Anna Maria Bellman intricately translates cartography into her own unique style by simplifying their elements into positive and negative space. She cuts precise slices into paper, constructing sections of maps of cities all over the world. Each hand cut incision represent paths on a map, building up the framework for a city. The artist’s work is heavily influenced from her extensive travels. Originally hailing from Germany, she has adventured to an impressive amount of cities including London, Berlin, New York, Paris, and Rome, just to name a few. All of these incredibly complex and diverse cities are represented in her work as a black and white composition of crisscrossing lines, intersecting and forming the streets and rivers.
Many of her cutout maps do not even appear as such, but rather an abstract grid of geometric lines, forming different shapes and patterns like tapestries. When the light shines through Anna Bellman’s maps, you can see their shadows creating a three-dimensional affect. Having explored more wilderness destinations as well, Bellman’s other works are highly floral and inspired from lush nature. Her nature-filled works include amazing patterns cut by hand, as intricate and delicate as those found naturally in the wild. Although Anna Bellman’s body of work can represent two ends of the spectrum, nature and city, the continuous monochromatic choice of using white paper unifies her brilliant work.
Artist Soo Kim severs, cuts, and reconstructs photographs until they become a more ethereal, delicate version of what they once were. Kim’s work portrays buildings fading away, and creates new geometric forms from different objects. Her cityscapes turn into beautiful framework of a concrete jungle after she slices them into their new form. They become a new, unique style of architecture and design that is created from layers of hand altered and manipulated photographs. Her highly architectural work examines these manmade forms in the midst of their environments. She often snips away at the manmade structures, but leaves the lush landscape in the background alone.
Often using photographs of scenes from different cities all over the world, these once extremely diverse places now are stripped down to their bones where they look somewhat similar. Soo Kim’s hand-cut structures unify these contrasting places, creating a balance of harmony. The incisions in her layered and cut two-dimensional work form a sense of volume, a three-dimensional element is added with her manipulation of foreground and background. Soo Kim’s art can often be more abstract, creating more vividly colored work with the same incredible cutting technique. Not always focused on architecture and manmade structures, the artist’s body of work also includes several ephemeral scenes of nature. With a light and airy palette, her tree branches droop, curve, and jut out of the composition in every direction, creating an amazing sense of depth. Make sure to check out more of her work on Angles Gallery’s website, where she is represented.