Bizarre and surreal animal manipulations are artist Sarah Deremer’s specialty. In her series titled Balloon Zoo, she transforms colorful balloon animals into the real life animals they represent. At first glance, you may think that the balloons have been painted to look hyper real. However, once you see the animal eye looking back at you, it is unmistakable that something is different about these balloon animals. Each creature is still in the shape of a balloon animal, but appears to have characteristics and features of its living counterpart. Their bright colors and fun shapes contrast against the visible textures of fur, shell, and skin. Both cute and a little odd, her quirky critters will have you staring, trying to decipher what is real and what is not.
After receiving her bachelor’s in photography, she took her work to the next level through digital manipulation. It is truly amazing how the details of the real animal bend and form around each part of the balloon version. Animal manipulation is a common theme in Deremer’s work, as she has other work titled Animal Food and Big Mouth Birds that will change your perception of what could be possible in the animal kingdom.
“Balloon Zoo is a photo-manipulation project showing the realistic rendition of children’s balloon animals. The balloons are all re-imagined with realistic elements, made by combining photos of balloons with photos of the animals they represent.”
Mark Twain once noted, “Man is the only animal that blushes, or needs to”, indicating more than just a lack of fur separates us from our fellow mammals. Swiss photographer Vicky Althaus is known for taking risks to achieve unique scenes for capture, but her newest series offers something even more primal.
Going beyond setting the human body in a natural environment, Althaus has set her subject in what appears to be the familiar scene of a natural history museum. This combination, rather than simply pairing a model with live or taxidermied animals in a more natural state, calls into question our ideas of conservation, our relationship to animals, as well as our relationship to our own bodies. Offering very little titillation, the model’s nudity mirrors the animals, though the interaction appears off-putting, enhanced by the dimly lit room and drab staging. Perhaps the most interesting observation is that the nude model, merely stopping in and solely as a visitor, appears as unnatural as the stuffed animals that are meant to portray some example of our natural world. (via juxtapoz)
Chinese sculptor Liu Xue combines a human with an animal, creating a hybrid being. Each being has a human head with animal appendage (or appendages). A man is merged with a pig, a woman with a chicken, a man with a dog, and more.The result is something we haven’t seen before, one that seems non-threatening, but still grotesque at the same time. Xue has honed his craft and painted the sculptures to be so life like that they fall into the uncanny valley.
Xue’s choice to pair a human with an animal seem to be because it’s funny, and the hybrids fit with each other thematically. For instance, a giant, bald man is given the tiny wings of a bat. Another work pits this same man with a seahorse bottom. We know both of these creatures are tiny, and the disparity in size is what makes it humorous. Other sculptures aren’t so amusing. An older man is combined with the body of greyhound dog. The gaunt appearance of the dog’s body and pained look on the man’s face makes this piece somber.
The unnatural combination of Xue’s work explores the notion of what’s considered attractive or glamourous. A naked, conventionally pretty woman, for instance, is given the unwieldy feet of a chicken. Likewise, a young man has the same features. In the artist’s attempt to make both appear seductive, it’s hard to imagine these creatures moving gracefully.
SVA grad Mu Pan brings East Asian woodblock aesthetics to his colorful, animated paintings. Not much of a “Zen” vibe is to be found here, though. Full of life, the Brooklyn artist’s work explodes off the canvas in a rush of sex and violence. Base, animalistic sensibilities are collected and processed en masse within each piece, and hardly any opportunity for impact is passed over. Really engrossing stuff, whether the focus is placed on a few central figures, or all-encompassing atmosphere.
Raunchy, suggestive illustrations with strange pseudo-human characters leave viewers unnerved, but at the same time, engaged in a conversation of questions. What is going on and why?? Melissa Stekbauer‘s works can place the viewer in a vulnerable, almost submissive, state, allowing her characters some authority. Her works present interesting narratives, especially because they are paired with a softer painting technique, which can feel more inviting and friendly than the actual content of the work. Maybe that’s why it’s “seductive”?