Using an iPhone and Instagram, Kalen Hollomon has taken collaging to a new level. Although Hollomon sometimes works in a traditional way, cutting apart images and reassembling them into hybrids, his New York City collages are often made on the fly as he inserts a cutout image into a photo as he takes it. The resulting images are a sly wink to the viewer as pants are replaced with porno magazines nudes and subway riders are given unexpected seatmates. The fact that Hollomon leaves his fingers in the shots is another play on altered reality. How does he compose these impromptu collages in real time?
“I will find an image in a magazine or a book that speaks to me and I’ll cut it out and have it with me. And I’ll usually have between one and five in a folder in my pocket. And when I’m out in the city I wait until I come across a situation that works with one. And I’ll get super excited and pull it out. It’s just waiting for the two worlds to come together.” (Source)
In the most meta of these collages, Hollomon stands holding his phone in an empty bathroom, reflected in the mirror over the sink, holding a picture of a naked, smiling man apparently leaning over the countertop. In the reflection you can see Hollomon holding the cutout and in the photo, you can see Hollomon’s fingers. It plays with the idea of real and unreal, lifting the curtain while obscuring the illusion.
“You can create a powerful image that at first looks nice and maybe is a bit funny but if you look a bit deeper, it also might have something more to say than that. … I am always concerned with what lies beneath the surface. I hope to create conversation that is rooted in questions related to learned social rules, identity, the subtext of everyday situations and perception.”
(via It’s Nice That)