A good collaborative gallery show is like a good relationship—each artist’s work supports the other without being repetitive or unharmonious. “The Give and Take,” an exhibition in The Joseph Gross Gallery at The University of Arizona School of Art by Kristin Bauer and Emmett Potter, works on both levels. The married couple often collaborates and has exhibited together on numerous occasions.
The artists both work in multimedia and they share a similar aesthetic and point of view. Bauer says,
“I often juxtapose two or more iconic references or material of my own creating, drawing from a wide range of sources that spans anything from Renaissance sculpture to Jayne Mansfield, Shakespeare to Spielberg films, the Great Gatsby to Cheap Trick. How we make meaning of things as cognitive creatures, what we attach to and what we are repelled by is what keeps me engaged.”
Similarly, Potter incorporates vintage comic book imagery into his work. He combines different color palettes and emphasizes what is absent against what is present, making pointed statements about pop-culture. Both Bauer and Potter adapt, appropriate, alter and excavate our shared public domain in an attempt to decode how we attach meaning to the iconography of our culture.
On exhibit since May 28, a closing reception for “The Give and Take” will be held on August 29 from 5:30-7 p.m.
Remi Rough has been incredibly active in the past few years marking the globe repeatedly with his juicy geometric art on huge urban buildings, other unlikely structures and in numerous galleries and museums. The prolific international artist returns to SOZE Gallery in Los Angeles July 19th to open his latest installment of work in his solo exhibit “Remi Rough: Further Adventures in Abstraction.” This exhibit, featuring a mother-load of over fifty new works on canvas, wood and paper, continue the evolution of Rough’s aesthetic, adapted from the mammoth swallowing scale on the streets to intimate smaller works in juicy vibrant palettes. The crisp clean lines and darting yet fluid sense of movement in these works create a tension in their depth, while maintaining a minimal pristine quality in their draftsmanship.
Japanese artist Mr. built an installation in the Lehmann MaupinGallery that is a gorgeous messy heap of cultural garbage/treasure. Using old anime posters, tarps, wood veneer cabinets, bouncy balls and the like, Mr’s installation overwhelms us with the incredible amounts of Stuff we as a society create; a physical version of contemporary internet culture’s constant sensory overload. His show is up for another three days, so if you’re in the NY area, catch it while you can! Press release:
“Mr. has envisioned a complex, chaotic installation that serves as immersive sculpture by forcing viewers to interact with the work and places them in a scenario that is psychologically unsettling. His new body of work aspires to blur the distinction between the interior and exterior through the construction of structures and atmospheres inhabited by familiar objects that are conversely used to communicate the unfamiliar: in this instance, an experience most people have not lived. Viewers are given insight to the psychological state of Japan all the while remaining alien to the experience. Composed of garbage and everyday objects from Japanese life, this installation stands as a reminder of the debris that blanketed Tohoku in the aftermath of March 11.”
The Kopeikin Gallery announces Moby: Destroyed photography exhibit opening Saturday, September 10, 2011. Destroyed features photography taken by Moby all over the world. The gallery will host a reception and book signing with the artist will on September 10th from 6:00 PM – 8:00 PM. Read more about the show after the jump.
For those of you in the Bay Area, Guerrero Gallery is having a group show of awesome artist featuring AJ Fosik, Ben Venom, and Erin Riley. With a focus on traditional craft, a seemingly almost extinct skill in today’s highly digitized world, this exhibition aims to bring light and exposure to the hands-on work of each of these very distinct art. The show will run through until December 4th.
Whatever Lola wants, Lola gets. You know that anyone who goes by one name is cool as cool can be. So that’s why you should definitely go see Lola’s second solo exhibition, “Ipsum Factum”, at Corey Helford gallery. The opening is on Saturday March 27th, 8-10 pm. But if you absolutely cannot make it out for the reception, the work will be up until April 14th. After the jump, you can get one more sneak peek of Lola’s new work before the show.
Artist Roxy Paine will be having his opening reception tonight at James Cohan Gallery called Dendroid Drawings and Maquettes, on view May 1 through May 30, 2009. The exhibition includes a scale model of Maelstrom as well as drawing studies from the artist’s well-known series of stainless steel Dendroid sculptures. This show runs concurrent to Roxy Paine on the Roof: Maelstrom, a site-specific installation at The Metropolitan Museum of Art’s Iris and B. Gerald Cantor Roof Garden on view from April 28 through October 25, 2009