Heeseop Yoon is a Korean artist based in New York concerned with clutter, junk, and our impossibility of absolute perception. His enormous installations begin with photographs of people’s piles of hoarded objects, which, like Giacometti, he then draws and re-draws and re-draws, leaving initial lines to remind him of the instability of his own perception, then re-draws them on enormous scale using tape (which is a form of junk in its own right) galleries and on buildings. The combination of cluttered objects and the instability of perception is a pretty perfect one, they feel like the exact opposite of Gursky’s 99 Cent store photograph yet weirdly similar, both enormous in scale, both about the glut of objects in our society, but executed in inverse manners. His pen and paper drawings are amazing too, check out his website to see more!
Matthias Duwel’s abundantly colorful paintings and black and white drawings operate in dynamic transition between clutter and streamlined clarity. Düwel’s work centers on the idea of flux, excess and superabundance. At first glance, the environmental issues addressed in his pieces deflect recognition, due to the skillful use of unique color spaces-from chromatic grays to highly saturated pinks, greens, blues and violets.
The worlds Düwel constructs are reminiscent of amusement parks, camouflaging so to speak the seriousness of the subject-matter. His chaotically vivid, whirlwind compositions spin out of control, however upon closer inspection, little areas of respite, little Edens appear: a snow globe, an Airstream trailer, a suburban enclave.
These idealized enclaves produce the realization that only deep inside ourselves, within the confines of our own inner sanctum, can we find the stability that we as humans inherently seek…our personal Eden.
Martha Otero Gallery in Los Angeles opens a solo exhibition of Duwel’s work entitled Eden on August 4th.