheel and all. Inspired by painted landscapes on Japanese folding screens, Iwasaki comments on his work in relation to its inspiration.
“Just as the artist of the screens did, I would like to revisit a commonplace everyday scene from today’s Japan, and just as the screens embody a smooth flow from one season to the next, I hope to capture, in my work, the graceful transition of a Japanese landscape from past to present.”
Each tree, building, factory, and rollercoaster in Iwasaki’s work are brightly colored and fragile, as many of them are enclosed in a glass case. This glass reveals one of the most captivating elements of the landscapes; the layers of clothing that make up the earth in many of the installations. Each cloth is filled with diverse colors and clashing patterns, revealing a mishmash of layers that resemble section of sediment in the soil. They form the rolling hills and steep slopes that make up the miniature environments. However, not all of the artist’s creations are constructed from recycled cloth, but from toothbrushes, as well. Telephone towers sprout out of Iwasaki’s toothbrush bristles in this strange yet familiar installation. Out of Disorder is on display now at Takahiro Iwasaki’s first solo show Takahiro Iwasaki: In Focus at the Asian Society Museum in New York. (via Spoon & Tamago)
Spain based artist Paco Pomet paints colorful clouds of pink and blue that consume and take over vintage scenes of landscapes. A skilled painter, Pomet uses oil paints to create surreal landscapes where his vibrant colors transform each image into something out of the ordinary. He paints his transformative palette like a wave that will eventually consume everything in its path. Pomet’s work starts out looking like vintage photos of tranquil wilderness in black and white or sepia tones, but then a burst of colored slime oozes and covers the scene. His fluffy pinks and fiery reds cut through the composition to reveal new elements, changing the situation and meaning of each image. Not only does this now distort the circumstance of the painting, but also the setting has become a whole different world where anything is possible. This is a place where tree trunks can glow, the sky can drip, and mountains can break in half. Each color is placed cleverly and adds a bit of humor and curiosity to his work.
Pomet’s paintings show influence of traditional western paintings and landscapes, with their inclusion of desert scenes, covered wagons, and cowboys. His choices of misfit colors do not only break up this traditional imagery, but ads a contemporary, dream-like quality not unlike that of contemporary pop-surrealism. His paintings hint at analogue photography, but with elements of modern design.
Paco Pomet is represented by Richard Heller Gallery in Santa Monica, CA and currently has a solo exhibition on view until February 15th. Make sure to see the artist’s incredible work in person while you have the chance!